This book considers the profound influence of fairy tales on contemporary fiction, including the work of Margaret Atwood, A.S. Byatt, Angela Carter, Robert Coover, Salman Rushdie, and Jeanette Winterson.Recent decades have witnessed a renaissance of interest in the fairy tale, not least among writers of fiction. In ""Contemporary Fiction and the Fairy Tale"", editor Stephen Benson argues that fairy tales are one of the key influences on fiction of the past thirty years and also continue to shape literary trends in the present. Contributors detail the use of fairy tales both as inspiration and blueprint and explore the results of juxtaposing fairy tales and contemporary fiction.At the heart of this collection, seven leading scholars focus on authors whose work is heavily informed and transformed by fairy tales: Robert Coover, A. S. Byatt, Margaret Atwood, Angela Carter, and Salman Rushdie. In addition to investigating the work of this so-called fairy-tale generation, ""Contemporary Fiction and the Fairy Tale"" provides a survey of the body of theoretical writing surrounding these authors, both from within literary studies and from fairy-tale studies itself. Contributors present an overview of critical positions, considered here in relation to the work of Jeanette Winterson and of Nalo Hopkinson, suggesting further avenues for research.""Contemporary Fiction and the Fairy Tale"" offers the first detailed and comprehensive account of the key authors working in this emerging genre. Students and teachers of fiction, folklore, and fairy-tale studies will appreciate this insightful volume.

Three friends are faced with tragedy when the Great War casts its shadow over their hometown of Connersville, Virginia. Lavender has lost the brother she adored and now, without him, must face the struggle of growing up and coping with the childhood injury that rendered her mute. Lenna silently grieves for the husband she barely had the chance to love; yet, in the adversity, hope springs and presents the opportunity for new beginnings. Johnathan strives to be a pillar his friends can rely upon after the loss of his best friend, but unexpected events propel him into new challenges of his own. Faith is tested and love blossoms amidst the sweeping tide of time and war in this inspiring story of love, loss and God's unfathomable power to restore.

Margaret Atwood's Fairy-Tale Sexual Politics by Sharon Rose Wilson Sharon Rose Wilson's analysis of Margaret Atwood's sexual politics through a study of fairy-tale patterns offers a new reading of Atwood and a fresh appreciation of the traditional fairy tale's ability to illuminate modern literature. Not only is this the first study to explore systematically Atwood's fiction and poetry through fairy-tale images, but also it occasions the first time Atwood has allowed examples of her artwork to be published in a book. In relating Atwood's fragile, mysterious paintings, collages, linocuts, drawings, and cartoons to her writing, this study shows how such fairy-tale images-along with myths, the Bible, history, film, art, and popular literature-reveal archetypes in her work. The engaging writing and the eerie visual art of Margaret Atwood braid together fairy-tale themes from Grimm and Andersen with the feminist concerns for which this internationally acclaimed Canadian author is well known. In The Handmaid's Tale, for example, she presents her version of Little Red Riding Hood facing patriarchy's wolf. In almost all her novels she explores the "Rapunzel Syndrome," in which women experience internalized isolation. In joining Atwood's literature and her artwork, Wilson challenges feminist assumptions that fairy tales limit gender roles. To the contrary, fairy-tale motifs in Atwood's works are a liberating force. Indeed, Wilson discloses how the genius of this fascinating writer perceives the fairy tale to be a means of transforming the constricting images that tradition has placed upon sexual identity. Sharon Rose Wilson is a professor of English and women's studies at the University of Northern Colorado.