During the last few decades suburbia has grown enormously and become a phenomenon attracting the attention of scholars as well as practitioners by whom it is seen as an increasingly significant and complex area of modern life. The essays in this volume consider a range of representations of suburban life from the late nineteenth century to the present day, including fiction, film, and popular music, drawn from America and Australia as well as Britain. They explore and challenge traditional views of suburbia so that, rather than a location of conformity and stereotypicality, it can be viewed as a site of social conflict, division, and ambiguity as well as a source of significant creativity across a range of cultural texts. The volume takes a thematic approach, considering the rise of suburbia, imagined and real suburbias, alternative suburbias: all of the essays have a strong historical dimension and the overall approach is characterized by interdisciplinarity.

During the last few decades suburbia has grown enormously and become a phenomenon attracting the attention of scholars as well as practitioners by whom it is seen as an increasingly significant and complex area of modern life. The essays in this volume consider a range of representations of suburban life from the late nineteenth century to the present day, including fiction, film, and popular music, drawn from America and Australia as well as Britain. They explore and challenge traditional views of suburbia so that, rather than a location of conformity and stereotypicality, it can be viewed as a site of social conflict, division, and ambiguity as well as a source of significant creativity across a range of cultural texts. The volume takes a thematic approach, considering the rise of suburbia, imagined and real suburbias, alternative suburbias: all of the essays have a strong historical dimension and the overall approach is characterized by interdisciplinarity.

Roger Webster is Professor of Literary Studies and Director of the School of Media, Critical & Creative Arts, Liverpool John Moores University, Liverpool.

This compilation of accounts of people, events and incidents reflects how they shaped and continue to shape the future of South Africa. Now, as history is brought back into perspective, the unbiased stories, the stories of foolishness, bravery, happiness and sadness, can be correctly told.

In Am Lagerfeuer you will find stories of, and about all South Africans. The stories are true accounts of people, events and incidents that shaped and shape the future of our wondrous land. Stories of our land have, for decades been tainted and skewered by political agendas. Now, as our history is brought back into balance, the unbiased stories, the stories of foolishness, bravery, happiness and sadness, can be correctly told.

This new second edition builds on the previous edition in several ways. Like its predecessor, it provides an accessible introductory guide to some of the most important aspects of literary theory, linking them to more traditional terms and approaches to ensure that the areas discussed are not wholly unfamiliar territory. In doing so, it offers a fuller introduction to a wider range of literary theories, including post-structuralism, postmodernism, New Historicism, post-colonial theory, and theories of sexual identity.

This text provides a wide-ranging introduction to convex sets and functions, suitable for final-year undergraduates and also graduate students. Demanding only a modest knowledge of analysis and linear algebra, it discusses such diverse topics as number theory, classical extremum problems, combinatorial geometry, linear programming, game theory, polytopes, bodies of constant width, the gamma function, minimax approximation, and the theory of linear, classical, and matrix inequalities.