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This volume brings together new studies and interdisciplinary
research on the changing mediascapes in South Asia. Focusing on
India, Pakistan, and Bangladesh, it explores the transformations in
the sphere of cinema, television, performing arts, visual cultures,
cyber space and digital media, beyond the traumas of the partitions
of 1947 and 1971. Through wide-ranging essays on soft power,
performance, film, and television; art and visual culture; and
cyber space, social media, and digital texts, the book bridges the
gap in the study of the postcolonial and post-Partition
developments to reimagine South Asia through a critical
understanding of popular culture and media. The volume includes
scholars and practitioners from the subcontinent to foster dialogue
across the borders, and presents diverse and in-depth studies on
film, media and representation in the region. This book will be
useful to scholars and researchers of media and film studies,
postcolonial studies, visual cultures, political studies, partition
history, cultural studies, mass media, popular culture, history,
sociology and South Asian studies, as well as to media
practitioners, journalists, writers, and activists.
This volume brings together new studies and interdisciplinary
research on the changing mediascapes in South Asia. Focusing on
India, Pakistan, and Bangladesh, it explores the transformations in
the sphere of cinema, television, performing arts, visual cultures,
cyber space and digital media, beyond the traumas of the partitions
of 1947 and 1971. Through wide-ranging essays on soft power,
performance, film, and television; art and visual culture; and
cyber space, social media, and digital texts, the book bridges the
gap in the study of the postcolonial and post-Partition
developments to reimagine South Asia through a critical
understanding of popular culture and media. The volume includes
scholars and practitioners from the subcontinent to foster dialogue
across the borders, and presents diverse and in-depth studies on
film, media and representation in the region. This book will be
useful to scholars and researchers of media and film studies,
postcolonial studies, visual cultures, political studies, partition
history, cultural studies, mass media, popular culture, history,
sociology and South Asian studies, as well as to media
practitioners, journalists, writers, and activists.
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