Part love story, part murder mystery, set on the cusp of the Second World War, Russell Banks's sharp-witted and deeply engaging new novel raises dangerous questions about class, politics, art, love, and madness--and explores what happens when two powerful personalities, trapped at opposite ends of a social divide, begin to break the rules. Moving from the secluded beauty of the Adirondack wilderness to the skies above war-torn Spain and Fascist Germany, "The Reserve" is a clever, incisive, and passionately romantic novel of suspense that adds a new dimension to this acclaimed author's extraordinary repertoire.

A triumph of the imagination and a masterpiece of modern storytelling, Cloudsplitter is narrated by the enigmatic Owen Brown, last surviving son of America's most famous and still controversial political terrorist and martyr, John Brown. Deeply researched, brilliantlyplotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.

Get to know the colorful cast of characters at the Granite State Trailerpark, where Flora in number 11 keeps more than a hundred guinea pigs andscreams at people to stay away from her babies, Claudel in number 5 thinks he is lucky until his wife burns down their trailer and runs off with Howie Leeke, and Noni in number 7 has telephone conversations with Jesus and tells the police about them. In this series of related short stories, Russell Banks offers gripping, realistic portrayals of individual Americans and paints a portrait of New England life that is at once dark, witty, and revealing.

In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: when the worst thing happens, who do you blame?

Suspended in a strangely modern-day version of limbo, a young man must create a life for himself in the wake of incarceration. Known only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence in a makeshift encampment with other convicted sex offenders. Barely beyond childhood himself, the Kid is in many ways an innocent, trapped by impulses and foolish choices. Enter the Professor, a man who has built his own life on secrets and lies. A university sociologist of enormous size and intellect, he finds in the Kid the perfect subject for his research on homelessness and reoffending sex offenders. The two men forge a tentative partnership. But when the Professor's past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men's relationship shifts. Suddenly, the Kid must reconsider everything he has come to believe, and choose what course of action to take when faced with a new kind of moral decision.

At the centre of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex-star student, Malcolm MacLeod, in the presence of Fife's wife and alongside Malcolm's producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession. Imaginatively structured around Fife's secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions and understanding about a significant lost chapter in American history and the nature of memory itself. Russell Banks gives us a daring and resonant work about the scope of one man's mysterious life, revealed through the fragments of his recovered past.

Suffused with Russell Banks's trademark lyricism and reckless humor, the twelve stories in A Permanent Member of the Family examine the myriad ways we try--and sometimes fail--to connect with one another, as we seek a home in the world.

In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. "A Former Marine" asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative "Veronica," a mysterious woman searching for her daughter may not be who she claims she is.

Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks's acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.

After doing time for a liaison with an underage girl, the Kid is forbidden to live within 2,500 feet of anywhere children might gather. Barely beyond childhood himself, the Kid is in many ways an innocent, trapped by impulses and choices he struggles to comprehend. Enter the Professor, a man who has built his own life on secrets and lies. The two men forge a tentative partnership, but when the Professor's past resurfaces, the balance in the two men's relationship shifts. Suddenly, the Kid must reconsider all he has come to believe, and make a fateful choice when faced with a new kind of moral decision.

A mature and masterful work of contemporary fiction from one of our most accomplished storytellers, Lost Memory of Skin explores the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion--a society where isolating the offender has perhaps created a new kind of victim.

Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade's story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.

What will you get for your birthday this year? A chance to see into the future? Or a reminder of the imperfect past? In this enviable gathering, Haruki Murakami has chosen for his party some of the very best short story writers of recent years, each with their own birthday experiences, each story a snapshot of life on a single day. Including stories by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lewis Robinson, Lynda Sexson, Paul Theroux, William Trevor and Haruki Murakami, this anthology captures a range of emotions evoked by advancing age and the passing of time, from events fondly recalled to the impact of appalling tragedy. Previously published in a Japanese translation by Haruki Murakami, this English edition contains a specially written introduction.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century.
"Varieties of Exile," Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir--stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

A powerful literary classic from one of contemporary fiction's most acclaimed and important writers, Russell Banks's "Continental Drift" is a masterful novel of hope lost and gained, and a gripping, indelible story of fragile lives uprooted and transformed by injustice, disappointment, and the seductions and realities of the American dream.

Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson's new series, "Beneath the Roses," take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come.Beneath the Roses features an essay by acclaimed fiction writer Russell Banks, as well as many never-before-seen photographs, including production stills, lighting charts, sketches, and architectural plans, that serve as a window into Crewdson's working process. The book is published to coincide with exhibitions in New York, London, and Los Angeles.

Winner of the 2014 Prix Fémina & 2015 French Voices Award After she is found washed up on shore, Cétoute Olmène Thérèse, bloody and bruised, recalls the circumstances that led her there. Her voice weaves hauntingly in and out of the narrative, as her story intertwines with those of three generations of women in her family, beginning with Olmène, her grandmother. Olmène, barely sixteen, catches the eye of the cruel and powerful Tertulien Mésidor, despite the generations-long feud between their families which cast her ancestors into poverty. He promises her shoes, dresses, land, and children who will want for nothing…and five months after moving into her new home, she gives birth to a son. As the family struggles through political and economic turmoil, the narrative shifts between the voices of four women, their lives interwoven with magic and fraught equally with hope and despair, leading to Cétoute’s ultimate, tragic fate. Yanick Lahens was born in Port-au-Prince in 1953 and is one of Haiti’s most prominent authors. She published her first novel in 2000, was awarded the prestigious Prix Femina in 2014 for Moonbath, and is the 2016 winner of a French Voices Award.

An Omnibus Edition of Three Classic Early Novels from the Critically Acclaimed Author of "Cloudsplitter" and "Affliction"

"Family Life: " Russell Banks's first novel is an adult fairy tale of a royal family in a mythical contemporary kingdom where the myriad dramas of domesticity blend with an outrageous slew of murders, mayhem, coups, debauches, world tours, and love in all guises, transcendent or otherwise.

"Hamilton Stark: " This tale of a solitary, boorish, misanthropic New Hampshire pipe fitter--the sole inhabitant of the house from which he evicted his own mother--is at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

"The Relation of My Imprisonment: " Utilizing a form invented by imprisoned seventeenth-century Puritan divines--an utterly sincere and detailed, if highly artificial, recounting of great suffering--Banks's novel is a remarkably inventive, lovingly good-humored argument, exploration, and map of the caged religious mind.

Part love story, part murder mystery, set on the cusp of the Second World War, Russell Banks's newest novel raises dangerous questions about class, politics, art, love, and madness-and explores what happens when two powerful personalities begin to break the rules.

Vanessa Cole is a wild, stunningly beautiful heiress with a scandalous past. But on July 4, 1936, at her family's country home in the Adirondack Mountains, two events coincide to permanently alter the course of Vanessa's life: her father dies suddenly of a heart attack, and a mysteriously seductive local artist, Jordan Groves, lands his biplane at the Cole's dock....

Moving from the secluded beauty of the Adirondack wilderness to the skies above war-torn Spain, "The Reserve" is a clever, incisive, and passionately romantic novel of suspense that adds a new dimension to this acclaimed author's extraordinary repertoire.

Set in Liberia and the United States from 1975 through 1991, "The Darling" is the story of Hannah Musgrave, a political radical and member of the Weather Underground.

Hannah flees America for West Africa, where she and her Liberian husband become friends of the notorious warlord and ex-president, Charles Taylor. Hannah's encounter with Taylor ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

With The Angel on the Roof, Russell Banks offers readers an astonishing collection of thirty years of his short fiction, revised especially for this volume and highlighted by the inclusion of nine new stories that are among the finest he has ever written. As is characteristic of all of Bank's works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa. Broad in scope and rich in imagination, The Angel on the Roof affirms Russell Banks's place as one of the masters of American storytelling.

The Relation of My Imprisonment a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines. Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatization of the test of fait all true believers must endure. These "relation," framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recounting of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Russell Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren's Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.