Publishing Africa in French was the winner of the African Literature Association's First Book Award in 2018. It has become commonplace to note that the global French literary marketplace is dominated by Parisian publishing houses and metropolitan kudos. This study probes the aesthetic and political implications of that assertion by revisiting the history of African literature in post-war France. Extensive archival research is combined with literary analysis to investigate the destabilizing impact of decolonization on legitimate notions of language, authorship and literary value. Mapping connections between institutions such as Presence Africaine, Editions du Seuil, Gallimard and the Association des ecrivains de la mer et de l'outre-mer, the author argues that a contested and variegated African literary presence actively shaped the metropolitan publishing scene during this period of transition. In turn, the material aspects of book production and distribution are shown to be inextricably entangled with ongoing debates over the representation of Africa in words. Authors whose work is considered in detail include Abdoulaye Sadji, Cheikh Hamidou Kane, Christine Garnier, Malick Fall, Chinua Achebe and Peter Abrahams. Publishing Africa in French uses an innovative interdisciplinary methodology to contribute fresh insights to current concerns in French studies, African studies, and postcolonial book history.

Emphasizing a team approach that includes the practicing podiatrist, endocrinologist, diabetologist, vascular surgeon, orthopedist, and infectious disease specialist, The High Risk Diabetic Foot provides a thorough and detailed resource on the management of complex diabetic foot problems. This comprehensive text is an essential tool that will enable physicians to reduce infections and amputations through careful examination, diagnosis, treatment, and prevention. Key features in The High Risk Diabetic Foot include: A full section devoted to the prevention of amputation High-quality images for accurate diagnosis Chapters organized by epidemiology, classification and staging, diagnosis, special studies, and medical and surgical management Summary tables and flow charts for quick reference A discussion of the co-morbidities associated with diabetic foot pathology, including sensory neuropathy, painful neuropathy, peripheral vascular disease, food wounds, and more Identification of the level of medical evidence associated with treatment recommendations

Emphasizing a team approach that includes the practicing podiatrist, endocrinologist, diabetologist, vascular surgeon, orthopedist, and infectious disease specialist, The High Risk Diabetic Foot provides a thorough and detailed resource on the management of complex diabetic foot problems. This comprehensive text is an essential tool that will enable physicians to reduce infections and amputations through careful examination, diagnosis, treatment, and prevention.

Key features in The High Risk Diabetic Foot include:

• A full section devoted to the prevention of amputation
• High-quality images for accurate diagnosis
• Chapters organized by epidemiology, classification and staging, diagnosis, special studies, and medical and surgical management
• Summary tables and flow charts for quick reference
• A discussion of the co-morbidities associated with diabetic foot pathology, including sensory neuropathy, painful neuropathy, peripheral vascular disease, food wounds, and more
• Identification of the level of medical evidence associated with treatment recommendations

Publishing Africa in French was the winner of the African Literature Association's First Book Award in 2018. It has become commonplace to note that the global French literary marketplace is dominated by Parisian publishing houses and metropolitan kudos. This study probes the aesthetic and political implications of that assertion by revisiting the history of African literature in post-war France. Extensive archival research is combined with literary analysis to investigate the destabilizing impact of decolonization on legitimate notions of language, authorship and literary value. Mapping connections between institutions such as Presence Africaine, Editions du Seuil, Gallimard and the Association des ecrivains de la mer et de l'outre-mer, the author argues that a contested and variegated African literary presence actively shaped the metropolitan publishing scene during this period of transition. In turn, the material aspects of book production and distribution are shown to be inextricably entangled with ongoing debates over the representation of Africa in words. Authors whose work is considered in detail include Abdoulaye Sadji, Cheikh Hamidou Kane, Christine Garnier, Malick Fall, Chinua Achebe and Peter Abrahams. Publishing Africa in French uses an innovative interdisciplinary methodology to contribute fresh insights to current concerns in French studies, African studies, and postcolonial book history.

This Element explores the politics of literary translation via case studies from the Heinemann African Writers Series and the work of twenty-first-century literary translators in Cameroon. It intervenes in debates concerning multilingualism, race and decolonization, as well as methodological discussion in African literary studies, world literature, comparative literature and translation studies. The task of translating African literary texts has developed according to political and socio-economic contexts. It has contributed to the consecration of a canon of African classics and fuelled polemics around African languages. Yet retranslation remains rare and early translations are frequently criticised. This Element's primary focus on the labour rather than craft or art of translation emphasises the material basis that underpins who gets to translate and how that embodied labour occurs within the process of book production and reception. The arguments draw on close readings, fresh archival material, interviews, and co-production and observation of literary translation workshops.