The Tale of the Heike is Japan's great martial epic: a masterpiece of world literature and the progenitor of all samurai stories. This major and groundbreaking new Penguin translation is by Royall Tyler, acclaimed translator of The Tale of Genji. First assembled from scattered oral poems in the early fourteenth century, The Tale of the Heike is Japan's Iliad - a grand-scale depiction of the wars between the Heike and Genji clans. Legendary for its magnificent and vivid set battle scenes, it is also a work filled with intimate human dramas and emotions, contemplating Buddhist themes of suffering and separation, as well as universal insights into love, loss and loyalty. The narrative moves back and forth between the two great warring clans, between aristocratic society and street life, adults and children, great crowds and introspection. No Japanese work has had a greater impact on subsequent literature, theatre, music and films, or on Japan's sense of its own past. Royall Tyler's new translation is the first to capture the way The Tale of the Heike was originally performed. It re-creates the work in its full operatic form, with speech, poetry, blank verse and song that convey its character as an oral epic in a way not seen before, fully embracing the rich and vigorous language of the original texts. Beautifully illustrated with fifty-five woodcuts from the nineteenth-century artistic master, Katsushika Hokusai, and bolstered with maps, character guides, genealogies and rich annotation, this is a landmark edition. Royall Tyler taught Japanese language and literature for many years at the Australian National University. He has a B.A. from Harvard University and a PhD from Columbia University and has taught at Harvard, Stanford and the University of Wisconsin. His translation of The Tale of Genji was acclaimed by publications such as The New York Times Book Review.

In this annotated translation and study of an early fourteenth-century Japanese devotional picture scroll set, Royall Tyler illuminates the complex relationships between medieval Japanese religion and politics, text, and art. The Kasuga Gongen genki ("The Miracles of the Kasuga Deity") mingles text and painting on silk to tell the tale of miraculous events at the Kasuga shrine in Nara, a site favored by the dominant Fujiwara clan for centuries. The work's values are aristocratic, but the text sheds light on the syncretic nature of the era's religious practices, allowing Tyler to collapse the distinction between high and low forms of medieval Japanese religion. Tyler provides a detailed examination of the scrolls, the shrine, and their history and political role. He also elucidates the scrolls' relationship to literary genre and religious practice, including the interaction between Shintoism and Buddhism. His copious annotations describe the work's historical context, as well as its religious and cultural influences. This study is essential for scholars of religion, art historians, and cultural historians alike.

He wrote the first American comedy to be performed onstage, and here, in this extraordinary but sadly little-remembered 1797 novel, he anticipates the great literature of the coming American century. Here, in two volumes in one book, Royall Tyler tells the astonishing-and thoroughly fictional-tale of Boston gentleman and scholar Updike Underhill, whose life encompasses such extremes as fumblings with Greek poetry that almost lead him to a deadly duel and a stint as a surgeon on a slave ship. One of the first works of fiction to feel uniquely American, this combination of satire and sincerity begins, in Volume 1, as a comedy of manners and genteel adventure the likes of which Mark Twain would later make his own, and transforms, in Volume 2, into a sober tale of abolition and a striking consideration of what it meant, in those early days of the nation, to be an American. Fans of American literature should consider this a must-read. American playwright ROYALL TYLER (1757-1826), born William Clark Tyler, wrote many other plays, some of which have been lost, as well as novels, essays, and humorous verse.

Written in the eleventh century, this exquisite portrait of courtly life in medieval Japan is widely celebrated as the world’s first novel. Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

-- "The New York Times Book Review"

"Yasuoka s venal, youthful first-person narrators grasp at beauty and romance amid a changing Japan in these nine stories, all published in Japan in the early 1950s . . . Tyler s translation captures Yasuoka s effortless style, registering dark but delightful impressions of youth." Publishers Weekly

These twenty-four plays of mesmerizing beauty fuse the spiritual and the sensual in the esoteric No art form, which combines music, dance, costume, and language. The collection includes full notes and stage directions, as well as new interpretations of the plays that influenced writers such as Yeats, Pound, and Brecht.

Here are two hundred and twenty dazzling tales from medieval Japan, tales that welcome us into a fabulous, faraway world populated by saints and scoundrels, ghosts and magical healers, and a vast assortment of deities and demons. Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.