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Conceived in 1976 and published in 1980, LEGEND exemplifies the
political and linguistic commitments of then-nascent Language
writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray
DiPalma, Steve McCaffery, and Ron Silliman, the work was composed
on typewriters and developed through the mail. The twenty-six poems
of the volume bring together every possible permutation of
collaborative authorship in one-, two-, three-, and five-author
combinations, revealing the evolution of distinctive styles against
and in conversation with others. Along with a complete reproduction
of the original text, LEGEND: The Complete Facsimile in Context
includes a critical introduction by editors Matthew Hofer and
Michael Golston, a generous selection of material from the authors'
correspondence, and a new collaborative piece by the authors. This
book will be an essential resource to students and scholars in
twentieth-century poetry and poetics.
Between the Age of Innocence and the Age of Experience comes "The
""Age of Huts. "This book brings together for the first time all of
the poems in Ron Silliman's "Age of Huts "cycle, including "Ketjak,
Sunset ""Debris, The Chinese Notebook, "and "2197, "as well as two
key satellite texts, "Sitting Up, Standing, Taking Steps, "and
"BART. "Each poem offers a radically different approach toward
using language to explore the world. One of the founding works of
Language Poetry, "The Age of ""Huts "is about everything, more or
less literally, as each sentence, even each phrase, embarks on its
own narrative, linking together to form a large polyphonic
investigation of contemporary life. From "Ketjak, "one of the first
poems to employ "the new sentence," to "2197, "a serial work that
scrambles the vocabulary and grammar of its sentences, "The ""Age
of Huts "questions everything we have known about poetry in order
to see the world anew.
Poetry. NORTHERN SOUL is the second poem in a major sequence
entitled Universe, following on from REVELATOR, published by
BookThug in Canada in 2013. Universe is a work that, were Ron
Silliman to live long enough, would take him three centuries to
complete; it is a poem of globalization and post-global poetics (an
important reason for publishing several sections outside the
author's native USA). NORTHERN SOUL is a book-length poem of
observation and reminiscence, a kaleidoscope of impressions
occasioned by visits to Lancashire, in the north-west of England,
where the author has several times appeared at the Bury Text
Festival; Lancashire is also home to the Northern Soul music
scene--another moment of US/UK interpenetation.
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The Sophist (Paperback, New)
Charles Bernstein; Introduction by Ron Silliman
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R506
R442
Discovery Miles 4 420
Save R64 (13%)
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Ships in 10 - 15 working days
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The Sophist was first published by Sun & Moon Press in 1987 and
has been unavailable for well over a decade. A pivotal book for
Bernstein, The Sophist demonstrated his great range of subject
matter, style, and genre. By contrasting wildly different
approaches to poetry, Bernstein not only questions the intrinsic
value of any given form but also provides a model for his later
heterogeneous books, including My Way and With Strings. If sophism
is the opposite of both philosophy and the lyric, then The Sophist
is model for a rhetorical poetry that interrogates truth in the
name of reason.
"Under Albany is the shadow movement of Ron Silliman's epic of
everyday life, The Alphabet. Silliman provides a set of extended,
vividly etched, mostly autobiographical, meditations on the
background for each of the original 100 sentences of his 1981 poem
Albany. This constructivist memoir provides an exquisitely rich
exploration of the relation of context to reference, subtext to
meaning, back story to presented experience, and composition to
poetics. All of Silliman's work unravels and reforms in this
exemplary and exhilarating act of attention, recollection, and
reflection." --Charles Bernstein
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Tjanting (Paperback)
Ron Silliman; Introduction by Barrett Watten
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R508
R444
Discovery Miles 4 440
Save R64 (13%)
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Ships in 10 - 15 working days
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Space heater. Writing gathers around the pigeons. This line leads
to Uranus. Nun census. Silver fork upon a chipped blue plate. I saw
sleeping bag, pillows in the Buick's back. The companionship of
refrigerator's hum. This is beginning I again began not. Salt
shaker tall as coffee's mug. Dented Opel's orange fender. Gray
dawn. On the rain falls Spain mainly in the brain. Smudges forming
fingertips on the back door's windows. X-ray reads gold-leaf sign
on the glass. First sound of roommates beginning to stir. Grey into
yellow comes sky to the room. Each page, once tree, soon shall be
ash. Leather chipping, flaking off the tattered jacket. A woman who
wears sweat pants. Detestimonialist. Don't sneeze on cat.
Predictable boots worn by Frye people. Potholders old and dark.
Ridges by bridges. Knife blade streaked with butter. That bus
coming back this way. Rough surface of cat's tongue. Pin koans.
Clutter of seeds, oils, spices atop the side board. Uganda
Liquors.Pedestrians scamper across in the sun. Stake each sentence
out. Call this 5 Corners. Knot this knot. Ball bounced into the
panda plant. Cups fill the cupboard. Aliens from other planets are
perfectly visible. Tamal is a half-name in the place of the name.
The squeak of faucets. I was on the road discovered. Ash "tray."
Yellow caterpillar tractor. Ashtray fills up. Waking is in each
instant I am. Across, then down and across. Her tone to him through
long years of rough intimacy was at once tender and gruff. Begin
each letter at the top. Not this. Pit bull's spittle as it snarls.
I saw a burgundy filling the clear vial at needle's end, my blood.
Liquid detergent. Ing the trap bears ed. Roach holder made of a
matchbook. She never lookd this way, whose face I sought a glimpse
of. Free write each day. My fingers counted between nine and
eleven.Any symbol is a contrary seen in a positive light. A
specific shape, complex amd nameable, to each cloud. Sky pilot.
Factory filld with sunrise. Scraping paper, leaving tracks.
Forklift to timeclock of montage and cut. Call this tracing. 3
wooden rainwarpd chairs in the (back) yard. Fence is a verb.
Scratch that. Each word in Max 3 meant polis. In the mind mines
gape. Tell that to the Possum. Words tried to imagine. Coffee
ground spilld on the stove top. Bare nap rugs on the cat. Mouth
open, take a deep breath, say Ah. On the far gray bay side haze
hued the hill.Rush of footsteps upstairs. Bathetic. In a middle
that is not yet the middle. The mock coolness of the air-conditiond
underground. Hours alter colors of the page. Grease sizzles,
spitting on the stove top. Words vary. Swam past sand sharks. An
idea of land's end. Pale luncher. An eternal groove around record's
center. 4-tunneld city and 7 its hills. Owl light.Impaired eyes,
desert rocks are attributed evenly throughout the pain. Red water.
We saw on the sea sails. Stoppage makes the line. Translicity
elects the voice. Cowabonga. But you dependent for what comes thru.
Call it dogface. Know all blame, same difference. Doors "ajar." I
glimpse the machinery of the modern dentist thru windows. Pills on
my Tarot. Shade throws the light lamp. Pacific Palisades. Write
between light green lines. Beer in waxed cups. Noon's rise mooning.
Someone must make awnings. On the bus home from work, squinting at
a thick printout. On a bus in dawn heavy fog, on my way to meet
Taggart. Smouldering sienna. One ideogram, meaning lunch, middle or
China. The familiar smell suddenly of balsawood and Testor's in a
hospital corridor.My nose, seen as a waterfall. Disfeel an ease.
Cary Grant on the face of George Washington. Or the faces of
watchers through a window at sunset, their skin blue by the dim
light of the telly. Once on the bus, took his shoes off. Detains,
denotes detonation. His eyes enlarged by his glasses.
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The Alphabet (Paperback, 2nd ed.)
Ron Silliman; Series edited by Charles Bernstein, Hank Lazer
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R1,371
R1,115
Discovery Miles 11 150
Save R256 (19%)
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Ships in 12 - 17 working days
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The Alphabet is a remarkable and notorious literary achievement,
decades in the making, one continually debated, discussed, and
imitated since fragments of it first appeared in the 1970s.
Consisting of twenty-six smaller books, one for each letter of the
alphabet, it employs language in ways that are startling and
innovative. Over the course of the three decades during which it
has appeared - in journals, magazines, and as stand-alone volumes -
its influence has been wide-ranging, both on practicing poets and
on critics who have had to contend with the way it has changed the
direction of American poetry.Ron Silliman, a founder of the
language poetry movement in the 1960s and one of its most dedicated
and acclaimed practitioners, has deployed in ""The Alphabet"" the
full range of formal and linguistic experiments for which he is
known.""The Alphabet"" is a work of American ethnography, a
cultural collage of artifacts, moments, episodes, and voices -
historical and private - that capture the dizzying evolution of
America's social, cultural, and literary consciousness.
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