AfroLatinas as subject of scholarship is woefully underrepresented, and this edited volume, AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective, offers an important and timely intervention. The consistent attention to AfroLatinas' agency across all the chapters is empowering and attentive to the difficult circumstances of asserting that agency, and the tremendous breadth of what agency can look like. The authors argue the analytical power of the concept of Intersectionality while considering the hegemonic pressures on AfroLatinidad and the essentializing moves that an intersectional approach enables evading, overthrowing, and resisting systems of power. Through the study of multiple cultural expressions of Blackness, such as photography, colonial inquisition records, dance, music, fiction, non-fiction, poetic memoir, and religious expression, and throughout different region of the Americas, the chapter contributors of this book consider the relationship that social and historical processes, such as sovereignty and colonialism, have on narrative and cultural production. Rosita Scerbo, Concetta Bondi, and the contributors acknowledge that racial and gender equity cannot exist without Intersectionality, and the inclusion of activist voices broadens its reach and links theory to praxis.

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

LATINAS EN LOS MARGENES aspira a contribuir a la comprension del genero de la autobiografia visual como medio de expresion y reivindicacion del yo que ofrece a las artistas de minorias la oportunidad de definirse a si mismas. A traves de narrativas personales, peliculas, fotografias, obras de arte y producciones digitales, estas obras exploran temas como la homofobia, la identidad politica, la soberania nativa, la maternidad, la identidad lesbiana y diferentes identidades culturales minoritarias. Las diferentes historias visuales analizan los diferentes matices de la identidad racial y sexual de mujeres que a menudo se perciben como forasteras dentro de su propio pais. Estos grupos marginados invitan a los lectores a desarrollar nuevas formas de dialogos, practicas y alianzas transculturales.