In religious studies, theory and method research has long been embroiled in a polarized debate over scientific versus theological perspectives. Ronald L. Grimes shows that this debate has stagnated, due in part to a manner of theorizing too far removed from the study of actual religious practices. A worthwhile theory, according to Grimes, must be practice-oriented, and practices are most effectively studied by field research methods. The Craft of Ritual Studies melds together a systematic theory and method capable of underwriting the cross-cultural, interdisciplinary study of ritual enactments. Grimes first exposes the limitations that disable many theories of ritual-for example, defining ritual as essentially religious, assuming that ritual's only function is to generate group solidarity, or treating ritual as a mirror of the status quo. He proposes strategies and offers guidelines for conducting field research on the public performance of rites, providing a guide for fieldwork on complex ritual enactments, particularly those characterized by social conflict or cultural creativity. The volume also provides a section on case study, focusing on a single complex event: the Santa Fe Fiesta, a New Mexico celebration marked by protracted ethnic conflict and ongoing dramatic creativity. Grimes explains how rites interact creatively and critically with their social surroundings, developing such themes as the relation of ritual to media, theater, and film, the dynamics of ritual creativity, the negotiation of ritual criticism, and the impact of ritual on cultural and physical environments. This important and influential book will be the capstone work of Grimes's three decades of leadership in the field of ritual studies. It is accompanied by twenty online appendices illustrating key aspects of ritual study.

Although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. Rituals can provoke or escalate conflict; they can also mediate it. Media representations have long been instrumental in establishing, maintaining, and challenging political and economic power, as well as in determining the nature of religious practice. This collection of essays emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. Here, an interdisciplinary team of twenty-four scholars locates, describes, and explores cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each chapter, built around global and local examples of ritualized, mediatized conflict, is multi-authored. The book's central question is: "When ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?"

Much ritual studies scholarship still focuses on central religious rites. For this reason, Grimes argues, dominant theories, like the data they consider, remain stubbornly conservative. This book issues a challenge to these theories and to popular conceptions of ritual. Rite Out of Place collects 10 revised essays originally published in widely varied sources across the past five years. Grimes has selected for inclusion those essays that track ritual as it haunts the edges of cultural boundaries-ritual converging with theater, ritual on television, ritual at the edge of natural environments and so on. The writing is non-technical, and the implied audience is sufficiently broad than any educated person interested in religion and public life should find it intelligible and engaging.

Significant life passages are marked by ritual in virtually every culture. Weddings and funerals are just two of the most institutionalized yet troubled ones in our own society. A wide variety of rites, both traditional and invented, also mark birth, coming of age, and other major transitions. In Marrying & Burying Ronald Grimes, a founder of the new interdisciplinary field of ritual studies, tells an intensely personal story about the role of ritual in his own rich and sometimes difficult life. His critique of ritual impoverishment in North America reveals the extraordinary potential that ritualizing holds for negotiating and enriching transitions, both exalted and mundane. Always aware that no two people's experiences are alike, he encourages readers to think critically and creatively about the role of ritual in their own lives. As both subject and theorist, Grimes is unflinchingly honest as well as generous, unsentimental, and wise. Using an impressive array of genres, he examines the problems of inventing the self and of finding rites that can stitch together the torn pieces of a man's life. Fiction, poetry, journal, and essay create a multivocal text, a symphonic portrayal of the mysterious and intransigent human need to ritualize. This is a book for anyone committed to untangling the meaning of life as actually lived. It offers the student of contemporary North American spirituality and culture a rare opportunity not only to follow an experiencing subject but to glimpse the humanity behind a well-known theorist's analysis of ritual. It will attract those who study religion-especially anthropologists, psychologists, and sociologists-as well as students of gender studies, men's studies, education, and literature.

In religious studies, theory and method research has long been embroiled in a polarized debate over scientific versus theological perspectives. Ronald L. Grimes shows that this debate has stagnated, due in part to a manner of theorizing too far removed from the study of actual religious practices. A worthwhile theory, according to Grimes, must be practice-oriented, and practices are most effectively studied by field research methods. The Craft of Ritual Studies melds together a systematic theory and method capable of underwriting the cross-cultural, interdisciplinary study of ritual enactments. Grimes first exposes the limitations that disable many theories of ritual-for example, defining ritual as essentially religious, assuming that ritual's only function is to generate group solidarity, or treating ritual as a mirror of the status quo. He proposes strategies and offers guidelines for conducting field research on the public performance of rites, providing a guide for fieldwork on complex ritual enactments, particularly those characterized by social conflict or cultural creativity. The volume also provides a section on case study, focusing on a single complex event: the Santa Fe Fiesta, a New Mexico celebration marked by protracted ethnic conflict and ongoing dramatic creativity. Grimes explains how rites interact creatively and critically with their social surroundings, developing such themes as the relation of ritual to media, theater, and film, the dynamics of ritual creativity, the negotiation of ritual criticism, and the impact of ritual on cultural and physical environments. This important and influential book will be the capstone work of Grimes's three decades of leadership in the field of ritual studies. It is accompanied by twenty online appendices illustrating key aspects of ritual study.

We have been led to believe that rituals are well-behaved and predictable, but they sometimes behave in unpredictable ways, especially when they emerge in unexpected places. However much rites may seem to be at home in churches, temples, mosques, and synagogues, they are not captives of sacred spaces. Rituals appear on television, stare back at the lens in family photographs, slip into university classrooms, haunt the wilds, and attend movies. Rite Out of Place makes provocative discoveries by scouting out some of the unexpected places where ritualizing takes root. Most ritual studies scholarship still focuses on central religious rites. For this reason, Grimes argues, dominant theories, like the data they consider, remain stubbornly conservative. This book issues a challenge to these theories and to popular conceptions of ritual. Grimes writes in an accessible, engaging style, using a broad, interdisciplinary approach. This collection of seminal essays by one of the founders of the discipline appeals to anyone interested in the intersection of ritual and public life.

Although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. Rituals can provoke or escalate conflict; they can also mediate it. Media representations have long been instrumental in establishing, maintaining, and challenging political and economic power, as well as in determining the nature of religious practice. This collection of essays emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. Here, an interdisciplinary team of twenty-four scholars locates, describes, and explores cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each chapter, built around global and local examples of ritualized, mediatized conflict, is multi-authored. The book's central question is: "When ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?"

Fictive Ritual explores the ritual dimensions of literary fiction, drama, and autobiography. Among the works it considers are Flannery O'Connor's The Violent Bear It Away, Saul Bellow's Henderson the Rain King, Jean Genet's The Blacks: A Clown Show, Elie Wiesel's Gates of the Forest, Jean-Paul Sartre's The Words, Machado de Assis' Dom Casmurro, and Soren Kierkegaard's Repetition."

In the last two decades of the 20th century, North Americans have become increasingly interested in understanding and reclaiming the rites that mark significant life passages. In the absence of meaningful rites of passage, we speed through the dangerous intersections of life and often come to regret missing an opportunity to contemplate a child's birth, mark the arrival of maturity, or meditate on the loss of a loved one. Providing a personal, informed, and cross-cultural perspective on rites of passage for general readers, this book illustrates the power of rites to help us navigate life's troublesome transitions.;The text instigates a conversation in which readers can reflect on their own experiences of passage. Covering the significant life events of birth, initiation, marriage, and death, chapters include first-person stories told by individuals who have undergone rites of passage, accounts of practices from around the world, brief histories of selected ritual traditions, and critical reflections probing popular assumptions about ritual. The book also explores innovative rites for other important events such as beginning school, same-sex commitment ceremonies, abortion, serious

Symbol and Conquest makes a number of innovative analytical distinctions which Professor Grimes interweaves skillfully with his descriptions of the rituals and symbols of the two dominant public celebrations in modern Santa Fe. This New Mexican city is an especially appropriate subject for the study of symbolic action in a contemporary setting. Santa Fe not only has inherited a rich store of icons, emblems, and insignia from its dramatic past and an arena of conflict and alliance between "Hispanic," "Anglo," and "Indo" peoples and cultures, but also has generated new "signifiers." In addition to the processions and pageants that are the main focus of his book, Grimes considers such important modern sources of symbolism as tourism, the Chamber of Commerce, the civic "establishment," and other by-products of commercialism. He is also sensitive to the ways in which public symbolism is influenced by the resident artistic community and by immigrant, mostly "Anglo," religious groups who are seeking to construct liturgical forms more in keeping with contemporary experience than those of their metrical churches and sects. --Victor W. Turner

This book takes an interdisciplinary approach to a topic seldom written about: the evaluation of rites. Enacting ritual and thinking critically are often imagined as mutually exclusive activities, but Ritual Criticism demonstrates their complementarity by presenting case studies in which ritual and criticism require one another. The cases are drawn from contemporary, urban, North American social contexts in which specific rites are undergoing evaluation, interpretation, or revision. The cases eventuate in essays, more theoretical treatments of critical issues in ritual studies. The rituals studied are as varied as the strategies utilized. The diversity of approaches illustrates the ways criticism shifts as types of ritual vary. One rite is a traditional liturgy; another is invented rather than traditional; a third is a hybrid ritual drama; and in a fourth instance the ritualization is so tacit that some would deny that it is ritual at all. Many of the contexts that provide data for the chapters are typified by syncretism, the eclectic mixing and matching of ritual elements from diverse traditions. Other examples involve attempts to engage in ritual invention and experimentation. The essays are likewise diverse, taking readers into territories traditionally the purview of several disciplines. Drama, literature, education, psychology, medicine, archaeology, anthropology, philosophy, and theology are traversed in this effort to understand ritual, an unusually complex genre of human activity.

Significant life passages are marked by ritual in virtually every culture. Weddings and funerals are only two of the most obvious ones. A wide variety of rites, both traditional and invented, also mark birth and coming of age. However, many major transitions remain unmarked. Marrying & Burying tells an intensely personal story about the role of ritual in Ron Grimes's own rich and sometimes difficult life. His critique of ritual impoverishment in North America reveals the extraordinary potential that ritualizing holds for negotiating and enriching transitions, both exalted and mundane. Always aware that no two people's experiences are alike, he encourages readers to think critically and creatively about the role of ritual in their own lives. Grimes generous and unsentimental but also unflinchingly honest, so he offers no easy answers. Using an impressive array of genres, he examines the problems of ritualizing in ways that can stitch together the torn pieces of a man's life. Fiction, poetry, journal, and essay create a multivocal text, a symphonic portrayal of the mysterious and intransigent human need to ritualize. This is a book for anyone committed to untangling the meaning of life as actually lived. It offers the student of contemporary North American spirituality and culture a rare opportunity to glimpse the humanity behind a scholar's analysis of ritual.

Beginnings in Ritual Studies lays the groundwork for the interdisciplinary study of ritual by broadening the conception of it and articulating its connections to a wide range of cultural activities. Accessible to scholars and students, Beginnings addresses such fundamental issues as definitions, types, and theories of ritual. The volume integrates field research and theory in considering ritual's relation to religious, civil, medical, and theatrical dimensions of culture. The first and second editions garnered widespread praise from the scholarly community and became a standard work in the burgeoning field of ritual studies. In this third edition, Grimes adds a new preface and revises the descriptive and theoretical essays that form the core of the volume.