Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This compilation of poetry contains the most noted and celebrated works of English poet Rupert Brooke. Distinguished from an early age, Brooke excelled in school and in Cambridge University before plunging into British literary society. An emotional breakdown following a romantic breakup led him to depart the UK for recuperation in the USA and Canada, where he would write travelogues for a newspaper named The Westminster Gazette. Upon departing North America, Brooke opted to take a long sea journey across the Pacific. In the South Seas he enjoyed a relationship with a Tahitian woman by the name of Taatamata. Prior to the outbreak of World War I and his consequent military enlisting, the handsome young literary had several other romances. Tragically, Rupert Brooke lost his life as a soldier in World War I. He died at the age of 27 in April 1915 from an infected mosquito bite during the British Army's expedition to the Mediterranean, and was buried on the Greek island of Skyros.

Contents Include -1905-1908- Second Best - Day that I have Loved - Sleeping Out-Full Moon - In Examination - Pine-Trees and the Sky: Evening Wagner - The Vision of the Archangels - Seaside - On the Death of Smet-Smet - The Song of the Pilgrims - The Song of the Beasts - Failure - Ante Aram - Dawn - The Call - The Wayfarers - The Begginer - EXPERIMENTS-Choriambics-I - CHORIAMBICS-II - Desertion - 1908-1911 - Sonnet: Oh! Death will find me, etc - GRANTCHESTER-The Old Vicarage, Grantchester - OTHER POEMS - Beauty and Beauty - Song, etc - THE SOUTH SEAS - Mutability - Clouds - A Memory, etc - 1914 - The Treasure - Peace - Safety - The Dead -The Soldier

If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. From The Soldier to Anthem for Doomed Youth Rupert Brooke and Wilfred Owen are two of the best-loved poets from the heroic lost generation of the First World War. Brooke's work was well-known before the war, with the now iconic lines: 'Stands the Church clock at ten to three? And is there honey still for tea?' from The Old Vicarage, Grantchester. And Wilfred Owen, awarded the Military Cross, had been writing poetry since he was ten years old. This superb collection is the perfect introduction to two of our greatest poets.

Documentary about the poetic accounts of the Great War as written by veterans Wilfred Owen, John McCrae, Rupert Brooke, A.E. Houseman and Siegfried Sassoon.

1915. And a biographical note by Margaret Lavington. A collection of verse from the English poet, who at the outbreak of World War I joined the Royal Naval Division, served at Antwerp, and was in the Dardanelles expedition when he died of blood poisoning at the island of Skiros. Handsome and athletic, Brooke was also charming, intellectual, and witty, and was universally sought in society. His early fame and tragic death have made him an almost legendary figure and he is remembered as the War Poet.