Although the literature of Ancient Egypt is comparatively poorly known compared to its art and architectural achievements, it has been the subject of intense study for almost 200 years, and constitutes one of the earliest literary traditions produced anywhere in the world. This book brings together work from many of the main researchers in the field of Ancient Egyptian literature, and reviews the numerous developments in the theoretical framework of interpretation more recently. The field of literary studies has witnessed a rapid development. The application of more theoretically informed approaches to the ancient literary corpus, and a more detailed analysis of context, form, and reception, have fundamentally challenged the interpretative paradigms that formerly held sway. These papers enable many of the foremost researchers in the field to examine the overall state of work on the subject. Beginning with contributions from scholars working in the literatures of other ancient cultures (Mesopotamian, Old Testament, Classical), the book covers a wide range of Ancient Egyptian uses of written culture, with contributions covering the Middle Egyptian, Late Egyptian, and Demotic language stages. There are also contributions touching on genre, performance, intertextuality, biography, monumental context, and reception. The papers demonstrate the broad range of approaches currently used in interpreting Ancient Egyptian texts, and attest to the ongoing vitality of this field of study.

The Dialogue of Ipuwer and the Lord of All is one of the major works from the golden age of Egyptian literature, the Middle Kingdom (c. 1980-1630 BC). The poem provides one of the most searching explorations of human motivation and divine justice to survive from Ancient Egypt, and its stark pessimism questions many of the core ideologies that underpinned the Egyptian state and monarchy. It begins with a series of laments portraying an Egypt overwhelmed by chaos and destruction, and develops into an examination of why these disasters should happen, and who bears responsibility for them: the gods, the king, or humanity.
This volume provides the first full literary analysis of this poem for a century. It provides a detailed study of questions such as: its date of composition; its historicity; the identity of its protagonists and setting; its reception history within Egyptian culture; and whether it really is a unified literary composition, or a redacted collection of texts of heterogeneous origin.
Providing a new reading of the poem, within the cultural milieu that produced it, this volume will be essential reading for scholars and students of Ancient Egyptian literature, the Old Testament and comparative religion.