As omnipresent as it is ungraspable, time has always inspired and eluded attempts to comprehend it. For the early Christians, for the twenty-first-century world, how have past and future been woven into the present? In Chronos, a leading French historian ranges from Western antiquity to the Anthropocene, pinpointing the crucial turning points in our relationship to time. François Hartog considers the genealogy of Western temporalities, examining the orders of time and their divisions into epochs. Beginning with how the ancient Greeks understood time, Chronos explores the fashioning of a Christian time in the early centuries of the Catholic Church. Christianity’s hegemony over time reigned over Europe and beyond, only to ebb as modern time—presided over by the notion of relentless progress—set out on its march toward the future. Hartog emphasizes the deep uncertainties the world now faces as we reckon with the arrival and significance of the Anthropocene age. Humanity has become capable of altering the climate, triggering in mere life spans changes that once took place across geological epochs. In this threatening new age, which has challenged all existing temporal constructions, what will become of the old ways of understanding time? Intertwining reflections on intellectual history and historiography with critiques of contemporary presentism and apocalypticism, Chronos brings depth and erudition to debates over the nature of the era we are living through and offers keen insight into the experience of historical time.

As omnipresent as it is ungraspable, time has always inspired and eluded attempts to comprehend it. For the early Christians, for the twenty-first-century world, how have past and future been woven into the present? In Chronos, a leading French historian ranges from Western antiquity to the Anthropocene, pinpointing the crucial turning points in our relationship to time. Francois Hartog considers the genealogy of Western temporalities, examining the orders of time and their divisions into epochs. Beginning with how the ancient Greeks understood time, Chronos explores the fashioning of a Christian time in the early centuries of the Catholic Church. Christianity's hegemony over time reigned over Europe and beyond, only to ebb as modern time-presided over by the notion of relentless progress-set out on its march toward the future. Hartog emphasizes the deep uncertainties the world now faces as we reckon with the arrival and significance of the Anthropocene age. Humanity has become capable of altering the climate, triggering in mere life spans changes that once took place across geological epochs. In this threatening new age, which has challenged all existing temporal constructions, what will become of the old ways of understanding time? Intertwining reflections on intellectual history and historiography with critiques of contemporary presentism and apocalypticism, Chronos brings depth and erudition to debates over the nature of the era we are living through and offers keen insight into the experience of historical time.

Focusing on the requirement for energy-efficient sustainable architecture with a small carbon footprint, this book explores the many ways in which containers can be renovated to create housing and more. With environmentally friendly design, low associated costs and ease of mobility, containers could be a great future contributor to the development of low-carbon architecture. This book features a detailed analysis of over 40 container projects, each with their own prominent features. These are presented alongside landscape plans, technical drawings and text explanations. In addition to the case studies, design guidelines are supplied alongside information regarding the relevant construction standards for container buildings, making this book both inspirational and a practical resource for designers and architects.

The "fatal error" to which the title refers is Marmaduke Herbert's inadvertently occasioning the death of his wife's sister by causing her to fall off a cliff. This accident leads to misery, setting in motion a chain of events that will result in the deaths of nearly everyone Herbert loves, as well as an elaborate blackmail scheme and a trial for murder

A bizarre novel, by turns sensational, psychological, and campy, "Marmaduke Herbert; or, The Fatal Error" (1847) is one of the best of the prolific Marguerite, Countess of Blessington's novels. This new edition features an introduction by Ross G. Arthur and a chronology of the Countess of Blessington's works.

About the Author

Marguerite, Countess of Blessington (1789-1849) is described by John Sutherland as "the most fashionable of fashionable novelists." Born into poverty in Ireland, she was forced into marriage with a brutal army officer at age fifteen. After fleeing from this marriage, Marguerite read widely and educated herself, and married the Earl of Blessington in 1818. She became a leading London hostess and consorted with Lord Byron. After her husband's death in 1829, she turned to writing, becoming one of the most important of the "silver fork" novelists.