Asian American Sexualities dispels the stereotype of oriental sexual decadence, as well as the "model minority" heterosexual Asian stereotype in the US. The collection includes empirical research, critical essays, personal accounts, interviews, and creative writing by Chinese, Vietnamese, Japanese, Korean, Thai, South Asian, Pacific Islander, and Filipino contributors.
Topics discussed include:
* sexuality and identity politics
* gay and lesbian film makers
* same-sex sexuality in Pacific literature.

In Envisioning Religion, Race, and Asian Americans, David K. Yoo and Khyati Y. Joshi put together a wide-ranging and important collection of essays documenting the intersections of race and religion and Asian American communities - a combination so often missing both in the scholarly literature and in public discourse. Issues of religion and race/ethnicity undergird current national debates around immigration, racial profiling, and democratic freedoms, but these issues, as the contributors document, are longstanding ones in the United States. The essays included in the volume feature dimensions of traditions such as Islam, Hinduism, Sikhism as well as how religion engages with topics such as religious affiliation (or lack thereof), the legacy of the Vietnam War, and popular culture. The contributors also address the role of survey data, pedagogy, methodology, and literature that is richly complementary and necessary for understanding the scope and range of the subject of Asian American religions. These essays attest to the vibrancy and diversity of Asian American religions, while at the same time situating these conversations in a scholarly lineage and discourse. This collection will certainly serve as an invaluable resource for scholars, students, and general readers with interests in Asian American religions in fields such as ethnic and Asian American studies, religious studies, American studies, and related fields that focus on immigration and race.

California Dreaming is a multi-genre collection featuring works by Asian American artists based in California. Exploring the places of "Asian America" through the migration and circulation of the arts, this volume highlights creative processes and the flow of objects to understand the rendering of California's imaginary. Here, "California" is interpreted as both a specific locale and an identity marker that moves, linking the state's cultural imaginary, labor, and economy with Asia Pacific, the Americas, and the world. Together, the works in this collection shift previous models and studies of the "Golden State" as the embodiment of "frontier mentality" and the discourse of exceptionality to a translocal, regional, and archipelagic understanding of place and cultural production. The poems, visual essays, short stories, critical essays, interviews, artist statements, and performance text excerpts featured in this collection expand notions of where knowledge is produced, directing our attention to the particularity of California's landscape and labor in the production of arts and culture. An interdisciplinary collection, California Dreaming foregrounds "sensing" and "imagining" place, vividly, as it hopes to inspire further creative responses to the notion of emplacement. In doing so, California Dreaming explores the possibilities imagined by and through Asian American arts and culture today, paving the way for what is yet to be.

Out of the Dust is a collection of new poems by activist, leader, poet, and editor Janice Mirikitani. After being named San Francisco's second Poet Laureate in 2000, this fifth book of poems from Mirikitani was written in response to the terrorist attacks on September 11, 2001. Drawing from her own background as a Sansei (third generation) Japanese American, Mirikitani reflects on the many ways we connect through the dust and our ability to rise and renew ourselves from this place. From the dust of the World Trade Center in New York to the retaliatory ashes of the dead in America's war in Afghanistan, the poems in this volume seek to explicate the connections of our humanity to the reactionary profiling of people of Middle Eastern descent and different ethnicities, comparing these choices to the incarceration of Japanese Americans during World War II. Mirikitani's poems cover topics about rape, incest, the continued struggle for justice and economic equality, and the poet's experiences throughout her 50-year career at Glide Foundation and Church in San Francisco, where she has helped to create groundbreaking programs for the poor, women and children, and those who are healing from sexual assault, violence and abuse. Though constructed from a depth of experiences with struggle, these poems also erupt in celebration of marriage, daughters, and the discovery of self through diversity.

In Envisioning Religion, Race, and Asian Americans, David K. Yoo and Khyati Y. Joshi assemble a wide-ranging and important collection of essays documenting the intersections of race and religion and Asian American communities - a combination so often missing both in the scholarly literature and in public discourse. Issues of religion and race/ethnicity undergird current national debates around immigration, racial profiling, and democratic freedoms, but these issues, as the contributors document, are longstanding ones in the United States. The essays feature dimensions of traditions such as Islam, Hinduism, and Sikhism, as well as how religion engages with topics that include religious affiliation (or lack thereof), the legacy of the Vietnam War, and popular culture. The contributors also address the role of survey data, pedagogy, methodology, and literature that is richly complementary and necessary for understanding the scope and range of the subject of Asian American religions. These essays attest to the vibrancy and diversity of Asian American religions, while at the same time situating these conversations in a scholarly lineage and discourse. This collection will certainly serve as an invaluable resource for scholars, students, and general readers with interests in Asian American religions, ethnic and Asian American studies, religious studies, American studies, and related fields that focus on immigration and race.

Freedom without Justice is a compelling story of one man’s wrongful incarceration and the actions he took to survive ten years in prison, while his supporters fought to win retrial and freedom. As a memoir, it is at once a captivating chronicle of his life with a trenchant description of how prisons end up producing the non-normativity they purport to prevent. This unusual story is part of an important chapter in the post-1964 history of Asian American activism. Chol Soo Lee’s saga begins against a backdrop of great historical change in Asian American communities following the passage of the 1965 Immigration Act. At the age of twelve, Chol Soo immigrated to the United States from South Korea to reunite with his mother, who had arrived earlier as a military bride. In less than a decade, Chol Soo finds himself labeled as a violent criminal, convicted, and incarcerated. Quickly Chol Soo Lee became a rallying point for an extraordinary pan–Asian American movement in the late 1970s and early 1980s, and Freedom without Justice provides a rare and valuable glimpse into a pivotal moment in history when the Asian American movement united around one of its first major political campaigns. The Lee case brought together immigrants and American-born Asians in a common cause of justice and freedom. This alliance of supporters, organized under a national network of the Chol Soo Lee Defense Committee, included student activists, elderly immigrants, religious organizations, small business owners, white-collar professionals, social workers, lawyers, legal assistance organizations, and left-wing communist groups nationwide. In the end the united front that mobilized to attain social and legal justice for Chol Soo Lee was a remarkable coalition of people from a broad spectrum of social backgrounds that transcended ethnicity, class, political ideology, religion, generation, and language. This diverse grassroots social movement initiated and organized a six-year “Free Chol Soo Lee!” campaign that led to Lee’s historic release from San Quentin’s death row in 1983. Incarcerated during a time when Asian American inmates were scarce, and Korean Americans even scarcer, Lee embodies social realities of race and class inequalities drawing readers into his social worlds—war-torn Korea, the streets of San Francisco, the criminal justice system, prison gang politics, and death row.

Ship of Fate tells the emotionally gripping story of a Vietnamese military officer who evacuated from Saigon in 1975 but made the dramatic decision to return to Vietnam for his wife and children, rather than resettle in the United States without them. Written in Vietnamese in the years just after 1991, when he and his family finally immigrated to the United States, Tran Dinh Tru's memoir provides a detailed and searing account of his individual trauma as a refugee in limbo, and then as a prisoner in the Vietnamese reeducation camps. In April 1975, more than 120,000 Indochinese refugees sought and soon gained resettlement in the United States. Given the chaos of the evacuation, however, approximately 1,500 Vietnamese men and women insisted in no uncertain terms on being repatriated back to Vietnam. Tru was one of these repatriates. To resolve the escalating crisis, the U.S. government granted the Vietnamese a large ship, the Viet Nam Thuong Tin. An experienced naval commander, Tru became the captain of the ship and sailed the repatriates back to Vietnam in October 1975. On return, Tru was imprisoned and underwent forced labor for more than twelve years. Tru's account reveals a hidden history of refugee camps on Guam, internal divisions among Vietnamese refugees, political disputes between the United Nations High Commissioner for Refugees and the U.S. government, and the horror of the postwar "reeducation" camps. While there are countless books on the U.S. war in Vietnam, there are still relatively few in English that narrate the war from a Vietnamese perspective. This translation adds new and unexpected dimensions to the U.S. military's final withdrawal from Vietnam.

Ship of Fate tells the emotionally gripping story of a Vietnamese military officer who evacuated from Saigon in 1975 but made the dramatic decision to return to Vietnam for his wife and children, rather than resettle in the United States without them. Written in Vietnamese in the years just after 1991, when he and his family finally immigrated to the United States, Tran Dinh Tru's memoir provides a detailed and searing account of his individual trauma as a refugee in limbo, and then as a prisoner in the Vietnamese reeducation camps. In April 1975, more than 120,000 Indochinese refugees sought and soon gained resettlement in the United States. Given the chaos of the evacuation, however, approximately 1,500 Vietnamese men and women insisted in no uncertain terms on being repatriated back to Vietnam. Tru was one of these repatriates. To resolve the escalating crisis, the U.S. government granted the Vietnamese a large ship, the Viet Nam Thuong Tin. An experienced naval commander, Tru became the captain of the ship and sailed the repatriates back to Vietnam in October 1975. On return, Tru was imprisoned and underwent forced labor for more than twelve years. Tru's account reveals a hidden history of refugee camps on Guam, internal divisions among Vietnamese refugees, political disputes between the United Nations High Commissioner for Refugees and the U.S. government, and the horror of the postwar "reeducation" camps. While there are countless books on the U.S. war in Vietnam, there are still relatively few in English that narrate the war from a Vietnamese perspective. This translation adds new and unexpected dimensions to the U.S. military's final withdrawal from Vietnam.