Recognising the fundamental role both of shipping communities and the technologies crafted and shared by them, this book explores the types of ships, methods of navigation and modes of water-borne trade in the Indian Ocean region and the way they affected the development of distinctive settlements against a changing but strong sense of regional consciousness and identity.

This is the first dedicated book to concentrate on textiles as a major commodity, and primary indicator of status, wealth and identity in Indian Ocean regions. The volume considers the importance of trade, and the transformation of the meaning of objects as they move between different cultures; it also addresses issues of gender, ethnic and religious identity, and economic status. The book covers a broad geographic range from East Africa to South-East Asia, and references a number of disciplines such as anthropology, art history and history. This volume is timely, as both the social sciences and historical studies have developed a new interest in material culture.

Recognising the fundamental role both of shipping communities and the technologies crafted and shared by them, this book explores the types of ships, methods of navigation and modes of water-borne trade in the Indian Ocean region and the way they affected the development of distinctive settlements against a changing but strong sense of regional consciousness and identity.

Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.

Dance's Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loie Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.

Essential aspects about the prehistory, history, geography, and architecture of the Inland Pacific Northwest are presented here in one succinct volume. This landmark collection features essays by noted national and regional scholars, such as Donald W. Meinig, Carlos A. Schwantes, Henry Matthews, Clifford E. Trafzer, and Harvey S. Rice. Spokane and the Inland Empire outlines the region's historical geographic systems, Palouse tribal history, characteristics of prehistoric Plateau Indian dwellings, a century of Columbia Plateau agriculture, Spokane's bitter labor disputes that occurred prior to America's entry into World War I, the exceptional architecture of Spokane's Kirtland Cutter, and more. This new edition has been revised from the original volume published in 1991. Extensive illustrations supplement the text.

Textiles in Indian Ocean Societies considers the importance of trade, and the transformation of the meaning of objects has the move between different cultures. It also addresses issues of gender, ethnic and religious identity, and economic status. The book covers a broad geographic range from East Africa to Southeast Asia, and references a number of disciplines such as anthropology, art history and history. This volume is timely, as both the social sciences and historical studies have developed a new interest in material culture. Edited by a foremost expert in the region, it will add considerably to our understanding of historical and current societies in the Indian Ocean region.

"Tis woman's strongest vindication for speaking that the world needs to hear her voice," wrote Anna Julia Cooper, a nineteenth-century African American abolitionist, teacher, and novelist. Argu-ing that the voices of women still need to be heard, the editors of this comprehensive collection have assembled a diverse selection of writings to illustrate the daily lives of ordinary and extraordinary women and the historical significance of their thoughts and deeds.

Here are women who are shapers of history, as well as its victims. In diaries, letters, speeches, songs, petitions, essays, photographs, and cartoons they describe, rejoice, exhort, complain, advertise, and joke, revealing women's role as community builders in every time and locale and registering their emergence into the public spheres of political, social, and economic life. The documents also demonstrate the value of gender analysis, for women's differences--in age, race, sexual orientation, class, geographical or ethnic origin, abilities or disabilities, and values--are shown to be as important as their commonalities.

Volume 1, which comprises 153 selections, opens with a Navajo origin myth and presents Native American, Hispanic, African, and Euro-American women from the sixteenth century through the Civil War. Both volumes include section introductions that set the historical stage and comment on the significance of the selections.

Dress is one of the most significant markers of gender identity, yet is only rarely explored in depth. This volume addresses the relationship between gender and dress, opening up fascinating aspects by covering a great variety of ethnographic areas reaching from Asia, Europe and Africa to North and South America. The time span is equally wide-ranging and offers present-day material as well as studies based on historical data.

At the beginning of the twentieth century it was still necessary for women to ask lawmakers, "Are women persons?" The rights and treatment of women in their homes, workplaces, and government were issues that men in power often preferred to ignore. But women refused to remain silent. This volume of Second to None, like volume 1, presents a multiplicity of voices, demonstrating that there is not a representative American woman, but many women worth remembering.

Here are women who are shapers of history, as well as its victims. In diaries, letters, speeches, songs, petitions, essays, photographs, and cartoons they describe, rejoice, exhort, complain, advertise, and joke, revealing women's role as community builders in every time and locale and registering their emergence into the public spheres of political, social, and economic life. The documents also demonstrate the value of gender analysis, for women's differences--in age, race, sexual orientation, class, geographical or ethnic origin, abilities or disabilities, and values--are shown to be as important as their commonalities.

Volume 2 contains 122 selections, ranging from a tract by Elizabeth Cady Stanton to the testimony of Anita Hill. Both volumes include section introductions that set the historical stage and comment on the significance of the selections.

In this new and enlarged edition the editors have built on an already strong collection with four new accounts. Colorado pioneer Augusta Tabor gives a sense of the heady days as Leadville became a major mining center. Abigail Duniway describes the challenges of life for women in the Pacific Northwest. Effie Wiltbank’s short selection is a reminiscence of her grandmother’s “receet” for washing clothes, a chore that epitomizes the practical skill, determination, and common sense required of so many Western women. Apolinaria Lorenzana offers a rare glimpse of the operations of the mission system while illuminating the perils of living with the acquisitive Americans.

Abigail Jane Scott was seventeen when she left Illinois with her family in the spring of 1852. Her record of the journey west is full of expressive detail: breakfasting in a snowstorm, walking behind the wagons to keep warm, tasting buffalo meat, trying to climb Independence Rock. She meets her future husband, Benjamin Duniway, at the end of the Oregon Trail and, in the years to come, finds fame as a writer and a leader of the suffrage movement in the Northwest. Her grandson, David Duniway, edited her trail diary for Covered "Wagon Women." This volume includes the equally vivid diaries of other women who rode the wagons in 1852. Polly Coon of Wisconsin recalls trading with the Indians. Martha Read, starting from Illinois, is particularly alert to the suffering of the animals, noting hundreds of dead cows and horses along the way. Cecilia Adams and Parthenia Blank, twin sisters from Illinois, jointly chronicle their once-in-a-lifetime experience.

The story of an indomitable pioneer, feminist, journalist, and national leader. A fascinating biography of a fascinating personality who was] the most important leader of the 19th-century Western women's movement....Meticulously researched, lively, and highly readable. -- Library Journal