Douglas covers all the great political and social issues of the interwar period. His greatest gift is for concise, clear explanation, setting each cartoon into its historical context. The scope is international.

This new approach to the history of the Second World War, first published in 1990, examines the events of this period through the cartoons of the day. Roy Douglas explains the messages behind the humour and reveals that the perception of war differed radically from country to country. This collection highlights the importance of the media in this global war. 'An authoritative narrative about what inspired the artists to take to their pens and papers... By putting it all into perspective, the poignancy, and often the brilliance of the political cartoonist is shown to the reader... Douglas's historical narrative adds to the enjoyment.' West Coast Review of Books 'Douglas's valuable book uses the political cartoon as historical mirror... The book is very important for its attempt to correlate visual media with national policy at a crucial period in recent history.' Choice

for SATB and orchestra or brass Vaughan Williams provided music for royal ceremonies several times during his long career; in the case of this arrangement the occasion was the Coronation of Queen Elizabeth II in 1953. It is a gloriously majestic setting of the hymn 'All people that on earth do dwell' with spectacular brass fanfares and opportunities for congregational singing. There are also calmer moments: verse 4, for example, borrows from John Dowland's setting of the psalm, harking back to the previous Elizabethan age. The work was given its first concert performance by the Halle Orchestra under Sir John Barbirolli in 1957, and a year later was sung at the composeras own funeral at Westminster Abbey.

This new approach to the history of the Second World War, first published in 1990, examines the events of this period through the cartoons of the day. Roy Douglas explains the messages behind the humour and reveals that the perception of war differed radically from country to country. This collection highlights the importance of the media in this global war. 'An authoritative narrative about what inspired the artists to take to their pens and papers... By putting it all into perspective, the poignancy, and often the brilliance of the political cartoonist is shown to the reader... Douglas's historical narrative adds to the enjoyment.' West Coast Review of Books 'Douglas's valuable book uses the political cartoon as historical mirror... The book is very important for its attempt to correlate visual media with national policy at a crucial period in recent history.' Choice

The grandeur of the great imperial powers of the nineteenth century - Britain, France, Germany, Russia, Austria-Hungary and even the burgeoning United States, was constantly subverted by the cartoonists of the day. As Roy Douglas reveals, cartoons are often more accurate guides to popular feelings than the newspapers in which they appeared. In this, his third look at history through the eyes of the cartoonist, Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons. Taken from the period leading to the First World War, these cartoons are as fresh - and often as shocking - as the day they were drawn.

Douglas covers all the great political and social issues of the interwar period. His greatest gift is for concise, clear explanation, setting each cartoon into its historical context. The scope is international.

The grandeur of the great imperial powers of the nineteenth century - Britain, France, Germany, Russia, Austria-Hungary and even the burgeoning United States, was constantly subverted by the cartoonists of the day. As Roy Douglas reveals, cartoons are often more accurate guides to popular feelings than the newspapers in which they appeared. In this, his third look at history through the eyes of the cartoonist, Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons. Taken from the period leading to the First World War, these cartoons are as fresh - and often as shocking - as the day they were drawn.

Anthony Asquith directs this wartime propaganda drama. When his actress wife Irena (Diana Wynyard) moves to Berlin to further her career, throat specialist Dr Karl Roder (Clive Brook) decides to accompany her, although he is vehemently opposed to the newly-elected Nazi regime. There he meets Hans Glaser (Derek Farr), a young engineer whose girlfriend has been incarcerated in a concentration camp. Together, they set up their own broadcasting service, Freedom Radio, to denounce the Nazi movement.

Contributing Authors Include Edward A. Ackerman, Clarence A. Davis, Carl B. Brown, And Many Others. A Symposium Presented At The Washington Meeting Of The American Association For The Advancement Of Science, December 29-30, 1958.