Arising out of the Third International Symposium held in New Jersey, this book represents the state-of-the-art in ocean management. An international group of contributors cover such topics as: regional seas and embayments; new concepts in the governance of ocean space assessment standards and issues; ocean resources and sustainable development; ocean space development; and related technologies. From the Baltic to the Caribbean, from the Adriatic to the Atlantic, the problems of ocean management are fully discussed, and proposals made to meet the challenges of the next decade. This book should be of interest and use to anyone working in coastal and ocean management.

Arising out of The Third International Symposium held in New Jersey, this book represents the state-of-the-art in ocean management. From the Baltic to the Caribbean, from the Adriatic to the Atlantic, the problems of ocean management are fully discussed, and proposals made to meet the challenges of the next decade. This book will be of immense interest and use to anyone working in coastal and ocean management and is an invaluable work reference.

Custer's Last Stand is among the most enduring events in American history--more than one hundred years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as "one of our most interesting and intelligent American writers," wrote what continues to be the most reliable--and compulsively readable--account of the subject. Connell makes good use of his meticulous research and novelist's eye for the story and detail to re-vreate the heroism, foolishness, and savagery of this crucial chapter in the history of the West.

The companion novel to Mrs Bridge, this is a pitch-perfect portrayal of marriage and family life and a poignant dissection of the unexamined life. Walter Bridge, husband to India and father to three, is a successful lawyer in a Kansas suburb. The daily dramas of his life only serve to illuminate his narrow prejudices and complacent outlook, yet he is also troubled by existential doubts, dark undercurrents of desire and a yearning for something forever out of his reach. In Mr Bridge, Evan S. Connell gives us a moving, satirical and poetic portrayal of a man who cannot escape his limitations and of a couple growing old together but unable, ultimately, to connect. The companion novel, Mrs Bridge, telling the story from the other side of the marriage, is published in Penguin Modern Classics. 'With a delicate and subtle irony, Mr Connell shows us, first from her, then from his point of view, the little daily dramas of this ordinary family. It is very, very funny, often moving and sad, and written with an uncompromising realism that one rarely comes across. To me the Bridges were a revelation: I cannot recommend them too highly' Daily Telegraph

Evan S. Connell's Mrs Bridge is an extraordinary tragicomic portrayal of suburban life and one of the classic American novels of the twentieth century. Mrs Bridge, an unremarkable and conservative housewife in Kansas City, has three children and a kindly lawyer husband. She spends her time shopping, going to bridge parties and bringing up her children to be pleasant, clean and have nice manners. And yet she finds modern life increasingly baffling, her children aren't growing up into the people she expected, and sometimes she has the vague disquieting sensation that all is not well in her life. In a series of comic, telling vignettes, Evan S. Connell illuminates the narrow morality, confusion, futility and even terror at the heart of a life of plenty. The companion novel Mr Bridge, telling the story from the other side of the marriage, is also available in Penguin Modern Classics. 'A perfect novel ... Its tone - knowing, droll, plaintive, shuttling rapidly between pain and hilarity - elevates it to its own kind of specialness ... One of those books that can suffuse a room with happiness when someone brings it up' Meg Wulitzer, The New York Times 'Intimate ... affecting ... a very funny book' Joshua Ferris

Another brilliant example of Evan Connell's art, "The Patriot" deals with an American boy who grew to maturity with World War II. He had learned his father's patriotism, and then, through the impact of firsthand experience, formulated his own.
Melvin Isaacs, aged seventeen, became a Navy Air Force cadet in 1942. His course of training as a flyer was an education in fear and death, even though it had its wonderfully comic times and a sense of comradeship that was new to him. Perhaps it was in the air--for Melvin loved to fly--that the first feelings of aloneness stirred his mind. Melvin, who queried the whys and wherefores of his regimented training life, became, despite all efforts to conform, a maverick. This portion of the novel is a touching and true mixture of human comedy and tragedy, and it also embodies scenes of flight and danger that are unmatched for pure vividness and sensate realism.
The story of Melvin after the war is a continuation of the absurdities that can pursue a man so constituted that he must think for himself. And here the implications of the novel become clear. It is partly the age-old story of a father and son in conflict, of an older generation's notions that are insupportable to the younger, a human dilemma that has no possible resolution. It is also the story of Melvin's final rejection of war, of his unshakeable conviction that a man today must think and act for the good of the planet, Stephen Decatur's slogan notwithstanding. With too many excellences to catalogue and extol, the novel has a total effect of a new voice telling a new story of this old familiar world.

Karl Muhlbach, hero of Evan Connell's previous novel, The Connoisseur, has a new obsession--a beautiful, nubile girl-about-New York named Lambeth Brent, whose puzzling background and swinging activities lead Muhlbach into dark areas, causing new revelations of himself as a man to emerge.
The mysterious bonds between opposites come into sharp relief as we follow the course of Muhlbach and Lambeth's relationship. An uncomfortable visit to the ballet, an abortive country vacation, brief but sparkling happy moments, and Muhlbach's final, shocking discovery add up to a mosaic of vignettes, rendering the characters startlingly real.
"Double Honeymoon" explores the built-in dangers of a love affair between a cautious, conservative, middle-aged widower and a neurotic, high-strung, self-destructive girl. But far from just another May-September romance, the book is a keen examination of the dilemma posed by two people who are attracted to each other, yet unable to come together because of the profound differences in their backgrounds and outlooks. With a sure hand, Evan Connell demonstrates just how profound those differences can be.

Praise for Notes from a Bottle Found on the Beach at Carmel: "A unique tour de force." --The New York Times Book Review "One of the most remarkable books that I have read in a long time." --Kenneth Rexroth "Mr. Connell's Notes are what one intelligent, sensitive artist has been able to salvage from all experience as testimony to the rather pathetic integrity of the human species in the face of extinction. The book is no manual or tract, however, although its political meaning is unmistakable, but a work of art, even a work of high art." --Hayden Carruth

Evan S. Connell is by any measure one of America's greatest living writers. His restraint, concision, and perfect pitch lend themselves stunningly to the short story form. He intuitively senses when to explain and when to let silence stand in speech's stead. His characters--among them, a wanderer back from Spain, the corpulent Mr. Bemis, Katia and her lion--ring true not because the stories are filled with monumental events, but because they center on seemingly insignificant experiences that remain in the mind, imbued with a meaning ever difficult to define. Often we are left to float in their wake, ending in an ellipsis of sorts. Yet by Connell's mastery, even the voices that speak only once resonate beyond the final page.

Capturing the spirit of arcane writing, Evan S. Connell delivers spectacular and esoteric prose as he imagines the journals of seven alchemists. The first is Paracelsus, the famous sixteenth-century alchemist, who is followed by an array of distinct voices: physicians, historians, alchemists, and philosophers. Each employs a unique personality and point of view in a world of pre-scientific thought, of the western world about to step into modernity.
Though this historical recreation is medieval in style, Connell succeeds in infusing his diarists with alchemic wisdom, ancient appeal, and felt humanness. A work of rigid art and astute mimicry, Connell's work is intelligent and remarkable, medieval yet applicable to modernity. Alchymic Journals is, at its core, a study of humanity from the mind of one of America's greatest writers.

Acclaimed author Evan S. Connell sends us through the complete experience of a man initially intrigued and then enslaved by art: a curious interest, a rapt fixation, and the becoming of a connoisseur. "The Connoisseur trails the evolution of Muhlbach, an insurance executive on a business trip in Taos, New Mexico, who develops an obsession with pre-Columbian figurines after meandering through a curio shop. Entranced yet bewildered by his sudden affinity for a little figurine, Muhlbach succumbs to his intrigue and, thirty dollars later, begins his journey as a connoisseur.
With superb delivery and subtle clarity, Connell allows us to see and feel Muhlbach's emerging mania, with its impending tension and sudden exhilaration. He illustrates how a new fixation alters our lens on life and shapes our actions.

From the best-selling author of Son of the Morning Star and Mrs. Bridge comes a magisterial tale of a great and terrible campaign, recounting one soldier's experiences of the defining war of Christendom. "God wills it!" The year is 1095 and the most prominent leaders of the Christian world are assembled in a meadow in France. Deus lo volt! This cry is taken up, echoes forth, is carried on. The Crusades have started, and wave after wave of Christian pilgrims rush to assault the growing power of Muslims in the Holy Land. Two centuries long, it will become the defining war of the Western world.

On a scorching June Sunday in 1876, thousands of Indian warriors - Lakota Sioux, Cheyenne and Arapaho - converged on a grassy ridge above the valley of Montana's Little Bighorn River. On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue about even the most basic details surrounding the Little Bighorn. Evan S. Connell, whom Joyce Carol Oates has described as 'one of our most interesting and intelligent American writers', wrote what continues to be the most reliable - and compulsively readable - account of the subject. Connell makes good use of his research and novelist's eye for story and detail to re-create the heroism, foolishness and savagery of this crucial chapter in the history of the West.