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A wide range of essays which provide new conceptualizations of
popular culture while linking it to both its long history and some
of its most exciting contemporary forms. Popular culture has always
represented a fulcrum within social, cultural and anthropological
discourses in Latin America. Often imagined as representing a
challenge to the dominant cultural paradigms of the "lettered
city", it has repeatedly been mapped onto political, economic and
even libidinal boundaries - between country and city, between folk
and street, between the "masses" and elite national/political
structures. Yet at the turn of the 21st century, concepts such as
the "folk", the "popular", the "mass" and the "multitude" have
exploded in the face of new cultural and informational
technologies, putting cinematic, televisual and cybernetic
manifestations of popular cultureat the forefront of social
processes. In order to address the fragile contemporaneity of
popular culture in Latin America, the essays in this collection
engage with a wide range of cultural phenomena, from forms of mass
political experience in the Colonial and Independence periods, to
the modern-day emergence of street art, blogs, comic books and
television, as well as the recycling of refuse as art, the
marketing of santeria to tourists, and the filming of poverty in
the favela. In so doing, they explore the diverse regimes of affect
that both sustain and destabilize national symbolic orders, and
chart the novel mediations between the national and the global in a
see-sawingclimate of conflicting economic and political ideologies.
Geoffrey Kantaris is a Senior Lecturer at the University of
Cambridge. Rory O'Bryen is a University Lecturer at the University
of Cambridge. Contributors: Francisco Ortega, Joanna Page, Stephen
Hart, Erica Segre, Jesus Martin Barbero, Lucia Sa, Chandra
Morrison, Claire Taylor, Andrea Noble, Ed King.
Featuring twenty-five key essays from the Journal of Latin American
Cultural Studies (Traves/sia), this book surveys the most
influential themes and concepts, as well as scouring some of the
polemics and controversies, which have marked the field over the
last quarter of a century since the Journal's foundation in 1992.
Emerging at a moment of crisis of revolutionary narratives, and at
the onset of neoliberal economics and emergent narcopolitics, the
cultural studies impetus in Latin America was part of an attempted
intellectual reconstruction of the (centre-) left in terms of civil
society, and the articulation of social movements and agencies,
thinking beyond the verticalist constructions from previous
decades. This collection maps these developments from the now
classical discussions of the 'cultural turn' to more recent
responses to the challenges of biopolitics, affect theory,
posthegemony and ecocriticism. It also addresses novel political
constellations including resurgent national-popular or eco-nativist
and indigenous agencies. Framed by a critical introduction from the
editors, this volume is both a celebration of influential essays
published over twenty five years of the Journal and a
representative overview of the field in its multiple ramifications,
entrenchments and exchanges.
Featuring twenty-five key essays from the Journal of Latin American
Cultural Studies (Traves/sia), this book surveys the most
influential themes and concepts, as well as scouring some of the
polemics and controversies, which have marked the field over the
last quarter of a century since the Journal's foundation in 1992.
Emerging at a moment of crisis of revolutionary narratives, and at
the onset of neoliberal economics and emergent narcopolitics, the
cultural studies impetus in Latin America was part of an attempted
intellectual reconstruction of the (centre-) left in terms of civil
society, and the articulation of social movements and agencies,
thinking beyond the verticalist constructions from previous
decades. This collection maps these developments from the now
classical discussions of the 'cultural turn' to more recent
responses to the challenges of biopolitics, affect theory,
posthegemony and ecocriticism. It also addresses novel political
constellations including resurgent national-popular or eco-nativist
and indigenous agencies. Framed by a critical introduction from the
editors, this volume is both a celebration of influential essays
published over twenty five years of the Journal and a
representative overview of the field in its multiple ramifications,
entrenchments and exchanges.
Memory and mourning in Colombia. This book provides the first
in-depth examination of a representative range of contemporary
Colombian cultural engagements with the conflicts known simply as
La Violencia that began in Colombia in the late 1940s. These
include Gustavo Alvarez Gardeazabal's now classic revision of the
'novela de la Violencia', the autobiographical cycle of acclaimed
author Fernando Vallejo, versions of the testimonio by Alfredo
Molano and internationally renowned novelist Laura Restrepo, as
well as cinematic works by Carlos Mayolo and Luis Ospina. These
cultural icons, many of whom are remarkably understudied, show how
the heterogeneity of social and cultural processes condensed in La
Violencia demands a deconstruction of 'violence' in Colombian
culture. This argument is developed in dialogue with European and
Latin American cultural theory and contributes to theoretical
debates surrounding issues of memory and mourning developed in
other Latin American contexts. The narratives explored in this book
provide alternatives to abstract historicism and show us how to
imagine ways out of deeply rooted cycles of violence. Yet their
insistence on haunting and spectres signals the problems besetting
the task of mourning in Colombia, positing history rather than
psychology as a remainder that troubles efforts to forge collective
memories and enact social reconciliation. RORY O'BRYEN lectures in
Latin American literature and culture at the University of
Cambridge.
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