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From the mid-20th century to present, the Brazilian art,
literature, and music scene have been witness to a wealth of
creative approaches involving sound. This is the backdrop for
Making It Heard: A History of Brazilian Sound Art, a volume that
offers an overview of local artists working with performance,
experimental vinyl production, sound installation, sculpture, mail
art, field recording, and sound mapping. It criticizes universal
approaches to art and music historiography that fail to recognize
local idiosyncrasies, and creates a local rationale and discourse.
Through this approach, Chaves and Iazzetta enable students,
researchers, and artists to discover and acknowledge work produced
outside of a standard Anglo-European framework.
From the mid-20th century to present, the Brazilian art,
literature, and music scene have been witness to a wealth of
creative approaches involving sound. This is the backdrop for
Making It Heard: A History of Brazilian Sound Art, a volume that
offers an overview of local artists working with performance,
experimental vinyl production, sound installation, sculpture, mail
art, field recording, and sound mapping. It criticizes universal
approaches to art and music historiography that fail to recognize
local idiosyncrasies, and creates a local rationale and discourse.
Through this approach, Chaves and Iazzetta enable students,
researchers, and artists to discover and acknowledge work produced
outside of a standard Anglo-European framework.
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