Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before—sensuous, dangerously witty, audacious—from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.

Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before-sensuous, dangerously witty, audacious-from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.

..". [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' -- The ClassicalReview

Rolfe Humphries (18941969), in addition to being an outstanding poet, left an impressive trail as a translator, teacher, critic, and editor. But, as Richard Gillman maintains in his introduction, poetry was the driving force behind these other special skills and interests. Humphries was, Gillman writes, an example of "the total poet. . . . If ever there were poets who did in fact breathe their art, he was one of them."

These letters for the first time illumine Humphries and his achievements. We see him as the mentor to younger poets, including Theodore Roethke, providing rare glimpses of poetics and the creative process; the teacher so charmed by horseracing he sometimes "put an exam on the blackboard . . . and then bugged out for the track"; the "literary terrorist" whose criticism Robert Frost never forgot and probably never forgave him for; the translator whose Aeneid prompted W.H. Auden to call it "a service for which no public reward could be too great"; the author of an introduction to Ezra Pound's poems who defied Pound's demand that a reference to his anti-Semitism be deleted. And so on and on, in all of Humphries' surprising variety and unfailing candor.

Active in America's literary community, Humphries was a friend of many poets and writers, including Louise Bogan, Edmund Wilson, and Roethke. This volume takes on added meaning by completing the published account of the relationships of these four as already told by Roethke, Bogan, and, to a lesser extent, Wilson.

"Poets, Poetics, and Politics" is set in a period that opened just two years before the birth of Harriet Monroe's Poetry; when it closed, most of the twentieth century's literary giants had died. Also in this time, many writers, Humphries included, dreamed the dreams of communism; his letters on this subject are both informative and absorbing.

"The view embraces modern poetics and a great deal of cultural history. I found all of this captivating, and readers will too."--Jay Parini, author of three books of poetry, three novels--including the recently acclaimed "The Last Station"--and a critical study, "Theodore Roethke: An American Romantic."

"The letters are often pungent and flavorful."--George H. Douglas, author of six books and editor of seven, including "Edmund Wilson's America."