Contemporary artists and writers reflect on the Great Migration and the ways that it continues to inform the Black experience in America The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoe Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency. Published in association with the Baltimore Museum of Art and the Mississippi Museum of Art Exhibition Schedule: Mississippi Museum of Art, Jackson (April 9-September 11, 2022) Baltimore Museum of Art (October 30, 2022-January 29, 2023) Brooklyn Museum (March 3-June 25, 2023) California African American Museum, Los Angeles (August 5, 2023-March 3, 2024)

Through images and texts both historical and contemporary, this book looks at the Great Migration and its profound and ongoing impact This thoughtful interweaving of text and imagery presents a variety of perspectives on the Great Migration (1915-70), the mass exodus and dispersion of millions of African Americans out of the South. Through archival photography, newspaper clippings, maps, journal articles, book excerpts, and ephemera such as family recipes, the book immerses readers in Black history, the Great Migration, and its legacy. The book includes texts by authors ranging from W. E. B. Du Bois and Jean Toomer to Toni Tipton-Martin and culminates in a candid roundtable discussion about familial migration stories among some of the most respected Black artists, writers, and scholars working today: Theaster Gates, Kiese Laymon, Carrie Mae Weems, and others. The material is presented in three unique, thematic sections that explore the Great Migration's impact on the American city, Black Southern foodways, and cultural expression. Taken as a whole, this important volume provides powerful testimony to the systemic challenges such as social segregation, racism, and discrimination that Black communities have faced from the post-Emancipation period to the present moment. Published in association with the Baltimore Museum of Art and the Mississippi Museum of Art Exhibition Schedule: Mississippi Museum of Art, Jackson (April 9-September 11, 2022) Baltimore Museum of Art (October 30, 2022-January 29, 2023)

A wide-ranging study of Louisiana landscape painting that places art from the region into a broader national and global context With its dense forests and swamps, Louisiana captured the imagination of writers and painters who viewed its landscape as a fascinating, untamed wilderness. Starting in the 1820s when French emigres brought the Barbizon school to New Orleans, the state attracted artists from Europe, Latin America, the Caribbean, and the greater United States who shared ideas and experimented with approaches to the enigmatic scenery. Although Louisiana was in many ways an artists' paradise, the land also bore the scars of colonialism and the forced migrations of slavery. Inventing Acadia explores this complex history, following the rise of Louisiana landscape art and situating it amid the cultural shifts of the 19th century. The authors engage not only with artworks but also with the issues that informed them-representations of race and industry, international trade, and climate change. These issues are then carried into the present with a look at the work of contemporary artist Regina Agu. Inventing Acadia establishes Louisiana's role in creating a new vision for American art and highlights the continued relevance of landscape and representation. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (November 16, 2019-January 26, 2020)

Located in Houston's Third Ward-a historic African-American neighborhood-Project Row Houses (PRH) is a community platform that enriches lives through art with an emphasis on cultural identity and its impact on the urban landscape. Since its inception in 1993, PRH has fostered a positive, creative environment in the community by infusing it with art and creativity and creating sustainable opportunities for artists, mothers, entrepreneurs, and residents. Today the PRH site encompasses five city blocks and houses thirty-nine structures that serve as home base to a variety of community-enriching initiatives, art programs, and neighborhood development activities. Collective Creative Actions: Project Row Houses at 25 highlights the history of the Third Ward neighborhood, PRH's role in its development over the past quarter-century, and the idea of social art practice from the perspective of PRH's five pillars: art and creativity; education; social safety net; good and relevant architecture; and economic sustainability. It also includes scholarly essays; a selection of impactful moments that have shaped the organization's work; documentation of the hundreds of people who have participated in PRH programs; and numerous photographs. The book shows how the PRH model for art and social engagement not only applies to Houston, but can be adopted by diverse communities everywhere. Contributors. Ryan N. Dennis, Nonya Grenader, Sandra Jackson-Dumont, George Lipsitz, Michael McFadden, Assata-Nicole Richards, Danny Samuels Published by Project Row Houses Distributed by Duke University Press