Rose Macaulay takes a lively and perceptive look at three generations of women within the same family and the 'dangers' faced at each of those stages in life. The book opens with Neville celebrating her 43rd birthday and contemplating middle age now that her children are grown. Her mother, in her sixties, seeks answers to her melancholy in Freudianism. Her sister, Nan, 33, a writer who has hitherto led a single and carefree life in London, experiences the loss of love and with it her plan for the future. And Neville's principled daughter Gerda, who is determined not to follow her mother's generation into the institute of marriage, finds herself at an impasse with the man she loves.

Reproduced ieith permission from Arcktw Mas PALACIO DEL MARQUES DE DOS AQUAS, VALENCIA FROM THE PYRENEES TO PORTUGAL BY ROSE MACAULAY HAMISH HAMILTON LONDON First published in Great Britain, April 1949 by Hamish Hamilton Ltd. Second Impression, May ip p Third Impression, October 1949 Printed in Great Britain by Butler Tanner Ltd, , Frome and London The curved gulfs, the promontories, the shore stretching along the sea, the hills standing close above it, the high towns lapped by the waves . . . the sea walls guarding the ports, the way the marshes and the lakes lie, and the high wild mountains rise. . . . RUFUS FESTUS AVIENUS late 4th century II faut visiter les pays dans leur saison violente, 1 Espagne en etd, la Russie en hiver. THEOPHILE GAUTIER 1845 Being entered Spaine, he must take heed o Posting in that hot Country in the Summer time, for it may stirre the masse of bloud too much. JAMES HOWELL 1642 The grand object of travelling is to see the shores of the Mediterranean. SAMUEL JOHNSON 1776 ACKNOWLEDGMENTS I SHOULD like very gratefully to thank Dr. J. M. Batista i Roca, of Barcelona and Cambridge, for Hs kindness in looking through and making suggestions for the bettering of some of the Cata-Ionian section of this book, and also for giving me introductions in Barcelona. I am grateful to Mr. Bernard Bevan, lately Infor mation Officer of the British Consulate-General in Barcelona, for much information, kindness and help to Miss Massey, of the same department, for valuable assistance in Barcelona to Mr. W. C. E. F. Leverkus, British Vice-Consul at Cartagena, for his information and advice to the Patronato Nacional del Turismo at Madrid and the Secretariado Nacional da Informacao atLisbon for very kindly supplying me with photographs to Senor Antonio Marquet of Barcelona, and the Instituto Espanol in London, for also helping me with these to Mr. R. B. Neumegen, of Messrs. Offley, Forrester Co., for information about sherry at Jerez to Professor Edgar Prestage for lending me the most recent researches of Portuguese scholars into Prince Henry the Navi gators towns on Capes Sagres and St. Vincent, and to Professor Rhys Carpenter, of Bryn Mawr, for sending me his delightful study, The Greeks in Spain. ROSE MACAULAY CONTENTS Page Introductory I CATALONIAN SHORE 9 VALENCIAN SHORE So MURCIAN SHORE 114 ANDALUCIAN SHORE 123 ALGARVE SHORE 184 Index 199 ILLUSTRATIONS PAIACIO DEL MARQUES DE Dos AGUAS, VALENCIA Frontispiece Facing page SAN PERE DE RODA 12 AMPURIAS 13 GERONA 28 ESCALERA DE SANTO DOMINGO, GERONA 29 CALELLA, COSTA BRAVA 34 COSTA BRAVA 35 TOSSA DE MAR 42 UNFINISHED CHURCH OF THE SAGRADA FAMILIA, BARCELONA 43 SANTA MARIA, TARRASA 60 CATHEDRAL, TARRAGONA 61 SAGUNTO, CASTLE AND AMPHITHEATRE 86 PE ISCOLA 87 DENIA, PORT AND CASTLE 104 PE ON DE IFACH, CALPE 105 ALICANTE HARBOUR 108 MOJACAR 109 ORIHUELA 112 CASA SE ORIAL, LORCA 113 CAVE DWELLINGS, GUADIX 126 GRANADA 127 SACRISTIA OF THE CARTUJA, GRANADA 132 TOCADOR DE LA REINA, ALHAMBRA, GRANADA 133 ARCO ROMANO, RONDA 144 TARIFA 145

'Oh God, one should not go to parties, Daisy sighed, sinking in wan defeat in the melancholy dawn. One should not mingle with others; one should keep oneself to oneself...' Lying awake after a hotel party on holiday in the Mediterranean, Daisy Simpson reflects on her lacklustre social performance and muses on the impression her confident and graceful half-sister Daphne may have made on the other guests. What is it that makes Daphne, Daphne and Daisy, Daisy? And which of the two will attract the attentions of one of their hosts, Raymond, whom they have both fallen for? Returning to London, Daisy's life is strained by the efforts of presenting the right elements of her personality to the right people, resulting in embarrassments, difficulties and deceits as she navigates her relationships and social standing. Rose Macaulay's novel, first published in 1928, offers a sharp and witty commentary on how we twist our identities to fit, delivered in an intelligent and innovative style.

Denham Dobie has been brought up in Andorra by her father, a retired clergyman. On his death, she is snatched from this reclusive life and thrown into the social whirl of London by her sophisticated relatives. Denham, however, provides a candid response to the niceties of 'civilised' behaviour. CREWE TRAIN is one of Macaulay's wittiest satires. The reactions of Denham to the manners and modes of the highbrow circle in which she finds herself provide a devastating - and very funny - social commentary as well as a moving story. This bitingly funny, elegantly written comedy of manners is as absorbing and entertaining today as on the book's first publication in 1967.

It is 1946 and the people of France and England are facing the aftermath of the war. Banished by her beautiful, indolent mother to England, Barbary Deniston is thrown into the care of her distinguished father and conventional stepmother. Having grown up in the sunshine of Provence, allowed to run wild with the Maquis, experienced collaboration, betrayal and death, Barbary finds it hard to adjust to the drab austerity of postwar London life. Confused and unhappy, she discovers one day the flowering wastes around St Paul's. Here, in the bombed heart of London, she finds an echo of the wilderness of Provence and is forced to confront the wilderness within herself.

This story describes the experiences of a group of people on a trip to Turkey. Aunt Dot is set on the emancipation of Turkish women through the encouragement of a wider use of the bathing hat, whilst Laurie's only object is pleasure.