Memoir is Rosario Ferre's account of her life both as a writer and as a member of a family at the center of the economic and political history of Puerto Rico during the American Century, one hundred years of territorial "non-incorporation" into the United States. The autobiography tells the story of Ferre's transformation from the daughter of a privileged family into a celebrated novelist, poet, and essayist concerned with the welfare of Puerto Ricans, and with the difficulties of being a woman in Puerto Rican society. It is a snapshot of twentieth-century Puerto Rico through the lens of a writer profoundly aware of her social position. It is a picture taken from the perspective of a keen observer of the local history of the island, and of the history of the United States. Included are many photographs that connect Ferre's life with the story of her writing career.

A gentle maiden aunt who has been victimized for years unexpectedly retaliates through her talent for making life-sized dolls filled with honey. "The Youngest Doll," based on a family anecdote, is a stunning literary expression of Rosario Ferre's feminist and social concerns. It is the premier story in a collection that was originally published in Spanish in 1976 as "Papeles de Pandora" and is now translated into English by the author. The daughter of a former governor of Puerto Rico, Ferre portrays women loosening the constraints that have bound them to a patriarchal culture. Anger takes creative rather than polemical form in ten stories that started Ferre on her way to becoming a leading woman writer in Latin America.

The upper-middle-class women in "The Youngest Doll," mostly married to macho men, rebel against their doll-like existence or retreat into fantasy, those without money or the right skin color are even more oppressed. In terms of power and influence, these women stand in the same relation to men as Puerto Rico itself does to the United States, and Ferre stretches artistic boundaries in writing about their situation. The stories, moving from the realistic to the nightmarish, are deeply, felt, full of irony and black humor, often experimental in form. The imagery is striking: an architect dreams about a beautiful bridge that "would open and close its arches like alligators making love"; a Mercedes Benz "shines in the dark like a chromium rhinoceros." One story, "The Sleeping Beauty," is a collage of letters, announcements, and photo captions that allows chilling conclusions to be drawn from what is not written. The collection includes Ferre's discussion of "When Women Love Men," a story about a prostitute and a society lady who unite in order to survive, and one that illustrates the woman writer's "art of dissembling anger through irony." In closing, she considers how her experience as a Latin American woman with ties to the United States has brought to her writing a dual cultural perspective.

El amor y la lealtad son puestos a pueba en esta novela llena de brío y agudeza de la reconocida autora puertorriqueña, Rosario Ferré, autora de La casa de la laguna. Se trata de la historia de una bailarina famosa mundialmente que, en el 1917, visita a Puerto Rico en gira artística y se enamora locamente de un atrevido revolucionario al que le dobla la edad. La imperiosa Madame ha regido su vida por la norma, 'el artista debe anteponer siempre su arte al amor.' Al enamorarse Madame, sin embargo, no solo rueda por el piso su antigua doctrina, sino que pierde el respeto de sus jóvenes bailarinas, quiénes juzgan que Madame las ha traicionado. A esta deslealtad a los ideales artísticos se entreteje la agitación de los disturbios políticos locales, en los cuales Madame y su grupo también se ven involucrados. La revolución rusa los ha dejado sin patria, varados en una isla desgarrada por una guerra de independencia subversiva y solapada, que nadie en la colonia se atreve a mencionar abiertamente.

Las aventuras de Madame son narradas por Masha, su devota seguidora y dama de compañía, quién tiene un ojo perspicaz y describe las tensiones a punto de explotar bajo la superficie aparentemente tranquila del paraíso tropical. Masha sufre a su vez una metamórfosis a causa de la sensualidad del ambiente, y su vida se transforma. Ferré ha tejido aquí, en un rico tapiz de intriga romántica y conspiración política, un retrato convincente de la burguesía caribeña, probando así porqué se le considera hoy una de las novelistas más dotadas de América Latina.

Originally published in Spanish under the title Maldito Amor ("Cursed Love"), Rosario Ferre's Sweet Diamond Dust introduced American readers to a voice that is by turns lyrical and wickedly satiric. A finalist for the National Book Award with her 1995 novel, The House on the Lagoon, Ferre here uses family history as a metaphor for the class struggles and political evolution of Latin America and Puerto Rico in particular. The result is writing of the highest order--provocative, profound, yet delightfully readable. The "sweet diamond dust" of the title story in this debut collection is, of course, sugar. In this tale the De La Valle family's secrets, ambitions, and passions, interwoven with the fate of the local sugar mill, are recounted by various relatives, friends, and servants. As the characters struggle under the burden of privilege, the story, permeated with haunting echoes of Puerto Rico's own turbulent history, becomes a splendid allegory for a nation's past. The three accompanying stories each follow the lives of the descendants of the De La Valle family, making the book a drama in four parts, raising troubling issues of race, religion, freedom, and sex, with Ferre's trademark irony and startling imagery--a literary experience no reader would want to miss.