Including applied readings, this book explores the divide between practical criticism and theory in 20th century criticism to propose a new way of reading poetry. The history of poetry criticism in the 20th Century is often told as the story of two opposing sides. On the one hand, practical criticism emphasized close reading and a concern with authorial intention and technique; by contrast, the 'theory revolution' reacted against this in favour of a concern with the anonymous ideological forces at play in the text. Critically exploring this history of 20th Century literary criticism, "On Modern Poetry" draws on the insights of both traditions to offer a new way of reading poetry. Taking students through the work of such critics as T.S. Eliot, William Empson, Harold Bloom, Jacques Derrida and Martin Heidegger, the book considers such topics as rhyme, poetic 'voice' and language. The second part of the book then goes on to apply these critical insights through close readings of poems by such writers as Matthew Arnold, Thomas Hardy, Gerard Manley Hopkins and Alfred Lord Tennyson. A new exploration of poetry criticism in the last hundred years, "On Modern Poetry" is an essential guide for readers and students at all levels.

Ever want to have a bagel with Hegel? Eggs with Bacon? Or spend a day with Socrates, Mill, Herodotus, or Kant, able to pick their brains about the most mundane moments of your life? Former Oxford Philosophy Fellow Robert Rowland Smith thought he would, and so with dry wit and marvelous invention, Smith whisks you through a typical day, injecting a little philosophy into it at every turn. Wake up with Descartes, go to work with Plato and Nietzsche, visit the gym with Kant, have sex with Ovid (or Simone de Beauvoir).

As the day unfolds, Smith grounds complex, abstract ideas in concrete experience, giving you an informal introduction to applying philosophy to everyday life. Not only does "Breakfast with Socrates "cover the basic arguments of philosophy, it brings an irresistible, insouciant charm to its big questions, waking us up to the richest possible range of ideas on how to live. Neither breakfast, lunch, nor dinner will ever be the same again.

What is the role of fate in our lives? Why should we avoid repeating patterns? And how can we identify our purpose? In What It Means To Be Human, former Oxford don Robert Rowland Smith draws on his personal experience to answer some of life's most fundamental questions. Robert's story involves a love triangle, office politics, police raids and a near-death experience. We see him confronting his demons, but also looking out for angels. As we are led into Robert's private world- exploring themes like love, death, work and creativity - we gain an understanding of what it means to be human that is relevant to all. Previously published as AutoBioPhilosophy.

The Sadistic Arts is Rowland Smith's second, (and first official) published book. Based around the character Joshua Carter and his experience in The School of Golden Arts. Joshua Carter wakes up to suddenly find himself trapped amongst other teenagers with no memory of his past at an academy of arts run by an eerily chipper and robotic principal. Surveillance cameras are everywhere, a curfew is in place, and the list of rules is ever expanding. All they have to do is to continue expressing their creativity through completing various art projects, or face expulsion! Can Joshua withstand the drama, stress, and insanity involved with being an artist in order to discover the secrets of the school and escape? "Remember art is a blessing!"

There was something magical about the day from the moment he fell.... It is 1978. The world is full to the brim with colour, and an eleven year old Peter decides to visit his estranged father. What he hopes for is the money for a 'mix bag' and a sip of his dad's warm beer. What he discovers will change his world forever. The Ghost of Elvis is an enigmatic story about an imaginative young boy's search for heroes in a world marred by alcoholism, mental illness and violence. Told in a voice that is as insightful as it is innocent, this mosaic of interwoven vignettes is a beautiful and harrowing account of childhood.

Including applied readings, this book explores the divide between practical criticism and theory in 20th century criticism to propose a new way of reading poetry. The history of poetry criticism in the 20th Century is often told as the story of two opposing sides. On the one hand, practical criticism emphasized close reading and a concern with authorial intention and technique; by contrast, the 'theory revolution' reacted against this in favour of a concern with the anonymous ideological forces at play in the text. Critically exploring this history of 20th Century literary criticism, "On Modern Poetry" draws on the insights of both traditions to offer a new way of reading poetry. Taking students through the work of such critics as T.S. Eliot, William Empson, Harold Bloom, Jacques Derrida and Martin Heidegger, the book considers such topics as rhyme, poetic 'voice' and language. The second part of the book then goes on to apply these critical insights through close readings of poems by such writers as Matthew Arnold, Thomas Hardy, Gerard Manley Hopkins and Alfred Lord Tennyson. A new exploration of poetry criticism in the last hundred years, "On Modern Poetry" is an essential guide for readers and students at all levels.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

JoAnn's wild ride through the 70s is a shocking journey with drugs, sex, and the occult that ultimately leads her to her final destination--the light. Following her tragic death from a drug overdose, JoAnn is granted a second chance to live again.--Ken and Susan Wales. 338 pp.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.