‘Bravely challenging the Establishment consensus … forensically argued’ - Mail on Sunday The British government has embarked on an ambitious and legally-binding climate change target: reduce the country’s greenhouse gas emissions to Net Zero by 2050. The Net Zero policy was subject to almost no parliamentary or public scrutiny, and is universally approved by our political class. But what will its consequences be? Ross Clark argues that it is a terrible mistake, an impractical hostage to fortune which will have massive downsides. Achieving the target is predicated on the rapid development of technologies that are either non-existent, highly speculative or untested. Clark shows that efforts to achieve the target will inevitably result in a huge hit to living standards, which will clobber the poorest hardest, and gift a massive geopolitical advantage to hostile superpowers such as China and Russia. The unrealistic and rigid timetable it imposes could also result in our committing to technologies which turn out to be ineffective, all while distracting ourselves from the far more important objective of adaptation. This hard-hitting polemic provides a timely critique of a potentially devastating political consensus which could hobble Britain’s economy, cost billions and not even be effective.

Will appeal to scholars across both film studies and psychoanalysis Uses a range of contemporary films to illustrate Combines socio-political commentary and psychological insight

Will appeal to scholars across both film studies and psychoanalysis Uses a range of contemporary films to illustrate Combines socio-political commentary and psychological insight

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source - from the musical's background, information about the character singing, and synoptic narrative information for the song - that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and - in one case - book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

The British government has embarked on an ambitious and legally-binding climate change target: reduce the country's greenhouse gas emissions to Net Zero by 2050. The Net Zero policy was subject to almost no parliamentary or public scrutiny, and is universally approved by our political class. But what will its consequences be? Ross Clark argues that it is a terrible mistake, an impractical hostage to fortune which will have massive downsides. Achieving the target is predicated on the rapid development of technologies that are either non-existent, highly speculative or untested. Clark shows that efforts to achieve the target will inevitably result in a huge hit to living standards, which will clobber the poorest hardest, and gift a massive geopolitical advantage to hostile superpowers such as China and Russia. The unrealistic and rigid timetable it imposes could also result in our committing to technologies which turn out to be ineffective, all while distracting ourselves from the far more important objective of adaptation. This hard-hitting polemic provides a timely critique of a potentially devastating political consensus which could hobble Britain's economy, cost billions and not even be effective.

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source - from the musical's background, information about the character singing, and synoptic narrative information for the song - that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and - in one case - book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.

We are constantly being told that we are on the cusp of a cashless society. The financial services industry would certainly like to see it that way. We are being enticed with contactless cards, mobile phone payment apps, and methods of bank transfer: all, apparently, for our convenience. But as Ross Clark argues in this compelling new book, it is not in our interests to surrender the right to use cash. Commercial interests want us to pay electronically in order to collect valuable data on our spending habits, while governments would love us to move to cashless payments in order to control the economy in ways which suit it, not us. If we choose to pay electronically, that is one thing, but we will regret it if we do not defend the right to pay with cash.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Determination Of The Positions Of The Feaghmain And Haverfordwest, Longitude Stations Of The Great Euopean Arc Of Parable Alexander Ross Clarke