Timor has been a divided island at least since the seventeenth century when Dutch and Portuguese colonial empires competed for its control. Despite this fragmentation, the weaving of cloth has remained intimately linked to the cultural history of the Timorese peoples as a whole. Handwoven cotton garments serve as markers of identity and nurture social relationships when they are exchanged. Women in Timor weave an impressive variety of cloth, routinely combining more weaving techniques than any other region of Southeast Asia. This technical prowess and diversity of design make weaving the most important form of artistic expression in Timor and allow groups as small as individual families to proclaim their unique heritage. Independence for Timor-Leste (East Timor) in 2002 - following invasion by Indonesia and years of violent warfare (1975-1999) - brought with it more stable conditions and improved access for researchers. Textiles of Timor, Island in the Woven Sea brings together for the first time woven works from all parts of the island, demonstrating that the textile arts form a common foundation uniting Timor's diverse peoples despite the painful history of the country's division.

"Weaver's Stories from Island Southeast Asia" delves into the personal stories of individual textile artists, bringing recognition to their accomplishments, skills, and extraordinary lives. Photographs of ten women from eight locations in the Southeast Asian archipelago along with examples of their weaving are accompanied by a DVD showing them at work.

The book is part of a project to bring stories from the lives of Southeast Asian weavers and batik makers to an American audience, using video as the main component. Although the makers of textiles are generally not named in American museum collections, the creation of textiles is not anonymous in Southeast Asian communities. Senior artists are held in public esteem, and the cloth they produce is instantly recognizable to local people as their unique product.

Roy W. Hamilton is senior curator for Asian and Pacific collections at the Fowler Museum at UCLA. Other contributors include Jill Forshee, Traude Gavin, and Cherubim A. Quizon.

Winner of the R. L. Shep Ethnic Textiles Award sponsored by the Textile Society of America Asia is renowned for the production of fine handwoven cottons and luxurious silks -- important items of trade for centuries. In addition to these celebrated fabrics, however, weavers throughout the region produced cloth from ramie, hemp, pina, and banana fibers (including Philippine abaca and Okinawan ito basho), as well as a number of lesser-known plant fibers. Over the course of the twentieth century, many of these Asian plant fiber weaving traditions became marginalized or hovered on the brink of extinction, given the advent of synthetic fabrics, growing industrialization, and increased international textile trade. As the essays in this book testify, however, they have not vanished altogether. Rather, in recent times weavers have purposefully chosen to pursue various efforts directed at their preservation, revival, or reinvention. In many cases, the production of bast and leaf fiber textiles is now thriving in newly globalized situations. This volume presents eight essays documenting the current state of bast and leaf fiber weaving traditions in Vietnam, Borneo, Korea, Burma, Okinawa, the Philippines, Japan, and Micronesia. The processes that have nurtured or buffeted attempts to preserve or revive the production of these textiles are examined and abundantly illustrated with color photographs. Roy W. Hamilton is curator of Asian and Pacific collections at the Fowler Museum at UCLA. B. Lynne Milgram is professor of anthropology at Ontario College of Art and Design, Toronto. The other contributors include Sylvia Fraser-Lu, Bu-ja Koh, Sophiano Limol, Elizabeth Oley, Melisssa M. Rinne, Donald H. Rubinstein, Amanda Mayer Stinchecum, Ma Thanegi, and Tran Thi Thu Thuy.