Light Break presents the first survey since 1996 of photographer Roy DeCarava, an essential figure of American art and culture, whose "poetry of vision" re-forms urban life, labor, love, and jazz into the discovery of "an intimate, emotional arc of transformation." Though DeCarava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility--his traditional training in painting and printmaking as well as his philosophical undertakings. It brings the viewer to a consideration of contradictory precepts in DeCarava's work that seeks resolution through tonal and structural elements within the image. Light Break presents a wide-ranging selection of DeCarava's photographs accompanied by a preface by Zoe Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner DeCarava. Titled "Celebration," Turner DeCarava's essay considers the artist's singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking. "In making photographs, as in life, DeCarava was patient. Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera's shutter. In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his "infinite scale of grey tones"--often realized at the deepest end of the spectrum--to emerge slowly and fully." This exquisite volume showcases a dynamic range of images that underscore DeCarava's subtle mastery of tonal and spatial elements across a wide, fascinating array of subject matter: from the figural implications of smoke and debris to the "shimmering mirror beneath a mother as she walks with her children in the morning light." These photographs express a strength of imagery--an intent to synchronize and honor the pulse of art as an emergent signal for creative and revelatory freedom.

Roy DeCarava: the sound i saw is the pictorial equivalent of jazz. Here the visionary photographer turns his gaze on legendary jazz icons John Coltrane, Billie Holiday, Duke Ellington and Ornette Coleman, among many others. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes DeCarava. A master of poetic contemplation and of sensual tonalities in black and white, DeCarava is, above all, a photographer of people. A member of the post-World War II generation that sought a new modernist vocabulary, he was first recognized for his innovative images of life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with poet Langston Hughes) and extraordinary portraits of jazz musicians like John Coltrane, Duke Ellington, and Billie Holiday. It is these two themes-New York and jazz-interwoven and inseparable, that are the ostensible subject of the sound i saw. However, the seemingly casual yet deeply felt compositions and the rich, gradient tones of DeCarava's photographs stir emotions that resonate far beyond one neighborhood and one era. Conceived, designed, written, and made as an artist maquette by DeCarava in the early 1960s, the sound i saw went unpublished for almost half a century until it was printed by Phaidon in 2001. At its core is a visual and philosophical journey to plumb the meaning of a creative life. The artist's intention in proposing a complex relationship between vision and music moves his comprehensive, decade-long reflection to the status of a magnum opus. This new edition, co-published by First Print Press and David Zwirner Books, includes new scholarship by Radiclani Clytus, and reflections by Sherry Turner DeCarava.