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Showing 1 - 8 of 8 matches in All Departments
Collection of eleven classic films from influential filmmakers Michael Powell and Emeric Pressburger. 'The Battle of the River Plate' (1956) tells the true story of the famous 1939 naval battle. Hans Langsdorff (Peter Finch) is captaining the crack German battleship Graf Spee through the South Atlantic, unaware that a small number of lightweight British battle cruisers are hot on his trail. When the British cruisers manage to trap the powerful German ship in the Uruguayan harbour of Montevideo, they attempt to trick Langsdorff into believing that an entire battle fleet is waiting to destroy his vessel at sea. In 'A Canterbury Tale' (1944), a British sergeant, a land girl and a United States Army officer arrive at a Kent village on the same train. The newcomers are brought face to face with the bizarre menace causing bewilderment in the tight-knit community: someone is pouring glue onto the hair of girls who dare to venture out at night with visiting servicemen. Powell and Pressburger offered this 'propaganda' piece as their contribution to the war effort, but the authorities were unsure how its oddball tone would go down with the Allies. In '49th Parallel' (1941), Laurence Olivier and Leslie Howard are among the stars who try to prevent Nazi sailors, from a sunken U-Boat, reaching neutral USA through Canada in this classic war film, which was intended to persuade America to join World War II. Pressburger won an Academy Award for the story and the film was directed by Powell. In 'I Know Where I'm Going!' (1945), a woman (Wendy Hiller) has always known what she wanted in life, and now she is about to marry a millionaire. But when she ends up stranded on a Hebredian island due to a storm, she begins to see things a little differently. 'Ill Met By Moonlight' (1957) was the final film created by Powell and Pressburger together. Set on the island of Crete during the Nazi occupation, the film stars Dirk Bogarde and David Oxley as British officers assigned to kidnap the German commander-in-chief General Kreipe (Marius Goring) and spirit him back to Cairo. If successful, the morale of the Germans would be weakened and the resistance would be stronger. But once he is captured, the British officers have to get him past German patrols at almost every turning. In 'The Life and Death of Colonel Blimp' (1943), stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp. In 'The Red Shoes' (1948), ballet impressario Boris Lermontov (Walbrook) hires up-and-coming ballerina Victoria Page (Moira Shearer) and talented young composer Julian Craster (Goring) to work with him on a new ballet, an adaptation of the Hans Christian Andersen story 'The Red Shoes'. The show is a great success and Victoria and Julian fall in love, but Boris is jealous and makes moves to spoil their happiness. 'A Matter of Life and Death' (1946) is a classic wartime propaganda movie, commissioned by the Ministry of Information, but turned into a fantastical allegory by the Archers, aka Powell and Pressburger. David Niven plays an RAF pilot who is ready to be picked up by the angels after bailing out of his plane. But an administrative error in Heaven leads to a temporary reprieve, during which he must prove his right to stay on Earth. A tribunal in heaven ensues to decide the case. In 'They're a Weird Mob' (1966), Nino Culotta (Walter Chiari) is an Italian immigrant who arrives in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine has folded, the cousin has done a runner and the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. 'The Tales of Hoffman' (1951) is an adaptation of Jacques Offenbach's opera and follows Hoffman's (Robert Rounseville) tales of his love for the doll Olympia, the courtesan Giuletta (Ludmilla Tcherina) and the frail diva Antonia (Anne Ayars), and of how his quest for the eternal woman was always thwarted by evil. Finally, in 'Black Narcissus' (1946), a group of British nuns are sent into the Himalayas to set up a mission in what was once the harem's quarters of an ancient palace. The clear mountain air, the unfamiliar culture and the unbridled sensuality of a young prince (Sabu) and his beggar-girl lover (Jean Simmons) begin to play havoc with the nuns' long-suppressed emotions. Whilst the young Mother Superior, Sister Clodagh (Deborah Kerr), fights a losing battle for order, the jaunty David Farrar falls in love with her, sparking uncontrollable jealousy in another nun, Sister Ruth (Kathleen Byron).
In this Powell/Pressburger production set in World War Two Britain, stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp.
Six classic movies starring Margaret Lockwood. 'The Wicked Lady' (1945) is set during the reign of King Charles II. Lockwood stars as Lady Skelton, an aristocrat who attempts to relieve the tedium of her day-to-day life by secretly acting as a highway robber. Lady Skelton soon finds herself caught up in a tangled web of romance, danger, and jealousy. In 'Love Story' (1944), Lissa (Lockwood) discovers she only has a short time to live, so travels to Cornwall for a final fling. While there, she falls in love with young mineral prospector, Kit (Stewart Granger). However, the course of true love does not run smoothly. In 'Bank Holiday' (1938), a group of people set off on an August bank holiday, including a raucous Cockney family, a would-be beauty queen, and two young lovers - whose relationship starts to come apart when one has to deal with a bereavement at the hospital where she works. In 'Give Us the Moon' (1944), a young man, Sascha (Vic Oliver), joins a group called 'The Elephants' whose principle is to abide by a complete disregard for work. However chaos ensues when the group decides to help run the hotel owned by Sascha's father. In 'Highly Dangerous' (1950), when British Intelligence discovers that an Iron Curtain country is developing insects as weapons, they dispatch entomologist Frances Gray (Lockwood) to get into the country and collect specimens. However her cover is almost immediately blown on her arrival and her contact is murdered. Finally, in 'The Lady Vanishes' (1938), when the elderly Miss Froy (Dame May Whitty) goes missing on a train bound for England, her friend Iris Henderson (Lockwood) sets out to find her. However, Iris' attempts are immediately frustrated by her fellow passengers, who question whether Miss Froy ever even existed. Only music scholar Gilbert Redman (Michael Redgrave) is prepared to believe Iris, and together they set about getting to the bottom of the mystery.
Double bill of musical films starring Jessie Matthews. In 'Evergreen' (1934), directed by Victor Saville, Matthews is Harriet Green, a famous music hall star with a secret - she has a child, born out of wedlock. To avoid scandal, Harriet leaves for South Africa to raise her daughter there. A dead ringer for her mother and music hall hopeful, the young Harriet Hawkes (also Matthews) returns to London to seek fame. Cunning talent manager Tommy (Barry Mackay) markets the young Harriet as a 'well-preserved' version of her mother, convincing the public. Can Harriet maintain the pretence? Albert de Courville directs 'There Goes the Bride' (1932) which stars Matthews as Annette Marquand, a reluctant bride who flees on the morning of her wedding by boarding a train to Paris. When Annette's purse is stolen at the train station, she elicits the sympathy of the gentleman sharing her carriage, Max (Owen Nares), who invites her to stay with him. With detectives hot on her heels, the last thing Annette needs is to fall in love with a stranger...
Wendy Toye directs this thriller starring John Justin as Philip Chance, a successful writer. Philip's publisher Maurice (Raymond Huntley) calls Philip back from the south of France with an invitation to write a biography of a young pilot, Martin Teckman (Michael Medwin), who was killed during a test flight in a new warplane, the Walters-Armitage F109. As Chance delves into the life of Teckman and the crash, he struggles to make sense of contradictory information. When friends and colleagues of Teckman start disappearing, Chance realises how murky the case is and begins to question the circumstances of Teckman's death.
Wartime spy thriller. Richard Greene stars as war correspondent Bob Randall, who returns from Dunkirk to report on Nazi atrocities committed during the Blitzkrieg, and to deliver a stark warning about the traitors who aided the Germans in their conquest of Europe. He is outraged to discover that the 'People for Peace Society' in England are campaigning to appease the Germans, and tries to expose them for the fools they are - only to have his newspaper stories censored by Home Security. As the Blitz rages in London, Randall and fellow journalist Carol Bennett (Valerie Hobson) uncover an even more sinister side to the Society. Do they have advance knowledge of German bombing raids? And who is really controlling them?
World War Two drama starring James Mason. When four intelligence officers arrive in occupied France on a mission to determine the strength of the German forces, they know full well that they are on a suicide mission. But once they penetrate the Nazi headquarters, can they survive long enough to get their information to the British troops? Roland Culver, Michael Wilding and Hugh Williams co-star.
Horror anthology. Architect Walter Craig (Mervyn Johns) arrives at country house Pilgrim Farm thinking that he has been hired to remodel it. He finds the building strangely familiar, and upon entering discovers that he recognizes all of the house's occupants from a recurring nightmare he has experienced. One by one, everyone present relates their own horrific nightmare: Grainger (Anthony Baird) dreams that he is a racing driver recuperating from an accident; teenager Sally O'Hara (Sally Ann Howes) dreams of a Christmas party where she discovers a lone crying child; Joan Courtland (Googie Withers) relates a story of an antique mirror linked to an ancient murder; the next story concerns two golfers who vie murderously for the attention of a young lady; and the final story features a ventriloquist (Michael Redgrave) whose dummy comes to life.
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