Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

New Paths Dissects the Legal Trends of Late 1940s Notable for their conservatism, which became more pronounced in subsequent publications, these lectures reflect on developments in the international legal order during the late 1940s. Pound detected three legal "paths" those of liberty, humanitarianism and authoritarianism. The first, which he endorses, seeks to realize a maximum of free individual self assertion. Legal humanitarianism, which he criticizes heavily, is the expansion of injury law to include social redress and consumer protection. His antipathy toward the authoritarian path goes beyond a condemnation of authoritarian regimes like the Soviet Union to a rejection of any form of social legislation, such as socialized medicine or state-run pensions. These lectures were delivered at the University of Nebraska (where Pound had been dean of the College of Law from 1902-1907) and marked the establishment of the Roscoe Pound Lectureship Series. "This book, . . . by its very thinness may succeed in luring attention away from competing attractions, since here one may, with the expenditure of only a little time, obtain the reaction of one of the giants of jurisprudence to our confused, complex and turbulent modern legal scene." --North Carolina Review 93 (1950-1951) 29 Roscoe Pound 1870-1964] was a pre-eminent legal educator, scholar and prolific author. A professor at Harvard Law School for most of his career, and its dean from 1916-1936, he taught throughout the world in his later years. His five volume Jurisprudence (1959) is considered one of the most important contributions to the world's legal literature of the twentieth century.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910. Excerpt: ... decided. By the common law of England it is only a person of unsound mind and dangerous to himself or others that may be restrained of his liberty by another. Such is taken to be law from the case in Bro. Abr. down to the last case on the subject. Mr. Bovill has gravely contended that the plea showed that the plaintiff pretended to be a madman expressly that he might be shut up in an asylum; for that is what his argument amounted to. But no such meaning can be put upon it: it merely states that he acted as a person of unsound mind. Then, shall it be said that the fact of any person acting so as to appear of an unsound mind is to be a justification for another locking him up as a lunatic? It would be most dangerous to the liberty of the subject if such a doctrine were to prevail. Ira furor brevis est; and there are many persons of eccentric habits, but still entirely in possession of their faculties, as we know from cases of contested wills, yet they may be said to be of unsound mind; and it would be monstrous to say that, because some persons chose to suppose they were lunatics, they might be locked up as such. The plea goes on to allege that a certificate of two physicians had been obtained. But where is the authority at common law for saying that if one or two men, physicians, if you will, say that another is a lunatic, that will justify a third person in taking him and confining him as a lunatic? On the other hand, the statute, instead of being of any service to the defendant, affords an argument against him; for the protection given by it to persons acting under certain circumstances in pursuance of it in regard to alleged lunatics would be unnecessary if the merely acting as a person of unsound mind would be sufficient to justify another in arresting...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Nathan Roscoe Pound (1870 1964) was an American legal scholar and jurist who held the position of Dean of Harvard Law School from 1916 to 1936. Originally published in 1923, this book presents a critical history of various aspects of juristic thought as it developed in England and other countries. The text was based upon a series of lectures delivered by Pound at Trinity College, Cambridge during the Lent Term of 1922. Detailed notes are included in the main body of the text. This book will be of value to anyone with an interest in Pound and perspectives on legal history.

The television sponsor has become semi-mythical. He is remote and unseen, but omnipresent. Dramas, football games, and press conferences pause for a "word" from him. He "makes possible" concerts and public affairs broadcasts. His "underwriting grants" brings the viewer music festivals and classic films. Interviews with visiting statesmen are interrupted for him, to continue "in a moment." Sponsorship is basic to American television. Even noncommercial television looks to it for survival. A vast industry has grown up around the needs and wishes of sponsors. Television's program formulas, business practices, and ratings have all evolved in ways to satisfy sponsor requirements. Indeed, he has become a potentate of our time. The Sponsor is divided into three parts. In "Rise," Barnouw sketches the rise of the sponsor, in both radio and television, to his present state of eminence. In "Domain," the sponsor's pervasive impact on television programming is examined, with an emphasis on network television, the primary arena of the industry. And in "Prospect," Barnouw assesses what such dominance has meant for American society, mores, and institutions--and what it may mean for our future. This is a gripping volume about power, how it not only influences programming itself, but how it defines for the average person what is good, great, and desirable.