Ronald Blythe has spent his life among the artists and writers of his native Suffolk. His books, especially the bestselling "Akenfield", have given East Anglia a distinctive literary voice. Here we accompany Ronald through the lanes of Constable country, we observe him in his study following his early morning writing routine, we meet John Clare, Traherne and countless other writers who continue to influence him, we join him in the ancient tradition of Anglican worship season by season, and luxuriate in the simple beauty of his ancient farmhouse and its garden, made by the artist John Nash. Literature, poetry, spirituality and memory all merge to create exquisite stories for our times.

The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet's understanding and imagination.

Written at a time of very lax standards in the parish ministry, this short, classic text by George Herbert exudes the wisdom, humility, and love for the priestly life for which the poet became renowned in his short life.

Open the ancient door of an old church, says Ronald Blythe, and framed in the silence is a house of words where everything has been said: centuries of birth, marriage and death words, gossip, poetry, philosophy, rant, eloquence, learning, nonsense, the language of hymn writers and Bible translators - all of it spoken in one place. This work contains words spoken by Ronald Blythe in the churches he serves as a Reader in the Church of England, and as the local writer expected to add his own distinctive voice. Originating as addresses given at Matins or Evensong, they follow various paths into old and new liturgies, literature and the local countryside. They bring together the author's delight in language, his recollections of farming, his recognition of friends and neighbours, and the hopes he has found in faith.

An illustrated collection of the author's regular weekly column on the back page of the Church Times, where, with a poet's eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in Constable country.

'The View in Winter' is a timeless and moving study of the perplexities of living to a great age, as related by a wide range of men and women: miners, villagers, doctors, teachers, craftsmen, soldiers, priests, the widowed and long-retired. Their voices are set in the context of what literature, art, religion and medicine over the centuries have said about ageing. The result is an acclaimed and compelling reflection on an inevitable aspect of our human experience.

With reverence and love, Britain's most admired rural writer chronicles daily life in the Stour valley village, finding beauty and significance in its sheer ordinariness as well as in its many literary, artistic and historic associations. The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times. These delightful essays first appeared in the `Word From Wormingford' column, a popular back page feature of the Church Times for some 20 years. It was praised as one of the finest journalistic columns by the Guardian in November 2012.

'All the charm, wonder, eccentricity and vigour of country life is here in these pages, and told with such engaging directness, detail and colour . . . Bliss' STEPHEN FRY 'A capacious work that contains multitudes . . . a work to amble through, seasonally, relishing the vivid dashes of colour and the precision and delicacy of the descriptions' THE SPECTATOR 'My favourite read of the year . . . warm, funny and moving' SUNDAY TIMES 'A writer whose pages you turn and then turn back immediately to re-read, relish and get by heart' SUSAN HILL, SUNDAY TELEGRAPH Ronald Blythe lived at the end of an overgrown farm track deep in the rolling countryside of the Stour Valley, on the border between Suffolk and Essex. His home was Bottengoms Farm, a sturdy yeoman's house once owned by the artist John Nash. From here, Blythe spent almost half a century observing the slow turn of the agricultural year, the church year and village life in a series of rich, lyrical rural diaries. Beginning with the arrival of snow on New Year's Day and ending with Christmas carols sung in the village church, Next to Nature invites us to witness a simple life richly lived. With gentle wit and keen observation Blythe meditates on his life and faith, on literature, art and history, and on our place in the landscape. It is a celebration of one of our greatest nature writers, and an unforgettable ode to the English countryside.

The Time by the Sea is about Ronald Blythe's life in Aldeburgh during the 1950s. He had originally come to the Suffolk coast as an aspiring young writer, but found himself drawn into Benjamin Britten's circle and began working for the Aldeburgh Festival. Although befriended by Imogen Holst and by E M Forster, part of him remained essentially solitary, alone in the landscape while surrounded by a stormy cultural sea. But this memoir gathers up many early experiences, sights and sounds: with Britten he explored ancient churches; with the botanist Denis Garrett he took delight in the marvellous shingle beaches and marshland plants; he worked alongside the celebrated photo-journalist Kurt Hutton. His muse was Christine Nash, wife of the artist John Nash. Published to coincide with the centenary of Britten's birth, this is a tale of music and painting, unforgettable words and fears. It describes the first steps of an East Anglian journey, an intimate appraisal of a vivid and memorable time.

This colourful, perceptive portrayal of English country life reverberates with the voices of the village inhabitants, from the reminiscences of survivors of the Great War evoking days gone by, to the concerns of a younger generation of farm-workers and the fascinating and personal recollections of, among others, the local schoolteacher, doctor, blacksmith, saddler, district nurse and magistrate. Providing insights into farming, education, welfare, class, religion and death, Akenfield forms a unique document of a way of life that has, in many ways, disappeared.

What happens in an old farmhouse when the farmers have left? Perhaps only a poet-historian-storyteller can say. These traditional work centres were established centuries ago, sometimes in the village street, often far away in their own fields. But the pattern of the toil was the same. This quietly vanished a few years ago. Ronald Blythe describes the going of it in his celebrated Akenfield. Some years before this his friend John Nash had rescued an already abandoned farmhouse in the Stour Valley from total dereliction. It was called Bottengoms. Nobody knows why. John Nash called himself an Artist-Plantsman. Behind both artist and writer there existed many generations of farmers and shepherds. Old houses will always have their say. For Ronald Blythe at Bottengoms Farm it was in the form of a meditation on past and present. He found that the ancient place asked more questions than it gave answers, and was challenging, and was energetic rather than spent. It must have been part of a prehistoric settlement in a stony valley and also a farm seen by the young John Constable, whose uncles ground its corn. For they were Bottengoms neighbours, and were known to the artist as the Wormingford folk. Ronald Blythe himself knows what the old farm is talking about. Its great days and routine days, its seasonal labour and play, its faith and despair. Its land was both poor and rich in snatches, flint fields and mossy pastures, vast trees and weeds and high skies. Once Queen Elizabeth arrived to hunt below where the Stone Age people lay in their circular graves. Inside Bottengoms there are telling handprints and footprints everywhere, and this is their tale. It is a tale told by a true countryman who has looked and listened all his life. And mostly in his native place.

Features a collection of sixty "Word From Wormingford" columns from the back page of the "Church Times," published in the autumn of 2006. This work presents mini essays that reflect the natural landscape, the changing seasons, village life, art, poetry, the stories that ancient churches tell.

Companion in theme, period and setting to What Maisie Knew, The Awkward Age is another of Henry James's studies of innocence exposed to corrupting influences. Nanda Brookenham is 'coming out' in London society. Thrust suddenly into the vicious, immoral circle that has gathered round her mother, she even finds herself in competition with Mrs Brookenham for the affection of the man she admires. Light and ironic in its touch, The Awkward Age, nevertheless analyses the English character with great subtlety. The Awkward Age, which has been much praised for its natural dialogue and the delicacy of feeling it conveys, exemplifies Conrad's remark that James 'is never in deep gloom or in violent sunshine. But he feels deeply and vividly every delicate shade.'

Britain's best loved rural writer chronicles the progress of the seasons in the Stour valley village where he has lived and worked among artists, writers, farmers and, increasingly, commuters. For all the changes in the contemporary countryside, timeless qualities remain and both are captured here with a poet's understanding and imagination.
The year takes its shape from the seasons of nature and the feasts and festivals of the Christian year. Each informs and illuminates the other in this loving celebration of nature's gifts and neighbourly friendship. Literature, poetry, spirituality and memory all merge to create an exquisite series of stories of our times.
These short essays first appeared in the 'Word From Wormingford' column, a popular back page feature of the Church Times.

Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.

Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.

Canterbury Press is proud to have acquired these backlist Ronald Blythe titles, consisting of illustrated collections of the authors regular weekly column on the back page of the Church Times where, with a poets eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in the South of England. Each volume was critically acclaimed on publication.

Ronald Blythe followed up his famous 'Akenfield' with this book. In it he allows people from all walks af life to reflect in their own words on what it it like to be old. The result is a facinating and moving series of confidences which we are priviledged to share. Whether philosophical, resigned or despairing of their long years, Ronald Blythe discovers in their talk much that helps us undersand the natural but isolating effects of old age. This book provides us with a gentle, perceptive and profound memoir and a deeper understanding of the pattern of our lives. Ronald Blythe is one of today's foremost literary figures. His work, which has won numerous literary awards, includes 'Akenfield'(also made into a film), 'Private Words', 'Word from Wormingford', 'Divine Landscapes', Going to Meet George' and numerous other titles. He lives near Colchester.

Ronald Blythe invites us into the company of his neighbours and friends to hear his reflections on the natural and local history, the liturgy, stories, village events and gossip that shape and unite their lives. Though intimately local, his voice is that of a poet, transcending boundaries of place and time with a universal appeal. 'Man of letters, man of faith, Suffolk man: Ronald Blythe is all of these.' Tiimes Literary Supplement

Open the ancient door of an old church, says Ronald Blythe, and framed in the silence is a house of words where everything has been said: centuries of birth, marriage and death words, gossip, poetry, philosophy, rant, eloquence, learning, nonsense, the language of hymn writers and Bible translators - all of it spoken in one place. This work contains words spoken by Ronald Blythe in the churches he serves as a Reader in the Church of England, and as the local writer expected to add his own distinctive voice. Originating as addresses given at Matins or Evensong, they follow various paths into old and new liturgies, literature and the local countryside. They bring together the author's delight in language, his recollections of farming, his recognition of friends and neighbours, and the hopes he has found in faith.