'A cyberpunk coming-of-age tale' Japan Times Two babies are left in a Tokyo station coin locker and survive against the odds, but their lives are forever tainted by this inauspicious start. Raised amidst the outcasts and misfits of Toxitown, they carve out vastly different paths: one as a bisexual rock star on a desperate search for his mother, the other as an athlete consumed by revenge against the woman who left him behind. When their twisted journeys start to intertwine, this savage and stunning story plunges headlong into a surrealistic whirl of violence. 'Encapsulates the fin de siècle cultural detonation of Japanese youth' Kirkus

It's just before New Year, and Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo's nightlife. But, Frank's behaviour is so odd that Kenji begins to entertain a horrible suspicion: his client may in fact have murderous desires. Although Kenji is far from innocent himself, he unwillingly descends with Frank into an inferno of evil, from which only his sixteen-year-old girlfriend, Jun, can possibly save him.

Murakami's 69, a side-splittingly funny coming-of-age novel set in the Japan of the sixties In a small, inconsequential city in Japan, all that matters to 17-year-old Kensuke Yazaki and his friends is girls, rock music and, to a much lesser extent, school. Told at high speed and with irresistible humour by Kensuke himself, this is the story of their 1969, as they engage in heated conversations about Marxism, Rimbaud, Godard, the Beatles and the Stones, set up a barricade in their school, organise a rock festival and map out a highly successful strategy in girl-winning. This is a young Japan entirely turned towards the West, pervaded by Western music, where the girls have nicknames pulled from famous British films, but still locked in a fight with the rigid post-war conservatism of the older generation. Translated from the Japanese by Ralph McCarthy and published by Pushkin Press 'A light, rollicking, sometimes hilarious, but never sentimental picture of late-sixties Japan.' Library Journal 'A great deal of fun, and Murakami ... is a find.' Kirkus Reviews 'The hero is a thoroughly engaging smartass.' Los Angeles Times A superb and very funny bluffer, and one sympathizes with him all the way. Atlantic Monthly 'A cross between The Catcher and the Rye and The Strawberry Statement.' Review of Contemporary Fiction Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition, In the Miso Soup and From the Fatherland, with Love. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.

Documentary-maker Aoyama hasn't dated anyone in the seven years since the death of his beloved wife, Ryoko. Now even his teenage son Shige has suggested he think about remarrying. So when his best friend Yoshikawa comes up with a plan to hold fake film auditions so that Aoyama can choose a new bride, he decides to go along with the idea. Of the thousands who apply, Aoyama only has eyes for Yamasaki Asami, a young, beautiful, delicate and talented ballerina with a turbulent past. But there is more to her than Aoyama, blinded by his infatuation, can see, and by the time he discovers the terrifying truth it may be too late Ryu Murakami delivers his most subtle and disturbing novel yet, confirming him as Japan's master of the psycho-thriller.

Every night, Kawashima Masayuki creeps from his bed and watches over his baby girl's crib while his wife sleeps. But this is no ordinary domestic scene. He has an ice pick in his hand, and a barely controllable desire to use it. Deciding to confront his demons, Kawashima sets into motion a chain of events seeming to lead inexorably to murder.

An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland, with Love is set in an alternative, dystopian present in which the dollar has collapsed and Japan's economy has fallen along with it. The North Korean government, sensing an opportunity, sends a fleet of rebels in the first land invasion that Japan has ever faced. Japan can't cope with the surprise onslaught of Operation From the Fatherland, with Love . But the terrorist Ishihara and his band of renegade youths - once dedicated to upsetting the Japanese government - turn their deadly attention to the North Korean threat. They will not allow Fukuoka to fall without a fight. Epic in scale, From the Fatherland, with Love is laced throughout with Murakami's characteristically savage violence. It's both a satisfying thriller and a completely mad, over-the-top novel like few others. Translated by Ralph McCarthy, Charles De Wolf and Ginny Tapley Takemori, and published by Pushkin Press 'A troubled meditation on the soul of modern Japan... Alarmingly pertinent in light of current British politics... A morbidly funny comedy... Above all, it is a phenomenal feat of storytelling 700 pages, dozens of characters and scores of ideas woven into one gripping whole.' Andrzej Lukowski, Metro 'This is a novel by the other Murakami. Not Haruki... If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones... [From the Fatherland, with Love] has a Tolstoyan cast of characters, from crack North Korean commandos and hapless Japanese bureaucrats to a gang of hoodlums who eventually decide to save Japan. It unfolds with the pace of a thriller...' David Pilling, Financial TImes 'Massively ambitious and uncompromising... prescient in unexpected ways' Joanne Hayden, Sunday Business Post ''[Mixes] the thrills of a spy novel with some national soul-searching' Lionel Barber, Financial Times, Summer Books 'Definitely edgier and darker than Haruki [Ryu Murakami] has a worldwide following and is regarded by many as one of the most thrilling writers of contemporary Japanese fiction... [He] offers a thrilling insight - with a geopolitical panoramic view - into national character, human relationships, chaos and disorder' - Tatevik Sargsyan, Hunger Magazine 'Like nothing else out there... a Japanese Tarantino... Highly addictive' Morpheus Tales Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition and In the Miso Soup. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.

"Mr. Murakami's novels are filled with entertaining psychopaths." -- The New York Times A pulsating cult-favorite psycho-thriller, the basis of the major motion picture starring Christopher Abbott and Mia Wasikowska *One of Literary Hub's "Ten Works of Literary Horror You Should Read (Even if You Don't Think You Like Horror)"* Kawashima Masayuki is a successful graphic designer living in Tokyo with his loving wife, Yoko, and their baby girl. Outwardly, their lives are a picture of happiness and contentment, but every night while his wife sleeps Kawashima creeds from him bed and watches over the baby's crib with an ice pick in his hand and an almost visceral desire to use it. One night, as this struggle unfolds once more, Kawashima makes a decision to confront his demons and sets into motion an uncontrollable chain of events seeming to lead inexorably to murder. The follow-up to In the Miso Soup from a cult favorite writer, Piercing confirms Murakami as the master of the psycho thriller-terrifying, sickening, and utterly gripping

In his most irreverent novel yet, Ryu Murakami creates a rivalry of epic proportions between six aimless youths and six tough-as-nails women who battle for control of a Tokyo neighborhood. At the outset, the young men seem louche but harmless, their activities limited to drinking, snacking, peering at a naked neighbor through a window, and performing karaoke. The six "aunties" are fiercely independent career women. When one of the boys executes a lethal ambush of one of the women, chaos ensues. The women band together to find the killer and exact revenge. In turn, the boys buckle down, study physics, and plot to take out their nemeses in a single blast. Who knew that a deadly "gang war" could be such fun? Murakami builds the conflict into a hilarious, spot-on satire of modern culture and the tensions between the sexes and generations.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don t intend to produce. As the resumes pile up, only one of the applicants catches Aoyama s attention Yamasaki Asami a striking young former ballerina with a mysterious past. Blinded by his instant and total infatuation, Aoyama is too late in discovering that she is a far cry from the innocent young woman he imagines her to be. The novel s fast-paced, thriller conclusion doesn t spare the reader as Yamasaki takes off her angelic mask and reveals what lies beneath."

A darkly satirical tale of the generation and gender gaps in Japanese society, Ruy Murakami's Popular Hits of the Showa Era is a literary karaoke act combining manga and street culture It's a set-up like a video game: two rival gangs fight to death for the control of a Tokyo district. In one gang, six young losers committed only to drinking, voyeurism and karaoke singing, in the other six tough independent older women. From ambush to revenge, both groups are gradually decimated until the ultimate showdown. In Murakami's inimitably brutal and brilliant style, Popular Hits dissects the gender and generational conflicts of contemporary society in a hilarious satire. Murakami is mercilessly funny as he tracks his characters' evolution from twits to scholars of guerrilla warfare'New Yorker 'One of the funniest and strangest gang wars in recent literature'Booklist Ryu Murakami's Popular Hits From the Showa Era is translated from the Japanese by Ralph McCarthy and published by Pushkin Press Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition, In the Miso Soup and From the Fatherland, with Love. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.

An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland, with Love is set in an alternative, dystopian present in which the dollar has collapsed and Japan's economy has fallen along with it. The North Korean government, sensing an opportunity, sends a fleet of rebels in the first land invasion that Japan has ever faced. Japan can't cope with the surprise onslaught of Operation From the Fatherland, with Love . But the terrorist Ishihara and his band of renegade youths - once dedicated to upsetting the Japanese government - turn their deadly attention to the North Korean threat. They will not allow Fukuoka to fall without a fight. Epic in scale, From the Fatherland, with Love is laced throughout with Murakami's characteristically savage violence. It's both a satisfying thriller and a completely mad, over-the-top novel like few others. Translated by Ralph McCarthy, Charles De Wolf and Ginny Tapley Takemori, and published by Pushkin Press 'A troubled meditation on the soul of modern Japan... Alarmingly pertinent in light of current British politics... A morbidly funny comedy... Above all, it is a phenomenal feat of storytelling 700 pages, dozens of characters and scores of ideas woven into one gripping whole.' Andrzej Lukowski, Metro 'This is a novel by the other Murakami. Not Haruki... If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones... [From the Fatherland, with Love] has a Tolstoyan cast of characters, from crack North Korean commandos and hapless Japanese bureaucrats to a gang of hoodlums who eventually decide to save Japan. It unfolds with the pace of a thriller...' David Pilling, Financial TImes 'Massively ambitious and uncompromising... prescient in unexpected ways' Joanne Hayden, Sunday Business Post ''[Mixes] the thrills of a spy novel with some national soul-searching' Lionel Barber, Financial Times, Summer Books 'Definitely edgier and darker than Haruki [Ryu Murakami] has a worldwide following and is regarded by many as one of the most thrilling writers of contemporary Japanese fiction... [He] offers a thrilling insight - with a geopolitical panoramic view - into national character, human relationships, chaos and disorder' - Tatevik Sargsyan, Hunger Magazine Born in 1952 in Nagasaki prefecture, Ryu Murakami is the enfant terrible of contemporary Japanese literature. Awarded the prestigious Akutagawa Prize in 1976 for his first book, a novel about a group of young people drowned in sex and drugs, he has gone on to explore with cinematic intensity the themes of violence and technology in contemporary Japanese society. His novels include Coin Locker Babies, Sixty-Nine, Popular Hits of the Showa Era, Audition and In the Miso Soup. Murakami is also a screenwriter and a director; his films include Tokyo Decadence, Audition and Because of You.

"Mr. Murakami's novels are filled with entertaining psychopaths." -- The New York Times From postmodern Renaissance man Ryu Murakami, master of the psychothriller and director of Tokyo Decadence, comes this hair-raising roller-coaster ride through the nefarious neon-lit world of Tokyo's sex industry It's just before New Year, and Frank, an American tourist, has hired Kenji to take him on a guided tour of Tokyo's nightlife. But, Frank's behaviour is so odd that Kenji begins to entertain a horrible suspicion: his client may in fact have murderous desires. Although Kenji is far from innocent himself, he unwillingly descends with Frank into an inferno of evil, from which only his sixteen-year-old girlfriend, Jun, can possibly save him.