This is the first comprehensive English-language collection of sources yet to treat the city of Naples from late antiquity to the beginning of the Renaissance. Sources are drawn from its historical, economic, literary, artistic, religious and cultural life from the fall of Rome through the Byzantine, ducal, Norman, Hohenstaufen and Angevin periods. The Introduction offers a comprehensive survey of the periods covered, with a discussion of the historiography and of important research and interpretive issues. These include the material development of the city from late antiquity through the end of the Angevin period, the condition and use of the available primary sources and archaeological evidence, with particular attention given to the wide variety of recent excavations and of archival materials, the question of the ruralization and recovery of its urban core through the little known ducal period, Naples' importance as a commercial and political capital, its developing economic and material base, and the issue of its relationship to its hinterland on the one hand and to broader Mediterranean contexts on the other. It also surveys changes in Naples' urban plan, its walls, fortifications and port and its commercial and residential development. For the later Middle Ages, Musto traces Naples' intellectual life and the complex historiography of what he terms the "black legend of the Angevins" and its continued impact on perceptions of Naples and the Italian South. Documents include chronicles and histories; archival materials, accounts, financial and commercial records, contracts, wills, notarial and legislative documents; poetry, romances, biographies, letters, travelers' accounts and legends; liturgical and hagiographical texts; as well as examples of manuscript production and illustration, painting and architecture. 460 pages. Preface, introduction, notes and bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 82 readings, 74 b&w figures, plus 60 thumbnail images. Links to online resources from A Documentary History of Naples, including image galleries with over 460 additional images in full color; and to full bibliographies with ongoing supplements.

American higher education is under attack today as never before. A growing right-wing narrative portrays academia as corrupt, irrelevant, costly, and dangerous to both students and the nation. Budget cuts, attacks on liberal arts and humanities disciplines, faculty layoffs and retrenchments, technology displacements, corporatization, and campus closings have accelerated over the past decade. In this timely volume, Ronald Musto draws on historical precedent - Henry VIII's dissolution of British monasteries in the 1530s - for his study of the current threats to American higher education. He shows how a triad of forces - authority, separateness, and innovation - enabled monasteries to succeed, and then suddenly and unexpectedly to fail. Musto applies this analogy to contemporary academia. Despite higher education's vital centrality to American culture and economy, a powerful, anti-liberal narrative is severely damaging its reputation among parents, voters, and politicians. Musto offers a comprehensive account of this narrative from the mid-twentieth century to the present, as well as a new set of arguments to counter criticisms and rebuild the image of higher education.

Two leading American experts on the subject offer the first comprehensive English-language review of Naples' architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city's urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage - religious, mercantile, noble and royal - and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black & white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements.

The Digital Humanities is a comprehensive introduction and practical guide to how humanists use the digital to conduct research, organize materials, analyze, and publish findings. It summarizes the turn toward the digital that is reinventing every aspect of the humanities among scholars, libraries, publishers, administrators, and the public. Beginning with some definitions and a brief historical survey of the humanities, the book examines how humanists work, what they study, and how humanists and their research have been impacted by the digital and how, in turn, they shape it. It surveys digital humanities tools and their functions, the digital humanists' environments, and the outcomes and reception of their work. The book pays particular attention to both theoretical underpinnings and practical considerations for embarking on digital humanities projects. It places the digital humanities firmly within the historical traditions of the humanities and in the contexts of current academic and scholarly life.

The Digital Humanities is a comprehensive introduction and practical guide to how humanists use the digital to conduct research, organize materials, analyze, and publish findings. It summarizes the turn toward the digital that is reinventing every aspect of the humanities among scholars, libraries, publishers, administrators, and the public. Beginning with some definitions and a brief historical survey of the humanities, the book examines how humanists work, what they study, and how humanists and their research have been impacted by the digital and how, in turn, they shape it. It surveys digital humanities tools and their functions, the digital humanists' environments, and the outcomes and reception of their work. The book pays particular attention to both theoretical underpinnings and practical considerations for embarking on digital humanities projects. It places the digital humanities firmly within the historical traditions of the humanities and in the contexts of current academic and scholarly life.

This is the first comprehensive English-language collection of sources yet to treat the city of Naples from late antiquity to the beginning of the Renaissance. Sources are drawn from its historical, economic, literary, artistic, religious and cultural life from the fall of Rome through the Byzantine, ducal, Norman, Hohenstaufen and Angevin periods. The Introduction offers a comprehensive survey of the periods covered, with a discussion of the historiography and of important research and interpretive issues. These include the material development of the city from late antiquity through the end of the Angevin period, the condition and use of the available primary sources and archaeological evidence, with particular attention given to the wide variety of recent excavations and of archival materials, the question of the ruralization and recovery of its urban core through the little known ducal period, Naples' importance as a commercial and political capital, its developing economic and material base, and the issue of its relationship to its hinterland on the one hand and to broader Mediterranean contexts on the other. It also surveys changes in Naples' urban plan, its walls, fortifications and port and its commercial and residential development. For the later Middle Ages, Musto traces Naples' intellectual life and the complex historiography of what he terms the "black legend of the Angevins" and its continued impact on perceptions of Naples and the Italian South. Documents include chronicles and histories; archival materials, accounts, financial and commercial records, contracts, wills, notarial and legislative documents; poetry, romances, biographies, letters, travelers' accounts and legends; liturgical and hagiographical texts; as well as examples of manuscript production and illustration, painting and architecture. 460 pages. Preface, introduction, notes and bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 82 readings, 74 b&w figures, plus 60 thumbnail images. Links to online resources from A Documentary History of Naples, including image galleries with over 460 additional images in full color; and to full bibliographies with ongoing supplements.

Two leading American experts on the subject offer the first comprehensive English-language review of Naples' architecture and urban development from late antiquity to the high and late Middle Ages. William Tronzo treats the early Middle Ages, from the end of the western Roman Empire to the end of the Duchy, or from about 400 to 1139. He covers a range of topics, including the development of the city's urban fabric and chief monuments, including the catacombs, Sta. Restituta, the baptistery of San Giovanni in Fonte, the forum area including San Paolo Maggiore and the early history of San Lorenzo Maggiore and the Pietrasanta. Caroline Bruzelius then picks up the narrative and analysis from the twelfth century to the end of the Angevin period. She brings up to date and nuances many of the findings and themes of her The Stones of Naples. She revisits some of the same material on the early medieval city from a different perspective, that of religious foundations and urban topography. She proceeds to patronage - religious, mercantile, noble and royal - and then moves on to the role of Tuscan artists in Naples, concluding with the Angevin reconfiguration of the city in the late Middle Ages. Clearly and concisely written, this book is an ideal introductory survey for the scholar, student and general reader to medieval Naples, its chief monuments and to the scholarly discussions and interpretations of the material, visual and documentary evidence. 160 pages. Preface, select bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 83 black & white figures, plus 60 thumbnail images. List of links to online resources from A Documentary History of Naples, including primary-source readings; image galleries containing over 450 additional images in full color; and links to full bibliographies with ongoing supplements.

In Rome on May 20, 1347 Cola di Rienzo, a young visionary with a gift for oratory, overthrew the rule of the barons and the pope. Cola's revolution then attempted to restore the greatness of the medieval commune, revive the ancient Roman Republic, and usher in a new age of liberty, justice and peace. The bright hope for Rome and Italy soon changed to disillusionment, however, as pope and barons conspired to isolate and then topple the Tribune of the People only seven months later. After a period of exile and wandering in the Abruzzi Mountains, he traveled to the Holy Roman Emperor in Prague where he was befriended by Charles IV but eventually arrested, imprisoned by the Inquisition, and turned over to his arch-enemy, Pope Clement VI in Avignon. In a bizarre turn of events he was freed and returned to Rome to restore the republic. Shortly thereafter the barons revolted again; and Rienzo was slain by a mob on the Capitoline Hill, near where his bronze statue now stands. Using their letters and other writings, plus many other contemporary documents, this book tells the story of the relationship between Cola di Rienzo and Francesco Petrarch, the poet and Renaissance humanist. Petrarch's initial break with the Tribune and his eventual bid to save him from death offer a remarkable case study of the interaction between the world of letters and politics - between the contemplative and the active lives - in the early Renaissance. Translated from Latin by Mario E. Cosenza. 3rd, revised, edition by Ronald G. Musto. Updated introduction, bibliography, map, notes and index.

On May 20, 1347, Cola di Rienzo overthrew without violence the turbulent rule of Rome's barons and the absentee popes. A young visionary and the best political speaker of his time, Cola promised Rome a return to its former greatness. Ronald G. Musto's vivid biography of this charismatic leader--whose exploits have enlivened the work of poets, composers, and dramatists, as well as historians--peels away centuries of interpretation to reveal the realities of fourteenth-century Italy and to offer a comprehensive account of Cola's rise and fall.
A man of modest origins, Cola gained a reputation as a talented professional with an unparalleled knowledge of Rome's classical remains. After earning the respect and friendship of Petrarch and the sponsorship of Pope Clement VI, Cola won the affections and loyalties of all classes of Romans. His buono stato established the reputation of Rome as the heralded New Jerusalem of the Apocalypse and quickly made the city a potent diplomatic and religious center that challenged the authority--and power--of both pope and emperor.
At the height of Cola's rule, a conspiracy of pope and barons forced him to flee the city and live for years as a fugitive until he was betrayed and taken to Avignon to stand trial as a heretic. Musto relates the dramatic story of Cola's subsequent exoneration and return to central Italy as an agent of the new pope. But only weeks after he reestablished his government, he was slain by the Romans atop the Capitoline hill.
In his exploration, Musto examines every known document pertaining to Cola's life, including papal, private, and diplomatic correspondence rarely used by earlier historians. With his intimate knowledge of historical Rome--its streets and ruins, its churches and palaces, from the busy Tiber riverfront to the lost splendor of the Capitoline--he brings a cinematic flair to this fascinating historical narrative.