Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. From The Soldier to Anthem for Doomed Youth Rupert Brooke and Wilfred Owen are two of the best-loved poets from the heroic lost generation of the First World War. Brooke's work was well-known before the war, with the now iconic lines: 'Stands the Church clock at ten to three? And is there honey still for tea?' from The Old Vicarage, Grantchester. And Wilfred Owen, awarded the Military Cross, had been writing poetry since he was ten years old. This superb collection is the perfect introduction to two of our greatest poets.

NEW EDITION WITH INTRODUCTION FROM THE BROOKE SOCIETY

"If I should die, think only this of me;
That there's some corner of a foreign field
That is forever England."
The Soldier Today Rupert Brooke is probably best known as one of the famous First World War poets. His War Sonnets, including 'The Soldier', are present in this new edition of his Collected Poems which, with a new introduction by the Rupert Brooke Society's Chair, Lorna Beckett, aims to introduce a new generation of readers to his passionate and accomplished poetry.

THE ESSENTIAL COLLECTION Brooke has continued to fascinate people of all ages and walks of life ever since his untimely death en route to Gallipoli on St George's Day 1915, at the age of 27. He lived his short life with intensity - he was not only a poet, but also a scholar, dramatist, literary critic, travel writer, political activist and soldier. Brooke had a large circle of friends, many of them leading figures of their generation including Virginia Woolf, Winston Churchill and W. B. Yeats.

COMPLETE EDITION OF ALL BROOKE POEMS

"Oh, is the water sweet and cool,
Gentle and brown, above the pool?
And laughs the immortal river still
Under the mill, under the mill?
Say, is there Beauty yet to find?
And Certainty? and Quiet kind?
Deep meadows yet, for to forget
The lies, and truths, and pain?... oh yet
Stands the Church clock at ten to three?
And is there honey still for tea?"
The Old Vicarage, Grantchester

In May 1913, Rupert Brooke embarked on a year-long expedition of North America, visiting the United States, Canada, and finally the South Seas. He sent his impressions home in a series of letters, written for publication in the "Westminster Gazette," describing all his various experiences and reflections: the beauty of arriving by boat at night in New York; the novelties of a baseball game; the awesome grandeur of Niagara Falls and the Canadian wilderness; and "the full deliciousness of traveling in an American train by night through new scenery." He is blunt in his judgments on society, business, and cities; playful in his accounts of Anglo-American relations; and finally humbled by the vastness of the landscape in which he finds himself. Henry James's foreword to the collection on its publication in 1916 is included here as an afterword.

Rupert Chawner Brooke (3 August 1887 - 23 April 1915) was an English poet known for his idealistic war sonnets written during the First World War, especially "The Soldier." He was also known for his boyish good looks, which were said to have prompted the Irish poet W. B. Yeats to describe him as "the handsomest young man in England." He was commissioned into the Royal Naval Volunteer Reserve as a temporary Sub-Lieutenant shortly after his 27th birthday and took part in the Royal Naval Division's Antwerp expedition in October 1914. He sailed with the British Mediterranean Expeditionary Force on 28 February 1915 but developed sepsis from an infected mosquito bite. He died at 4:46 pm on 23 April 1915 in a French hospital ship moored in a bay off the island of Skyros in the Aegean on his way to the landing at Gallipoli. As the expeditionary force had orders to depart immediately, he was buried at 11 pm in an olive grove on Skyros, Greece.