This Element offers a new approach to ancient Egyptian images informed by interdisciplinary work in archaeology, anthropology, and art history. Sidestepping traditional perspectives on Egyptian art, the Element focuses squarely on the ontological status of the image in ancient thought and experience. To accomplish this, section 2 takes up a number of central Egyptian terms for images, showing that a close examination of their etymology and usage can help resolve long-standing question on Egyptian imaging practices. Section 3 discusses ancient Egyptian experiences of materials and manufacturing processes, while section 4 categorizes and discusses the different purposes and functions for which images were created. The Element as a whole thus offers a concise introduction to ancient Egyptian imaging practices for an interdisciplinary readership, while at the same introducing new ways of thinking about familiar material for the Egyptological reader.

"Lotus and Laurel" brings together a wealth of essays in celebration of Paul John Frandsen, who has led a distinguished career as a scholar of ancient Egyptian language and religion. The contributors are friends, colleagues, or former students, and all are leading authorities in Egyptology. Evoking his wide range of interests, they touch on a breadth of topics, including religious thought and representation; social questions of gender, kinship, and temple slavery; as well as studies of grammar and etymology. More than a tribute to this important scholar in Egyptology, "Lotus and Laurel" is a window into some of the most important work going on now in the field.

Papers from a seminar held at the University of Copenhagen in September 2006. Contents: A New Look at the Conception of the Human Being in Ancient Egypt (John Gee); 2) Between Identity and Agency in Ancient Egyptian Ritual (Harold M. Hays); 3) Material Agency, Attribution and Experience of Agency in Ancient Egypt: The case of New Kingdom private temple statues (Annette Kjolby); 4) Self-perception and Self-assertion in the Portrait of Senwosret III: New methods for reading a face ((Maya Muller); 5) Taking Phenomenology to Heart: Some heuristic remarks on studying ancient Egyptian embodied experience (Rune Nyord); 6) Anger and Agency: The role of the emotions in Demotic and earlier narratives (John Tait); 7) Time and Space in Ancient Egypt: The importance of the creation of abstraction (David A. Warburton); Index of Egyptian and Greek words and expressions."

The ancient Egyptian Coffin Texts form a corpus of ritual spells written on the inside of coffins from the Middle Kingdom (c. 2000-1650 BCE). Thus accompanying the deceased in a very concrete sense, the spells are part of a long Egyptian tradition of equipping the dead with ritual texts ensuring the transition from the state of a living human being to that of a deceased ancestor. The texts present a view of death as entailing threats to the function of the body, often conceptualised as bodily fragmentation or dysfunction. In the transformation of the deceased, the restoration of these bodily dysfunctions is of paramount importance, and the texts provide detailed accounts of the ritual empowerment of the body to achieve this goal. Seen from this perspective, the Coffin Texts provide a rich material for studying ancient Egyptian conceptions of the body by providing insights into the underlying structure of the body as a whole and the proper function of individual part of the body as seen by the ancient Egyptians. Drawing on a theoretical framework from cognitive linguistics and phenomenological anthropology, Breathing Flesh presents an analysis of the conceptualisation of the human body and its individual parts in the ancient Egyptian Coffin Texts. From this starting point, more overarching concepts and cultural models are discussed, including the ritual conceptualisation of the acquisition and use of powerful substances such as "magic", and the role of fertility and procreation in ancient Egyptian mortuary conceptions.