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Ruth Reichl, world-renowned food critic and editor in chief of
"Gourmet" magazine, knows a thing or two about food. She also knows
that as the most important food critic in the country, you need to
be anonymous when reviewing some of the most high-profile
establishments in the biggest restaurant town in the worldaa charge
she took very seriously, taking on the guise of a series of
eccentric personalities. In "Garlic and Sapphires," Reichl reveals
the comic absurdity, artifice, and excellence to be found in the
sumptuously appointed stages of the epicurean world and gives
usaalong with some of her favorite recipes and reviewsaher
remarkable reflections on how oneas outer appearance can influence
oneas inner character, expectations, and appetites, not to mention
the quality of service one receives.
Eating Words gathers food writing of literary distinction and historical sweep into one splendid volume. Beginning with the taboos of the Old Testament and the tastes of ancient Rome, and including travel essays, polemics, memoirs and poems, the book is divided into sections such as "Kitchen Practices"; "Food Memory: Identity, Family, Ethnicity"; "Eating: Delight, Disgust, Hunger, Horror" and "Food Politics". Selections by Julia Child, Anthony Bourdain, Bill Buford, Michael Pollan, Molly O'Neill, Calvin Trillin and Adam Gopnik, along with authors not usually associated with gastronomy-Maxine Hong Kingston, Henry Louis Gates Jr, Hemingway, Chekhov and David Foster Wallace-enliven and enrich this comprehensive anthology.
In this delightful sequel to her bestseller Tender at the Bone, Ruth Reichl returns with more tales of love, life, and marvelous meals. Comfort Me with Apples picks up Reichl's story in 1978, when she puts down her chef's toque and embarks on a career as a restaurant critic. Her pursuit of good food and good company leads her to New York and China, France and Los Angeles, and her stories of cooking and dining with world-famous chefs range from the madcap to the sublime. Through it all, Reichl makes each and every course a hilarious and instructive occasion for novices and experts alike. She shares some of her favorite recipes while also sharing the intimacies of her personal life in a style so honest and warm that readers will feel they are enjoying a conversation over a meal with a friend.
"NEW YORK TIMES "BESTSELLER
Eating Words gathers food writing of literary distinction and historical sweep into one splendid volume. Beginning with the taboos of the Old Testament and the tastes of ancient Rome, and including travel essays, polemics, memoirs and poems, the book is divided into sections such as "Kitchen Practices"; "Food Memory: Identity, Family, Ethnicity"; "Eating: Delight, Disgust, Hunger, Horror" and "Food Politics". Selections by Julia Child, Anthony Bourdain, Bill Buford, Michael Pollan, Molly O'Neill, Calvin Trillin and Adam Gopnik, along with authors not usually associated with gastronomy-Maxine Hong Kingston, Henry Louis Gates Jr, Hemingway, Chekhov and David Foster Wallace-enliven and enrich this comprehensive anthology.
First issued in 1948, when soulless minute steaks and quick casseroles were becoming the norm, The Unprejudiced Palate inspired a seismic culinary shift in how America eats. Written by a food-loving immigrant from Tuscany, this memoir-cum-cookbook articulates the Italian American vision of the good life: a backyard garden, a well-cooked meal shared with family and friends, and a passion for ingredients and cooking that nourish the body and the soul.
Contributors to endless feasts include:
"Genuinely touching, wonderfully revealing" NEW YORKER Garlic and Sapphires is Ruth Reichl's riotous account of the many disguises she employs to dine undetected when she takes on the much coveted and highly prestigious job of New York Times restaurant critic. ____________________________________________________ Reichl knows that to be a good critic she has to be anonymous - but her picture is posted in every four-star, low-star kitchen in town and so she embarks on an extraordinary - and hilarious - undercover game of disguise - keeping even her husband and son in the dark. There is her stint as Molly, a frumpy blonde in an off-beige Armani suit that Ruth takes on when reviewing Le Cirque resulting in a double review of the restaurant: first she ate there as Molly; and then as she was coddled and pampered on her visit there as Ruth, New York Times food critic. Then there is the eccentric, mysterious red head on whom her husband - both disconcertingly and reassuringly - develops a terrible crush. She becomes Brenda the earth mother, Chloe the seductress and even Miriam her own (deceased) mother. What is even more remarkable about Reichl's spy games is that as she takes on these various guises, she finds herself changed not just physically, but also in character revealing how one's outer appearance can very much influence one's inner character, expectations, and appetites.
Poché, brouillé, mollet, battu dans un cocktail, transformé en matériau par les peintres, jeté sur une maison ennemie: incarnation du paradoxe, l'oeuf existe, en bienheureuse suspension entre humble ingrédient de cuisine et toute-puissante source de vie. Symboles parmi les plus récurrents de l'Antiquité, les oeufs étaient utilisés par les Romains pour dissiper les esprits malins, ils furent sublimés jusqu'à devenir des objets d'art inestimables par la noblesse russe, et sont omniprésents dans la mythologie égyptienne. Dans ce tome inaugural de la nouvelle collection TASCHEN conçue avec le cultissime magazine Gourmand, nous célébrons la relation entre art et nourriture à travers une exploration visuelle et littéraire de cet aliment de base. Une sélection de recettes originales, du poché parfait aux desserts les plus sophistiqués, souligne la diversité des traditions culinaires de par le monde. The Gourmand's Egg. A Collection of Stories and Recipes est richement illustré par les oeuvres de grands maîtres, parmi lesquels Salvador DalÃ, Jean-Michel Basquiat, Frida Kahlo, David Hockney et Man Ray, ainsi que par des images exclusives commandées pour cet ouvrage aux meilleurs photographes du moment. Ce corpus iconographique est complété par les essais de la chef, auteure et critique gastronomique Ruth Reichl et de l'auteure et éditrice Jennifer Higgie, entre autres contributeurs. «En cuisine, comme dans quasiment tous les autres domaines, rappelle Reichl, tout commence par un oeuf.»
In this delightful sequel to her bestseller Tender at the Bone, the beloved food writer Ruth Reichl returns with more tales full of love, life, humour and marvellous meals. Ruth Reichl's pursuit of good food and good company leads her to New York and China, France and Los Angeles. She cooks and dines with world-famous chefs and the three star aristocracy of French cuisine, and her accounts of these meetings range from the madcap to the sublime. Reichl lovingly recreates all her marvellous meals in such succulent detail that readers will yearn from truffles in Provence and shrimp in Beijing. Throughout it all, Reichl is unafraid, even eager, to poke holes in the pretensions of food critics, making each and every course a hilarious and instructive occasion for novices and experts alike. She shares some of her first recipes so readers can make the Dry-Fried Shrimp she first tasted in China, or the Dacquoise served at the end of a magical visit to a Paris bistro. Reichl also shares the intimacies of her personal life in a style so honest and warm that readers will feel they are enjoying a cosy dining-table conversation with a friend. In Comfort Me With Apples, Reichl again demonstrates her inimitable ability to combine food writing, humour and memoir into an art form.
A glorious, edible tour of Paris through six decades of writing from "Gourmet magazine, edited and introduced by Ruth Reichl "From the Hardcover edition.
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