Ruth Fainlight is one of Britain's most distinguished poets. Born in New York City, she has lived mostly in England since the age of 15, publishing her first collection, Cages, in 1966. Her poems 'give us truly new visions of usual and mysterious events' (A.S. Byatt). Each is a balancing act between thought and feeling, revealing otherness within the everyday, often measuring subtle shifts in relationships between women and men. Images of the moon, however interpreted - whether as stern and stony presence or protective maternal symbol - recur throughout her work. Peter Porter described one of her collections as having 'the steadiness and clarity of the moon itself'. This substantial New & Collected Poems covers work written over 50 years, drawing on over a dozen books as well as a whole new collection. It also includes her translations of Sophia de Mello Breyner, Sophocles and Victor Manuel Mendiola.

Sophocles' Theban Plays-- "Oedipus the King, Oedipus at Colonus, and Antigone"--lie at the core of the Western literary canon. They are extensively translated, universally taught, and frequently performed. Chronicling the downfall of Oedipus, the legendary king of Thebes, and his descendants, the Theban Plays are as relevant to present-day thought about love, duty, patriotism, family, and war as when they were written 2,500 years ago.

Recent translations of the plays, while linguistically correct, often fail to capture the beauty of Sophocles' original words. In combining the skills of a distinguished poet, Ruth Fainlight, and an eminent classical scholar, Robert J. Littman, this new edition of the Theban Plays is both a major work of poetry and a faithful translation of the original works.

Thoughtful introductions, extensive notes, and glossaries frame each of the plays within their historical contexts and illuminate important themes, mythological roots, and previous interpretations.

This elegant and uncommonly readable translation will make these seminal Greek tragedies accessible to a new generation of readers.

Just as he is about to leave the RAF, Brian Seaton finds that he has TB. This disrupts his plans to return home - his marriage was in any case in difficulty - and the novel switches between Nottingham and the RAF sanitorium. Seaton is also torn between women - having affairs with two of the nurses at the sanitorium, while becoming involved with a young woman in his home town, who also has TB.

Ruth Fainlight is one of Britain's most distinguished poets. Born in New York City, she has lived mostly in England since the age of 15, publishing her first collection, Cages, in 1966, and her retrospective, New & Collected Poems, in 2010. Her poems 'give us truly new visions of usual and mysterious events' (A.S. Byatt). Each is a balancing act between thought and feeling, revealing otherness within the everyday, often measuring subtle shifts in relationships between women and men. Her poems 'give us truly new visions of usual and mysterious events' (A.S. Byatt). Each is a balancing act between thought and feeling, revealing otherness within the everyday, often measuring subtle shifts in relationships between women and men. She has always drawn on a wide range of subject-matter, yet the arc of her attention has shifted in her later work, the meaning and effect of the passage of time becoming more central and fascinating as she ages. Written during her 80s, the poems of Somewhere Else Entirely are shadowed by the death of her husband Alan Sillitoe. The book also includes several short pieces of prose, memoirs of childhood years spent in the USA: firstly, those from zero to five years old, then a group about the ages between 10 and 15, during the Second World War, when their mother took her and her brother Harry back to their American birthplace.

Elsa Cross (born 1946) is one of Mexico's most significant contemporary poets, and this is the first full-length collection of her work in English - a long overdue but welcome opportunity for Anglo-American readers to get a sense of the full breadth of her work. The work selected for this volume concentrates on her longer poems, which are at the core of Elsa Cross' work - ranging from the remarkable "Bacchantes", which dates from the late '70s and early '80s and offered here in full, through "Malabar Canto" - suffused with the spirit of India - to the odes, dithyrambs and elegies of the recent Greek-inflected works. Elsa Cross' work is typified by its strong metaphysical orientation, coupled with a dazzling surface and remarkable imagery, and offers the English-speaking reader a new experience. A poetry to be savoured, thanks to the efforts of the five translators at work here, all of whom worked closely with the author to bring these poems successfully across the language barrier.

This is the first collection in the UK for Mexican poet Victor Manuel Mendiola, although his work has been appearing in small-press editions, in others' collections and in journals for some time. His collected poems 1987-2002, Tan oro y negro (UNAM, Mexico City), won New York's Premio Latino de Literatura (Latino Literature Prize) in 2005. This Selected shows the full range of his work, but begins with his astonishing erotic long poem 'Tu Mano Mi Boca' (Your Hand, My Mouth), which was so well received in Ruth Fainlight's translation when it was included in her latest collection of poems.

Alan Sillitoe (1928-2010) was an award-winning poet and one of the leading British novelists of the twentieth century. He wrote more than fifty books, establishing an enduring critical and popular success with his 1958 novel Saturday Night and Sunday Morning, which set a new direction in writing about the reality of working-class lives in post-war Britain. His stories of working-class life earned him a reputation as one of the "angry young men" of a new generation of writers. His poetry, however, revealed his own inner life in a way that he found impossible to do in fiction. Presented here are Sillitoe's poems that present the world as he saw it. Using a storyteller's skill, he brought to life the people and places that captured his imagination and took him on a search for meaning. Fascist graffiti scrawled by an unseen hand on a wall in Irkutsk, three sons standing in silence by the grave of their father--this is Sillitoe's world as seen with his poet's eye, a vision that is at the same time clear and precise, politically engaged, fiercely intelligent, and deeply personal. Drawn from his eight volumes of poetry, this selection has been chosen by his wife, the poet Ruth Fainlight.