This is the first and only comprehensive selection of lectures by Ralph Waldo Emerson, his era's most prominent American man of letters and one of the foremost architects of our intellectual culture. Based on authoritative texts selected and edited by Ronald A. Bosco and Joel Myerson - the most experienced Emerson editors working today - these twenty-five addresses collectively exemplify the lecture style for which Emerson was famed in his day. Best known to his contemporaries as a lecturer, Emerson delivered some 1,500 addresses over the course of his career. Because his most important ideas were worked out in his lectures, they provide the best record we have of his evolving thought - and thus are a key to our understanding of his essays and other printed works. Gathered here are lectures on American culture, literary theory and aesthetics, moral and, as Emerson called it, ""intellectual"" philosophy, and social and political reform. They are taken from speaking engagements in the United States and the British Isles over the period 1833-1871, during which Emerson often spent four to six months a year on the lecture circuit; lectures from the earliest years of Emerson's career (1833-1842) have been newly edited for this volume. The volume's introduction draws on contemporary accounts to describe Emerson's idiosyncratic but utterly memorable manner of speaking. A headnote provides context to the composition and delivery of each lecture, and footnotes identify Emerson's allusions to persons, places, occasions, quotations, and books. ""By examining his lectures and how they were delivered,"" say Bosco and Myerson, ""we can look into the laboratory of Emerson's intellectual and compositional process and see his published writings gestating.

The final volume of the Harvard edition presents the journals of Ralph Waldo Emerson's last years. In them, he reacts to the changing America of the post-Civil War years, commenting on Reconstruction, immigration, protectionism in trade, and the dangers of huge fortunes in few hands-as well as on baseball and the possibilities of air travel. His role as a Harvard Overseer evokes his thoughts on education during crucial years of reform in American universities. His travels take him to Europe for the third time, and for the first time he encounters the new garden of California and the enigma of Egypt. He continues to lecture, and a second volume of poems and two more collections of essays, culled from his manuscripts, are published. Finally, his late journals show Emerson confronting his loss of creative vigor, husbanding his powers, and maintaining his equanimity in the face of decline. This concluding volume thus gives a complex picture of Emerson in his last sixteen years, facing old age but still the advocate of "newness" throughout the world.

With the appearance of the tenth and final volume of Collected Works, a project fifty years in the making reaches completion: the publication of critically edited texts of all of Emerson's works published in his lifetime and under his supervision. The Uncollected Prose Writings is the definitive gathering of Emerson's previously published prose writings that he left uncollected at the time of his death. The Uncollected Prose Writings supersedes the three posthumous volumes of Emerson's prose that James Elliot Cabot and Edward Waldo Emerson added to his canon. Seeing as their primary task the expansion of the Emerson canon, they embellished and improvised. By contrast, Ronald A. Bosco and Joel Myerson have undertaken the restoration of Emerson's uncollected prose canon, printing only what Emerson alone wrote, authorized for publication, and saw into print. In their Historical Introduction and Textual Introduction, the editors survey the sweep of Emerson's uncollected published prose. The evidence they marshal reveals Emerson's progressive reliance on lectures as forerunners to his published prose in major periodicals and clarifies what has been a slowly emerging portrait of the last decade and a half of his life as a public intellectual.

"Letters and Social Aims," published in 1875, contains essays originally published early in the 1840s as well as those that were the product of a collaborative effort among Ralph Waldo Emerson, his daughter Ellen Tucker Emerson, his son Edward Waldo Emerson, and his literary executor James Eliot Cabot. The volume takes up the topics of Poetry and Imagination, Social Aims, Eloquence, Resources, The Comic, Quotation and Originality, Progress of Culture, Persian Poetry, Inspiration, Greatness, and, appropriately for Emerson s last published book, Immortality. The historical introduction demonstrates for the first time the decline in Emerson s creative powers after 1865; the strain caused by the preparation of a poetry anthology and delivery of lectures at Harvard during this time; the devastating effect of a house fire in 1872; and how the Emerson children and Cabot worked together to enable Emerson to complete the book. The textual introduction traces this collaborative process in detail and also provides new information about the genesis of the volume as a response to a proposed unauthorized British edition of Emerson s works. Historical Introduction by Ronald A. Bosco

Notes and Parallel Passages by Glen M. Johnson

Text Established and Textual Introduction and Apparatus by Joel Myerson

Society and Solitude, published in 1870, was the first collection of essays Emerson had put into press since The Conduct of Life ten years earlier. Of the twelve essays included in the volume, he had previously published seven in whole or in part: "Society and Solitude," "Civilization," "Art," "Eloquence," "Domestic Life," "Books," and "Old Age." Emerson added five previously unpublished lectures or essays, "Works and Days," "Clubs," "Courage," "Success," and "Farming." This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates corrections and revisions he recorded in both sources, and thus restores for the reader the text he actually wrote. Although he is still visibly the insistent optimist of his early and middle career, here Emerson assumes a more pragmatic attitude than formerly toward the life of the mind and the imagination. Society and Solitude captures the penultimate expression of Emersonian Transcendentalism and Romanticism. Historical Introduction, Notes, and Parallel Passages by Ronald A. Bosco Text Established and Textual Introduction and Apparatus by Douglas Emory Wilson

Upon its completion, The Collected Works of Ralph Waldo Emerson (1971-2013) was hailed as a major achievement of scholarship and textual editing. Drawing from the ten volumes of the Collected Works, Ronald A. Bosco and Joel Myerson have gathered some of Emerson's most memorable prose published during his lifetime and under his direct supervision. The editors have enhanced those selections with additional writings to produce the only anthology that represents in a single volume the full range of Emerson's written and spoken prose genres-sermons, lectures, addresses, and essays-that took on their public life in the pulpit or lecture hall, or on the printed page. Ralph Waldo Emerson: The Major Prose demonstrates the remarkable scope of Emerson's interests, from science, literature, art, philosophy, natural history, and religion to pressing social issues such as slavery and women's rights, to the character of his contemporaries, including Lincoln and Thoreau. Emerson's classic essays Nature, "Self-Reliance," and "Experience" complement his less familiar but no less vital texts, including the deeply heterodox sermon on "The Lord's Supper," which effectively announced his resignation from the ministry, and late essays on "American Civilization," "Character," and "Works and Days." Edited according to the most rigorous modern standards, Ralph Waldo Emerson: The Major Prose provides an authoritative compendium of writings by one of America's most significant literary figures and public intellectuals.