Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial-though until now neglected-epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.

The Futurist opera Victory over the Sun, first staged in 1913 in St Petersburg, was a key event of the Russian avant-garde, notorious for its libretto, its unconventional score and its pioneering abstract sets and costumes designed by Kazimir Malevich. The iconic importance of Victory over the Sun as a theatrical event is universally acknowledged. This volume brings together the first fully annotated translation of the libretto of this 'anti-opera' and other important primary source materials, including the score, the set and costume designs and contemporary newspaper reviews. The second part of the volume provides a wide-ranging collection of interpretive essays which explore the artistic, literary and musical dimensions of the staging, its theatrical and historical context, its relationship to Italian Futurism, and its position within the Russian modernist movement. You can read more about the Pushkin House event on 22 November 2012 on the Russian Art and Culture website by following this link http:// www.russianartandculture.com/victory-over-sun-book-launch-pushkin-house/ (will open in a new window). And you can see and hear more in Alexander Kan's report on the BBC Russian site by following this link http://www.bbc.co.uk/russian/multimedia/2012/11/121127_futuristic_dinner.shtml (will open in a new window). In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists to the forefront of the European avant-garde. With its nonsensical 'trans-sense' libretto by Aleksei Kruchenykh and Velimir Khlebnikov, experimental score by Mikhail Matiushin and pioneering abstract sets and costumes by Kazimir Malevich, the Futurist opera Victory over the Sun may be compared in terms of its radical assault on artistic convention to Igor Stravinsky's ballet The Rite of Spring. This interdisciplinary volume brings together a distinguished team of international scholars to discuss the artistic significance of this epoch-making 'anti-opera', which is now recognised as a key event of avant-garde cultural production, and a turning point in stage history. The book offers new insight into the theatre practice and history of Russian Futurist performance, which, to date, has received little attention from theatre scholars despite its influence on the development of European drama in the twentieth century. As well as an annotated translation of the libretto, the book includes reproductions of the score and contemporary newspaper reviews. Illustrated throughout, and with a colour plate section containing twenty-seven colour images of costume designs, posters and other work by the abstract artist Kazimir Malevich.

'This country's leading Tolstoy scholar has selected, edited and translated a two-volume set of Tolstoy's Letters, which represents academic publishing of the highest kind.' Yorkshire Post Leo Tolstoy was unquestionably the most prolific letter-writer of all the great Russian novelists of the nineteenth century. In this selection of his correspondence, meticulously edited by R. F. Christian, readers can discover Tolstoy's views about his own work and that of other writers, his evolving attitudes towards the times through which he lived, and his deep meditations on family, friends, and himself. This second of two volumes of the Letters spans the years 1880-1910. 'Professor Christian's selection is a major act of scholarship and publication.' George Steiner, Sunday Times 'Both scholarly and easy to read . . . exceptionally rewarding.' Raymond Williams, Guardian 'Enthralling and deeply moving . . . English Tolstoyans will not be extravagant if they attach to this work Thucydides' epigraph "A possession for ever."' Sir William Hayley, Times

'This country's leading Tolstoy scholar has selected, edited and translated a two-volume set of Tolstoy's Letters, which represents academic publishing of the highest kind.' Yorkshire Post Leo Tolstoy was unquestionably the most prolific letter-writer of all the great Russian novelists of the nineteenth century. In this selection of his correspondence, meticulously edited by R. F. Christian, readers can discover Tolstoy's views about his own work and that of other writers, his evolving attitudes towards the times through which he lived, and his deep meditations on family, friends, and himself. This first of two volumes of the Letters is divided into five sections and spans the years from 1828 to 1879. 'Professor Christian's selection is a major act of scholarship and publication.' George Steiner, Sunday Times 'Both scholarly and easy to read . . . exceptionally rewarding.' Raymond Williams, Guardian 'Enthralling and deeply moving . . . English Tolstoyans will not be extravagant if they attach to this work Thucydides' epigraph "A possession for ever."' Sir William Hayley, Times

An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times Volume 2 of Tolstoy's Diaries covers the years 1895-1910. These diaries were meticulously edited by R. F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions. Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence. 'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess 'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator

'An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times Volume 1 of Tolstoy's Diaries covers the years 1847-1894 and was meticulously edited by R.F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions. Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence. 'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess 'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator

Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived." This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes--alienation, the absurdity and tragedy of human existence--have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. The book includes well-known pieces such as "The Lady with the Little Dog," as well as less familiar work like "Gusev," inspired by Chekhov's travels in the Far East, and "Rothschild's Violin," a haunting and darkly humorous tale about death and loss. The stories are arranged chronologically to show the evolution of Chekhov's art.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial-though until now neglected-epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. After a series of essays addressing publication history, translation, and problems of censorship, scholars analyze the letters' generic qualities that draw upon, variously, prose, poetry, and drama. Individual thematic studies focus on the letters as documents reflecting biographical, cultural, and philosophical issues. The book culminates in a collection of short, at times lyrical, essays by eminent scholars and writers addressing a particularly memorable Chekhov letter. Chekhov's Letters appeals to scholars, writers, and theater professionals, as well to a general audience.

Ivan Turgenev's Fathers and Sons explores the ageless conflict between generations through a period in Russian history when a new generation of revolutionary intellectuals threatened the state. This Penguin Classics edition is translated from the Russian by Peter Carson, with an introduction by Rosamund Bartlett and an afterword by Tatyana Tolstaya. Returning home after years away at university, Arkady is proud to introduce his clever friend Bazarov to his father and uncle. But their guest soon stirs up unrest on the quiet country estate - his outspoken nihilist views and his scathing criticisms of the older men expose the growing distance between Arkady and his father. And when Bazarov visits his own doting but old-fashioned parents, his disdainful rejection of traditional Russian life causes even further distress. In Fathers and Sons, Turgeneve created a beautifully-drawn and highly influential portrayal of the clash between generations, at a time just before the end of serfdom, when the refined yet vanishing landowning class was being overturned by a brash new breed that strove to change the world. Peter Carson's elegant, naturalistic new translation brings Turgenev's masterpiece to life for a new generation of readers. In her introduction, Rosamund Bartlett discusses the novel's subtle characterisation and the immense social changes that took place in the 1850s Russia of Fathers and Sons. This edition also includes a chronology, suggested further reading and notes. If you enjoyed Fathers and Sons, you might like Leo Tolstoy's The Death of Ivan Ilyich and Other Stories, also available in Penguin Classics. 'One of the first Russian novels to be translated for a wider European audience. It is a difficult art: in this superb new version, Peter Carson has succeeded splendidly' Michael Binyon, The Times 'If you want to get as close as an English reader can to enjoying Turgenev, Carson is probably the best' Donald Rayfield, The Times Literary Supplement

This volume presents recent research into Dmitry Shostakovich's life (1906-1975) and work by leading scholars, and aims to place the composer in a variety of different contexts: musical, literary, and historical. The contributors are musicologists, Russian literature specialists, biographers, and cultural historians, and their diverse fields of expertise are reflected in the interdisciplinary nature of the materials collected here, contributing substantially to our knowledge of the composer.

In November 1910, Count Lev Tolstoy died at a remote Russian railway station attended by the world's media. He was eighty-two years old and had lived a remarkable and long life during one of the most turbulent periods of Russian history. Born into a privileged aristocratic family, he seemed set to join the ranks of degenerate Russian noblemen, but fighting in the Crimean war alongside rank and file soldiers opened his eyes to Russia's social problems and he threw himself into teaching the peasantry to read and write. After his marriage he wrote War and Peace and Anna Karenina, both regarded as two of the greatest novels in world literature. Rosamund Bartlett's exceptional biography of this brilliant, maddening and contrary man draws on key Russian sources, including the many fascinating new materials which have been published about Tolstoy and his legacy since the collapse of the Soviet Union.

A new anthology of Dostoevsky's remarkable work 'A Writer's Diary'. A voluminous and variegated miscellany in which the celebrated author spoke to his readers about issues concerning Russia, it is a work as eerily prescient of global preoccupations in the twenty-first century as it is frequently overlooked. Dostoevsky's Writer's Diary was also his creative laboratory, and proves to be a source of fundamental importance in understanding the complex mind behind his artistic works.'Virulent nationalism, religious extremism, ethnic intolerance, urban deprivation, child abuse, suicide, opinionated criticism, intimate confession, utopian dreaming, genial digression, moral fervour, profound insight, macabre humour and superlative fiction - welcome to the world of Dostoevsky's A Writer's Diary. ' - Rosamund Bartlett

Love... it means too much to me, far more than you can understand. At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance. One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving. Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.

Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides the first detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia both before and after the Revolution (including radical stagings by Meyerhold and Eisenstein). The book pays special attention to Wagner's important influence on the Russian Modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok.

Wagner is often held to have exerted a greater impact on modern culture than any other artist, yet the history of the reception of his works in Russia has until now remained largely unexplored. This book, which draws extensively on unpublished archival materials and other contemporary sources, aims to show that in certain important respects, Wagner's music and ideas found more fertile ground in Russia than anywhere else in Europe. Beginning with the first mention of Wagner's name in the Russian press in 1841, and ending almost 150 years later when the composer was finally rehabilitated during the years of glasnost, this study provides the first detailed account of Wagner's visit to Russia in 1863, and a history of the productions of his works in Russia both before and after the Revolution (including radical stagings by Meyerhold and Eisenstein). The book pays special attention to Wagner's important influence on the Russian Modernist movement, focusing particularly on his impact on the leading Symbolist writers, Vyacheslav Ivanov, Andrey Bely and Aleksandr Blok.

Love... it means too much to me, far more than you can understand. At its simplest, Anna Karenina is a love story. It is a portrait of a beautiful and intelligent woman whose passionate love for a handsome officer sweeps aside all other ties - to her marriage and to the network of relationships and moral values that bind the society around her. The love affair of Anna and Vronsky is played out alongside the developing romance of Kitty and Levin, and in the character of Levin, closely based on Tolstoy himself, the search for happiness takes on a deeper philosophical significance. One of the greatest novels ever written, Anna Karenina combines penetrating psychological insight with an encyclopedic depiction of Russian life in the 1870s. The novel takes us from high society St Petersburg to the threshing fields on Levin's estate, with unforgettable scenes at a Moscow ballroom, the skating rink, a race course, a railway station. It creates an intricate labyrinth of connections that is profoundly satisfying, and deeply moving. Rosamund Bartlett's translation conveys Tolstoy's precision of meaning and emotional accuracy in an English version that is highly readable and stylistically faithful. Like her acclaimed biography of Tolstoy, it is vivid, nuanced, and compelling.

What made Chekhov tick? What served as a source of creative inspiration in his life? In answering these questions, Russian scholar Rosamund Bartlett focuses on the writer's intimate relationship with the places where he lived and traveled--Taganrog and the southern Russian steppes, Moscow, Petersburg, Siberia, the French Riviera, and Yalta. By looking at his life through the prism of these landscapes, it is possible to gain a far greater insight into one of the most enigmatic writers who ever lived. "Chekhov: Scenes from a Life" restores the humor and warmth to a man too often seen as merely melancholic, and reminds us why many consider him to be the greatest short-story writer of all time.