All the Classroom's a Stage reveals how teachers can apply theater skills to the craft of teaching and enhance their ability to engage and motivate students, cultivate collaborative learning, and become stronger and more dynamic 'performers' in the classroom. This book illustrates how to use theater techniques to invigorate the craft of teaching in college classrooms across multiple disciplines. The book shows readers how to explore and apply improvisation, actor-training, and directing techniques to their classroom. By using discipline-specific examples, case studies, and a breadth of theater and teacher-training experience, the book reveals how theatre can strengthen teaching and learning, improve attendance, retention, and students' commitment to their education and to each other. Whether a new teacher navigating the job for the first time or an experienced veteran hungry for new teaching methods, All the Classroom's a Stage will transform a traditional classroom into a dynamic creative space built on collaborative sharing of the educational experience.

All the Classroom's a Stage reveals how teachers can apply theater skills to the craft of teaching and enhance their ability to engage and motivate students, cultivate collaborative learning, and become stronger and more dynamic 'performers' in the classroom. This book illustrates how to use theater techniques to invigorate the craft of teaching in college classrooms across multiple disciplines. The book shows readers how to explore and apply improvisation, actor-training, and directing techniques to their classroom. By using discipline-specific examples, case studies, and a breadth of theater and teacher-training experience, the book reveals how theatre can strengthen teaching and learning, improve attendance, retention, and students' commitment to their education and to each other. Whether a new teacher navigating the job for the first time or an experienced veteran hungry for new teaching methods, All the Classroom's a Stage will transform a traditional classroom into a dynamic creative space built on collaborative sharing of the educational experience.

As personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training. How is the collaborative impulse being distracted and what kind of solutions can re-establish its connections? The daily work of a theater practitioner thrives on an ability to connect, empathize, and participate with other artists. This is true at every level, from performing arts students to established professionals. As smartphones, social media, and other forms of digital connectedness become more and more embedded in daily life, they can inhibit these collaborative, creative skills. Turn That Thing Off! Collaboration and Technology in 21st-Century Actor Training explores ways to foster these essential abilities, paving the way for emerging performers to be more present, available, and generous in their work.

As personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training. How is the collaborative impulse being distracted and what kind of solutions can re-establish its connections? The daily work of a theater practitioner thrives on an ability to connect, empathize, and participate with other artists. This is true at every level, from performing arts students to established professionals. As smartphones, social media, and other forms of digital connectedness become more and more embedded in daily life, they can inhibit these collaborative, creative skills. Turn That Thing Off! Collaboration and Technology in 21st-Century Actor Training explores ways to foster these essential abilities, paving the way for emerging performers to be more present, available, and generous in their work.

Can you really write a play that lasts a minute? The one minute play offers a unique challenge to actors, directors and writers: how do you create a whole world, where actors have room to perform and where audiences have a true experience all in 60 seconds? One Minute Plays: A Practical Guide to Tiny Theatre demystifies the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance. This handbook includes: An anthology of 200 one-minute plays selected from the annual Gone in 60 Seconds festival. A toolbox of exercises, methodologies and techniques for educators, practitioners and workshop leaders at all levels. Tips and advice on the demands of storytelling, inclusivity and creative challenges. Detailed practical information about creating your own minute festival, including play selection, running order, staging and marketing. Drawing on a wealth of experience, Steve Ansell and Rose Burnett Bonczek present an invaluable guide for anyone intrigued by the art of creating, producing and performing a one minute play.

Ensemble Theatre Making: A Practical Guide is the first comprehensive diagnostic handbook for building, caring for, and maintaining an ensemble. Successful ensembles don't happen by chance; they must be created, nurtured, and maintained through specific actions. Achieving common goals in rehearsal and performance requires group trust, commitment and sacrifice. Ensemble Theatre Making is a step-by-step guide to these processes. Candid and direct, it considers: how to plan and prepare for ensemble work; the essential building blocks of ensemble; how to identify ensemble behaviors; techniques for responding to, and positively redirecting those behaviors. Tools, techniques and recipes for rethinking ensemble redefine it as a grounded practice, rather than a question of luck. Above all, this significant new work brings decades of experience to the sometimes mystifying questions of what creates ensemble bonds, how to protect them, and how to fix them when they break.

Ensemble Theatre Making: A Practical Guide is the first comprehensive diagnostic handbook for building, caring for, and maintaining an ensemble. Successful ensembles don't happen by chance; they must be created, nurtured, and maintained through specific actions. Achieving common goals in rehearsal and performance requires group trust, commitment and sacrifice. Ensemble Theatre Making is a step-by-step guide to these processes. Candid and direct, it considers: how to plan and prepare for ensemble work; the essential building blocks of ensemble; how to identify ensemble behaviors; techniques for responding to, and positively redirecting those behaviors. Tools, techniques and recipes for rethinking ensemble redefine it as a grounded practice, rather than a question of luck. Above all, this significant new work brings decades of experience to the sometimes mystifying questions of what creates ensemble bonds, how to protect them, and how to fix them when they break.