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An examination of awareness of the ecclesiastical doctrine of
discretio spirituum, the means of testing whether visions were
truly of divine origin, in the works of medieval women visionaries
from Bridget of Sweden to Joan of Arc. Awareness of the
ecclesiastical doctrine of discretio spirituum (the means of
testing whether visions were truly of divine origin) was vital for
medieval women visionaries. Visions and prophecy offered medieval
women one ofthe few pathways to the religious and, in some cases,
the political life of their time, but were subject to stringent
checks due to the combination of women (deceitful by nature) and
deceiving visions. However, those women visionaries who conformed
could effectively fulfil their divine mandate to communicate their
revelations. This book explores discretio spirituum in the works of
a number of female visionaries: they include St Bridget of Sweden,
who was eager to present her experiences as impeccably orthodox and
valid; Margery Kempe, whose ambivalent reception is shown to be due
to her inconsistent conformity to the doctrine; and Marguerite
Porete and Joan of Arc, whose deaths by burning at the stake
demonstrate the severe consequences of their failure to conform,
their visions being deemed of demonic origin. Professor ROSALYNN
VOADEN teaches in the Department of English at Arizona State
University.
Evidence for childhood and youth from the sixth century to the
sixteenth, but with particular emphasis on later medieval England.
Moving on from the legacy of Aries, these essays address evidence
for childhood and youth from the sixth century to the sixteenth,
but with particular emphasis on later medieval England. The
contents include the idea of childhoodin the writing of Gregory of
Tours, skaldic verse narratives and their implications for the
understanding of kingship, Jewish communities of Northern Europe
for whom children represented the continuity of a persecuted faith,
children in the records of the northern Italian Humiliati, the
meaning of romance narratives centred around the departure of the
hero or heroine from the natal hearth, the age at which later
medieval English youngsters left home, how far they travelled and
where they went, literary sources revealing the politicisation of
the idea of the child, and the response of young, affluent females
to homiletic literature and the iconography of the virgin martyrs
in the later middle ages. Contributors: FRANCES E. ANDREWS, HELEN
COOPER, P.J.P.GOLDBERG, SIMCHA GOLDIN, EDWARD F. JAMES, JUDITH
JESCH, KIM M. PHILLIPS, MIKE TYLER, ROSALYNN VOADEN.
This is the first volume to be published by York Medieval Press,
under the aegis of University of York's Centre for Medieval Studies
in association with Boydell & Brewer, with the aim of promoting
innovative scholarship and fresh criticism on medieval culture. It
has a special commitment to interdisciplinary study, in line with
the Centre's belief that the future of medieval studies lies in
areas in which its major disciplines at once inform and challenge
each other. The attitudes towards the human body held by different
branches of medieval theology are currently a major focus of
scholarly attention. This first volume from York Medieval Press
includes studies of the metaphor of man as head and woman as body,
Abelard, women and Catharism, the female body as an impediment to
ordination, women mystics, and the University of York's 1995
Quodlibet Lecture given by Eamon Duffy on the early iconography and
lives' of St Francis of Assisi..... Thenew scholarly essays
collected here explore ways in which the human body - a major focus
of attention in recent work on literary theory and cultural studies
-was treated by several branches of medieval theology; they are
derived in the mainfrom a conference held at York in 1995, under
the title This Body of Death', together with further invited papers
on the same theme. It includes the first of the Annual Quodlibet
Lectures in medieval theology, Eamon Duffy's masterly study of the
early iconography and lives' of St Francis of Assisi. PETER BILLER
is Senior Lecturer in Medieval History at the University of York;
A.J. MINNIS is Professor of Medieval Literature at the University
of York. Contributors: PETER BILLER, ALCUIN BLAMIRES, DAVID
LUSCOMBE, W.G.EAST, A.J. MINNIS, DYAN ELLIOTT, ROSALYNN VOADEN,
EAMON DUFFY
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