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The Spirit Says offers a stunning collection of articles by an
influential assemblage of scholars, all of whom lend considerable
insight to the relationship between inspiration and interpretation.
They address this otherwise intractable question with deft and
occasionally daring readings of a variety of texts from the ancient
world, including-but not limited to-the scriptures of early Judaism
and Christianity. The thrust of this book can be summed up not so
much in one question as in four: o What is the role of revelation
in the interpretation of Scripture? o What might it look like for
an author to be inspired? o What motivates a claim to the inspired
interpretation of Scripture? o Who is inspired to interpret
Scripture? More often than not, these questions are submerged in
this volume under the tame rubrics of exegesis and hermeneutics,
but they rise in swells and surges too to the surface, not just
occasionally but often. Combining an assortment of prominent
voices, this book does not merely offer signposts along the way. It
charts a pioneering path toward a model of interpretation that is
at once intellectually robust and unmistakably inspired.
This monograph examines the problem of universally inclusive
language in the book of Revelation and the resulting narrative
tension created by narrowly exclusive language. Analysis is
conducted by placing relevant texts within their literary-narrative
context and through consideration of how the author understood and
appropriated biblical traditions. A key feature of this study is
its examination of four early Jewish documents with significant
similarities to the problem being examined in Revelation. From
these documents (Tobit; Similitudes of Enoch [1 Enoch 37-71]; 4
Ezra; and, Animal Apocalypse [1 Enoch 85-90]) a contextual picture
emerges which allows a fuller understanding of Revelation's
distinctive approach toward the problem of the fate of the nations.
This study contends that the interpretive strategies applied to
biblical traditions in Revelation have their roots in the wider
early Jewish milieu. From this comparative analysis, identifiable
patterns with regard to the role of 'universal terminology' in the
communicative strategy of John's Apocalypse emerge.
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