In this elegantly written and theoretically sophisticated work, Rukmini Bhaya Nair asks why human beings across the world are such compulsive and inventive storytellers. Extending current research in cognitive science and narratology, she argues that we seem to have a genetic drive to fabricate as a way of gaining the competitive advantages such fictions give us. She suggests that stories are a means of fusing causal and logical explanations of 'real' events with emotional recognition, so that the lessons taught to us as children, and then throughout our lives via stories, lay the cornerstones of our most crucial beliefs. Nair's conclusion is that our stories really do make us up, just as much as we make up our stories.

Narrative Gravity explores the anti-foundationalist, anti-essentialist idea that our stories make us up, rather than we make up our stories.
The cognitive scientist Daniel C. Dennett has suggested that human beings tell stories as compulsively as beavers build dams or birds nests. Our basic identities are conferred on us by the myriad takes we hear and narrate throughout our lifetimes. All 'selves' are 'centres of narrative gravity'.
But even if it is true that we are born to weave stories, why is it that we are so 'programmed'? Narrative Gravity attempts to answer this question by carrying the important but embryonic notion that stories are obsessive self-constructions, to its logical conclusion. The book argues that narrative - a universal form found in every known human culture - functions as a 'species of natural theory'.
This is a foundational text for students of linguistics, philosophy and literary theory.

What terms are currently up for debate in Indian society? How have their meanings changed over time? This book highlights key words for modern India in everyday usage as well as in scholarly contexts. Encompassing over 250 key words across a wide range of topics, including aesthetics and ceremony, gender, technology and economics, past memories and future imaginaries, these entries introduce some of the basic concepts that inform the 'cultural unconscious' of the Indian subcontinent in order to translate them into critical tools for literary, political, cultural and cognitive studies. Inspired by Raymond Williams' pioneering exploration of English culture and society through the study of keywords, Keywords for India brings together more than 200 leading sub-continental scholars to form a polyphonic collective. Their sustained engagement with an incredibly diverse set of words enables a fearless interrogation of the panoply, the multitude, the shape-shifter that is 'India'. Through its close investigation and unpacking of words, this book investigates the various intellectual possibilities on offer within the Indian subcontinent at the beginning of a fraught new millennium desperately in need of fresh vocabularies. In this sense, Keywords for India presents the world with many emancipatory memes from India.