In post-1991 Macedonia, Barok furniture came to represent affluence and success during a period of transition to a new market economy. This furniture marked the beginning of a larger Baroque style that influenced not only interior decorations in people's homes but also architecture and public spaces. By tracing the signifier Baroque, the book examines the reconfiguration of hierarchical relations among (ethnic) groups, genders, and countries in a transnational context. Investigating how Baroque has come to signify larger social processes and transformations in the current rebranding of the country, the book reveals the close link between aesthetics and politics, and how ethno-national conflicts are reflected in visually appealing ornamentation.

Rozita Dimova is Associate Professor of South East European Languages and Culture at Ghent University (Belgium) and Senior Research Fellow at the Institute of Slavonic Studies at Humboldt University in Berlin (Germany). She is guest co-editor of the issue of "History and Anthropology" (Winter 2013, vol. 24), entitled "Contested Nation-building within the International 'Order of Things': Performance, Festivals and Legitimization in South-Eastern Europe." Currently, she is completing a book manuscript on borders and neoliberalism in South-Eastern Europe.

This innovative book documents border porosities that have developed and persisted between Greece and North Macedonia over different temporalities and at different localities. By drawing on geology's approaches to studying porosity, Dimova argues that similar to rocks and minerals that only appear solid and impermeable, seemingly impenetrable borders are inevitably traversed by different forms of passage. The rich ethnographic case studies, from the history of railroads in the southern Balkans, border town beauty tourism, child refugees during the Greek Civil War, mining and environmental activism, and the urban renovation project in Skopje, show that the political borders between states do not only restrict or regulate the movement of people and things, but are also always permeable in ways that exceed state governmentality. -- .

The political materialities of borders aims to bring questions of materiality to bear specifically on the study of borders. In doing this, the contributors have chosen an approach that does not presume the material aspect of borders but rather explores the ways in which any such materiality comes into being. Through ethnographic and philosophical explorations of the ontology of borders from the perspective of materiality, this volume seeks to throw light on the interaction between the materiality of state borders and the non-material aspects of state-making. This enables, it is shown, a new understanding of borders as productive of the politics of materiality, on which both the state project rests, including in its multifarious forms in the post-nation-state era. -- .