The regulation of the body provides an important concern in law, medical practice and culture. This volume contributes to existing research in the area by encouraging experts from a range of related disciplines to consider the legal, cultural and medical ways in which we regulate the body, further exploring how conceptions of self, liberalism, property and harm inform and influence contentious legal and ethical questions about what we can and cannot do to or with our own bodies.

This book provides the reader with a critical insight into the history and theory of copyright within contemporary legal and cultural discourse. It exposes as myth the orthodox history of the development of copyright law in eighteenth-century Britain and explores the way in which that myth became entrenched throughout the nineteenth and early twentieth centuries. To this historical analysis are added two theoretical approaches to copyright not otherwise found in mainstream contemporary texts. Rethinking Copyright introduces the reader to copyright through the prism of the public domain before turning to the question as to how best to locate copyright within the parameters of traditional property discourse. Moreover, underpinning these various historical and theoretical strands, the book explores the constitutive power of legal writing and the place of rhetoric in framing and determining contemporary copyright policy and discourse. Ronan Deazley's book will be of interest to academics and practitioners of law and intellectual property. The work should also be of interest to those working in alternate disciplines such as literary and cultural theorists and bibliographers

This book provides the reader with a critical insight into the history and theory of copyright within contemporary legal and cultural discourse. It exposes as myth the orthodox history of the development of copyright law in eighteenth-century Britain and explores the way in which that myth became entrenched throughout the nineteenth and early twentieth centuries. To this historical analysis are added two theoretical approaches to copyright not otherwise found in mainstream contemporary texts. Rethinking Copyright introduces the reader to copyright through the prism of the public domain before turning to the question as to how best to locate copyright within the parameters of traditional property discourse. Moreover, underpinning these various historical and theoretical strands, the book explores the constitutive power of legal writing and the place of rhetoric in framing and determining contemporary copyright policy and discourse. Ronan Deazley's book will be of interest to academics and practitioners of law and intellectual property. The work should also be of interest to those working in alternate disciplines such as literary and cultural theorists and bibliographers

The regulation of the body provides an important concern in law, medical practice and culture. This volume contributes to existing research in the area by encouraging experts from a range of related disciplines to consider the legal, cultural and medical ways in which we regulate the body, further exploring how conceptions of self, liberalism, property and harm inform and influence contentious legal and ethical questions about what we can and cannot do to or with our own bodies.

With a new introduction by Ronan Deazley, Professor of Law, University of Glasgow. First Edition of "A Standard Book on the Law of Copyright" Reprint of the first edition. "A standard book on the law of copyright was published by W.A. Copinger 1847-1910] in 1870. It deals very fully with the history and the statute law as to literary copyright; as to Crown and university and college copyright; as to musical, dramatic, and artistic copyright, and copyright in designs; as to international copyright and copyright in foreign countries; and as to agreements between authors and publishers. The merits of the book are proved by the fact that is reached a ninth edition in 1958." --William S. Holdsworth, History of English Law XV 299-300 WALTER ARTHUR COPINGER 1847-1910] was a barrister-at-law of the Middle Temple.

What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRe: www.copyrighthistory.org.

Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision of Donaldson v Becket (1774). The established reading of copyright's development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher's to an author's right; instead, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary inevitability of an author's intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d'etre of the copyright regime is displaced, being replaced with a more nuanced account of legal change driven by complex interactions between the protagonists, resulting in a copyright regime which was quite different from that anticipated by the reformers.

With a new introduction by Ronan Deazley, Professor of Law, University of Glasgow. First Edition of "A Standard Book on the Law of Copyright" Reprint of the first edition. "A standard book on the law of copyright was published by W.A. Copinger 1847-1910] in 1870. It deals very fully with the history and the statute law as to literary copyright; as to Crown and university and college copyright; as to musical, dramatic, and artistic copyright, and copyright in designs; as to international copyright and copyright in foreign countries; and as to agreements between authors and publishers. The merits of the book are proved by the fact that is reached a ninth edition in 1958." --William S. Holdsworth, History of English Law XV 299-300 WALTER ARTHUR COPINGER 1847-1910] was a barrister-at-law of the Middle Temple.