Funny, thought-provoking and moving, this much loved story is a true classic. 'What are we, Papa?' the toy mouse child asked his father. 'I don't know,' the father answered. 'We must wait and see.' So begins the story of a tin father and son who dance under a Christmas tree until they break the ancient clockwork rules and are themselves broken. Thrown away, then rescued from a dustbin and repaired by a tramp, they set out on a dangerous quest for a family and a place of their own - the magnificent doll's house, the plush elephant and the tin seal they had once know in the toy shop. 'Hugely funny, provocative, pathetic and heroic.' TLS 'Brilliantly plotted . . . a spellbinder . . . it has a style that glows and crackles.' Spectator

With a new addition to the family, Frances is feeling left out. So Frances decides to run away--but not too far This new edition of Russell and Lillian Hoban's beloved classic is perfect for beginning readers.

'This is what literature is meant to be' Anthony Burgess 'O what we ben! And what we come to...' Wandering a desolate post-apocalyptic landscape, speaking a broken-down English lost after the end of civilization, Riddley Walker sets out to find out what brought humanity here. This is his story. 'Funny, terrible, haunting and unsettling, this book is a masterpiece' Observer 'A timeless portrayal of the human condition ... frightening and uncanny' Will Self 'A book that I could read every day forever and still be finding things' Max Porter

For big sisters and little brothers in dens, burrows, and houses everywhere. "Mildred," said Father Muskrat, "it is true that Harvey is selfish and inconsiderate, but he is not stupid and no-good. Mildred is loudmouthed and bossy," Father said to Harvey, "but she is not mean and rotten." When Mildred goes off to a big party where little brothers are not invited, Harvey finds a secret club in a secret place where big sisters are not allowed to be members. But when Harvey's lonesomeness overpowers his stubbornness, he discovers that a secret club with two members is much better.

'Sparkles with classical allusions and a wisecracking humour ... it is pure joy' Daily Telegraph It all begins the night a leaflet comes through the door of unsuccessful novelist Herman Orff, promising a magical cure for writer's block. The strange treatment plunges him into a hallucinatory London dreamworld populated by figures mythical and real: a severed talking head, Vermeer's girl with a pearl earring, his lost love Luise and, beneath it all, the Kraken awaiting. As Herman will discover, creating art is a tough business. 'One of his most accessibly entertaining books' The Times 'Short, smart and fizzy, the novel seeks out the roots of creativity with none of the solemnity that phrase implies' New Statesman

Frances is a fussy eater. In fact, the only thing she likes is bread and jam. She won't touch her squishy soft-boiled egg. She trades away her chicken-salad sandwich at lunch. She turns up her nose at boring veal cutlets. Unless Mother can come up with a plan, Frances just might go on eating bread and jam forever

Frances doesn't think her younger sister Gloria can be her best friend. Besides, Albert is Frances's best friend. But when Albert has a no-girls baseball game, Franes sets out to prove to Albert a thing or two about friendship - and what girls can do. Along the way, Frances discovers that sisters can indeed be friends... maybe even best friends.

Frances, one of children's best-loved characters for over 30 years, now springs to life even more in Bread and Jam for Frances,beautifully reillustrated in sparkling full color by Lillian Hoban. In this memorable story, Frances decides that bread and jam are all she wants to eat, and her understanding parents grant her wish'at breakfast, lunch, dinner, and even snacktime. Can there ever be too much bread and jam?

Famed for her many adventures, Frances made her debut with this title over thirty years ago. In this first Frances book, the little badger adroitly delays her bedtime with requests for kisses and milk, and concerns over tigers and giants and things going bump in the night. Long a favorite for the gentle humor of its familiar going to bed ritual, Bedtime for Frances is at last available with the warmth of full color enriching Garth Williams’s original nuanced and touching art. ‘Here is the coziest, most beguiling bedtime story in many a day.’—Kirkus Reviews (pointer).

Frances, one of children's best-loved characters for over 30 years, now springs to life even more in Bread and Jam for Frances,beautifully reillustrated in sparkling full color by Lillian Hoban. In this memorable story, Frances decides that bread and jam are all she wants to eat, and her understanding parents grant her wish'at breakfast, lunch, dinner, and even snacktime. Can there ever be too much bread and jam?

'Wonderful, life-saving ... places Russell Hoban among the greatest, timeless novelists' The Times Born to swim thousands of miles in the ocean, the giant sea turtles are now trapped in a tank of golden-green water at London Zoo. But not for much longer. Two lonely people, a bookseller and a children's illustrator, have begun thinking turtle thoughts. As they come together to hatch a plan to release the turtles into the sea, their diaries reveal how they find their own lives changing in imperceptible and quite unintended ways. 'Crackles with witty detail, mordant intelligence and self-deprecating irony' Time 'This lovely human fable seems to me one of the best things of its kind - a fine and touching achievement' John Fowles

'An original ... a delight to read' The Times On an ordinary day in a strangely unfamiliar London, Kleinzeit is fired from his advertising job and told he must go to hospital with a skewed hypotenuse. There on Ward A4, he falls in love with the divine, rosy-cheeked Sister and is sent spinning into a quest involving, among other things, a glockenspiel, sheets of yellow paper, Orpheus, the Underground and that dirty chimpanzee, Death. 'Kleinzeit, is a sort of holy fool, a fierce, lonely intelligence desperately trying to make sense of a hopeless world. A tour de force ... entirely delightful' Auberon Waugh, Evening Standard

Famed for her many adventures, Frances made her debut with this title over thirty years ago. In this first Frances book, the little badger adroitly delays her bedtime with requests for kisses and milk, and concerns over tigers and giants and things going bump in the night. Long a favorite for the gentle humor of its familiar going to bed ritual, Bedtime for Frances is at last available with the warmth of full color enriching Garth Williams’s original nuanced and touching art. ‘Here is the coziest, most beguiling bedtime story in many a day.’—Kirkus Reviews (pointer).

Frances and Thelma are friends -- most of the time

Thelma always seems to get Frances into trouble. When she tricks Frances into buying her tea set, it's the last straw. Can Frances show her that it's better to lose a bargain than lose a friend?

The irrepressible Frances teaches Albert, the badger next door, about friendship. ‘Full of the humor and homely details of family life that make [the Frances stories] beloved by both children and adults.’ —H.

Children's Books of the Year 1969 (CSA)

'Russell Hoban's imagination knows no bounds ... darkly funny and profound' The Times 'You want to buy my death for a million pounds!' Piccadilly Circus tube station is an unlikely location for a pact with the Devil, but this is where Jonathan Fitch first meets Mr Rinyo-Clacton. Devastated after his girlfriend Serafina has left him, Jonathan agrees that this mysterious stranger will pay him a million pounds for a year, if he agrees to die at the end of it. What could possibly go wrong? 'A poignant and engaging fable of ownership and surrender' Philip Hensher, Mail on Sunday 'Nothing is accidental or optional in this jewelled clockwork egg of a book ... Hoban is a hugely skilled, moving and endlessly entertaining writer' The Times Literary Supplement

'Recalls Orwell's 1984 and Wells's The Time Machine ... a revelation' Guardian On 4 November 2052, Fremder Gorn is discovered drifting in deep space. He has no spacesuit, no helmet, no oxygen, but he is still alive: the sole survivor from the mysteriously vanished ship Clever Daughter. How did he get here? To find out, Fremder must search through memory, dream and the unknowable fragments of his own mind. 'A wildly imaginative piece of science fiction' The Times 'Unputdownable, moving, ingenious ... it will remain in my head with troubling images and scenes for a long time' A. N. Wilson, Evening Standard

'A piece of invention as original as any of Tolkien's or C.S. Lewis's' New Statesman 'I have gone to look for a lion.' In a world where lions have become extinct, the map-maker Jachin-Boaz nevertheless abandons his wife and son to find one, leaving just this note. But his decision has unexpected consequences. He will be pursued by his son, Boaz-Jachin, and by something else: a tawny-skinned, amber-eyed beast from another place and time, a bringer of life and death. 'Magic at work ... Funny as well as beautiful' Irish Times 'Hoban is unclassifiable, thank goodness. His narrative is so minutely and compellingly realistic that after a time you cease to notice that he has stood reality on its head' Sunday Times

'Superb ... Pilgermann is history, metaphysics, a tangle of mysteries, profound and simple' Guardian It is 1097 and a traveller arrives in the great, walled city of Antioch with a vision of a beautiful and mysterious geometric design that will change the lives of all those who see it. Pilgermann is a mesmerising recreation of the world of the Crusades, following its unlikely hero and those he meets on a journey of picaresque horror across a Europe of hatreds, visions and a desperate wish for salvation. 'A dark treatise on the mysterious nature of things ... The world according to Pilgermann is a brutish place borrowing from Hieronymus Bosch, pilgrimage narrative, allegory and the historical novel' The New York Times Book Review 'A strange and beautiful work' Evening Standard

Acclaimed as one of the classics of 20th century children's literature, The Mouse and His Child is a moving story about two clockwork mice thrown on a scrap heap who then have to begin a dangerous quest for a place to belong. It is adapted for the stage by Tamsin Oglesby and will be directed by Paul Hunter, Told By An Idiot's Co-Artistic Director. The Mouse and His Child continues the Royal Shakespeare Company's long tradition of creating new stage adaptations of much-loved childhood tales - including Beauty and the Beast, The Lion, The Witch and the Wardrobe, The Heart of Robin Hood, and Matilda The Musical, the RSC's award-winning Roald Dahl adaptation, currently playing in the West End.