This anthology of articles on the Roman novels of Petronius and Apuleius makes available some of the most useful and important articles published in German and Italian as well as English over the last thirty years. The introduction, by the editor, provides a general assessment of all scholarly work written about the texts from the 1900s to the 1990s, setting the papers usefully in context. The articles in this collection which concern the work of Petronius include a general interpretation of a fragmentary and problematic text, exploration of narrative technique, relation to Menippean satire and recently discovered Greek novel papyri, and realism. On Apuleius, the collection includes pieces on narrative and ideological unity, relation to religion and Platonism, exploration of narrative technique, relation to epic and to the Greek ass stories, to folk-tale, and historical realism. A reflection of the period of rapid expansion of scholarly interest in the area of the ancient novel, this book combines the best of current international scholarly interpretation.

These rhetorical texts by Apuleius, second-century Latin writer and author of the famous novel Metamorphoses or Golden Ass, have not been translated into English since 1909. They are some of the very few Latin speeches surviving from their century, and constitute important evidence for Latin and Roman North African social and intellectual culture in the second century AD, a period where there is increasing interest amongst classicists and ancient historians. They are the work of a talented writer who is being increasingly viewed as the major literary artist of his time in Latin.

This book sets out to give a full and authoritative survey of the scholarly literature on the Roman poet Horace (65-8 BC), a central figure in Latin literature and Western culture, concentrating on the period since 1957. It begins with a brief survey of key resources, focusing especially on material available online, and then looks at the overall shape of Horace's poetic career. The main chapters cover Horace's works chronologically, dividing them into early, central and late periods and thus echoing the trajectory of his poetic career. The final two chapters look at the poet's style and its variations across different genres, and at the extensive reception of Horace's work in Western European literature. This is followed by a full bibliography.

This collection of essays provides a number of recent and classic papers on Vergil's "Aeneid" covering a wide range of topics. It is intended to be a supplement to standard reading for undergraduate courses in ancient epic poetry, and Vergil in particular. Special attention has been paid to including useful essays from sources which are rare, out of print, or otherwise difficult to obtain, although care has also been taken to include material which is regularly specified on reading lists. The essays presented here are all in English, but Dr. Harrison has attempted to maintain a broad overview of 20th century Vergilian criticisms. Work in other languages is mentioned in his introduciton, which is a general survey of literature on the "Aenied" since 1900, and contains much additional bibliographical material.

This collection of essays by leading scholars argues that, in the contemporary context of the study and interpretation of classical literature at universities, traditional classical scholarship and modern theoretical ideas need to work with each other in the common task of the interpretation of texts, in order to ensure the survival and relevance of the study of classical literature in the twenty-first century.

This volume presents eleven radio scripts written and produced by the poet and writer Louis MacNeice (1907-1963) over the span of his twenty-year career at the BBC, during which he wrote and produced well over a hundred radio scripts on an impressively wide variety of subjects. This volume's selection of scripts, all but one of which is published for the first time, illustrates the various ways that MacNeice re-worked one particular and recurrent source of material for radio broadcast - ancient Greek and Roman history and literature. The volume thus seeks to explore MacNeice's literary relationship with classical antiquity, including engagements with authors such as Homer, Thucydides, Aristophanes, Xenophon, Petronius, Apuleius, and Horace, in a variety of types of programmes from wartime propaganda work, which used ancient Greek history to comment on the international situation, to lighter entertainment programmes drawing on the Roman novel. MacNeice's educational background in classics, combined with his skill as a writer and his ability in exploring radio's potential for creative work, resulted in programmes which brought the ancient world imaginatively alive for a massive, popular audience at home and abroad. Each script is prefaced by an individual introduction, written by the editors and guest contributor Gonda Van Steen, detailing the political and broadcasting contexts, the relationship of the script with classical antiquity, notes on cast and credits, and the reception of each script's radio performance amongst contemporary listeners. The volume opens with a general introduction which seeks to contextualise the scripts in MacNeice's wider life and work for radio, and it includes an appendix of extant MacNeicean scripts and recordings.

Complementing Harrison's previous volume, Apuleius: A Latin Sophist, this book studies one of the few extant Latin novels from the Roman Empire, Apuleius' Metamorphoses or Golden Ass. Harrison shows that this work is one of remarkable literary complexity, playing off other classical forms, especially the related narrative form of the epic. The volume traces some of the history of the novel's criticism and offers a detailed analysis of its key sections and issues, demonstrating in detail the literary sophistication and complex intergeneric intertextuality which is the key feature of Apuleius' novel.

S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC.

This collection of essays explores the extensive use of Latin and Greek literary texts in a range of recent poetry written in English. It contains both contributions from poets, who include Tony Harrison, Seamus Heaney, and Michael Longley, talking about their uses of classical literature in their own work in lyric poetry and in theatre poetry, and essays from academic experts on the same topics. Living Classics asks why contemporary poets are returning to making versions of and allusions to Greek and Roman literature in their work, and interrogates the parallel interest of modern classical scholars in the contemporary reception of classical texts.

The Aeneid is a landmark of literary narrative and poetic sensibility. This guide gives a full account of the historical setting and significance of Virgil’s epic, and discusses the poet’s use of Homer’s Iliad and Odyssey, as well as the most celebrated episodes in the poem, including the tragedy of Dido and Aeneas’ visit to the underworld. The volume examines Virgil’s psychological and philosophical insights, and explains the poem’s status as the central classic of European culture. The final chapter considers the Aeneid’s influence on later writers including Dante and the Romantics. The guide to further reading has been updated and will prove to be an invaluable resource to students coming to The Aeneid for the first time.

This volume presents a collection of pieces from a celebrated world-class scholar and interpreter of Latin poetry, focusing on the interpretation of Virgil's Aeneid.. It forms the sequel to two widely influential earlier books on Virgil by the same author and translates and adds to a collection of papers published in Italian in 2002. Its central concern is the way in which Virgil reworks earlier poetry (especially that of Homer) at the most detailed level to produce very broad literary and emotional effects. Gian Biaggio Conte explores a central issue in Virgilian studies, that of how the Aeneid manages to create a new and effective mode of epic in a period when the genre appears to be debased or exhausted.

This volume presents a wide range of pieces from a world-class Latinist which displays both his diverse interests as a scholar and his consistent concern with Augustan texts, their language and literary texture. The range of articles, written over more than three decades and including one previously unpublished piece, covers the same connected territory - largely Virgil, Horace, and elegy. R. O. A. M. Lyne's consistent approach of close reading means that the articles form a coherent whole, while his compelling style as an engaged literary analyst ensures that these are not dry or forbidding pieces.

This book is a response to the literary pleasures and scholarly problems of reading the texts of Apuleius, most famous for his novel Metamorphoses or Golden Ass. Living in second-century North Africa, Apuleius was more than an author of fiction; he was a consummate orator and professional intellectual, Platonist philosopher, extraordinary stylist, relentless self-promoter, and versatile author of a remarkably diverse body of work, much of which is lost to us. This book is written for those able to read Apuleius in Latin, and Apuleian works are accordingly quoted without translation (although where they exist suitable translations have been indicated). In this book Dr Harrison has provided a literary handbook to all the works of Apuleius as well as the Metamorphoses, and has set his works against their intellectual background: not only Apuleius' career as a performing intellectual, a sophist, in second-century Roman North Africa, but also the larger contemporary framework of the Greek Second Sophistic. While focusing primarily on the texts as literature and literary-historical, the book also deals with Apuleius' works of didactic philosophy and his consequent connection with Middle Platonism.

This is the first major commentary on the tenth book of Vergil's Aeneid, the national epic of Rome and one of the great poems of world literature. Vergil's text, with a facing translation, is explained for the modern reader and its literary qualities are fully assessed.

This book combines one of the most famous names in Latin literature, the Roman poet Horace, with the cr eme de la cr eme of contemporary international classical scholarship. The seventeen brand new pieces have been brought together to celebrate the bimillenary of the poet's death, and range from detailed treatments of particular poems to general issues about Horace's literary techniques, themes, biography, and reception in later times. An introduction sets the book in the context of contemporary scholarship on the poet. This book is intended for scholars and students of Latin literature and classical studies.

S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC.

This book presents a new and exciting selection of significant articles on the Roman novels of Apuleius and Petronius. Some of the papers are for the first time available in translation from the original German and Italian. The introduction by Stephen Harrison surveys the scholarly work that has been done on the texts since 1900. All Latin and Greek quotations are rendered anew into English.

This book contains twenty-six articles on a wide range of topics in Latin literature by the eminent scholar and former Professor of Latin at Oxford, Robin Nisbet. Original, stimulating, and at times provocative, this collection represents some of the best in Latin scholarship in recent years.

This collection of essays provides a number of recent and classic papers on Vergil's "Aeneid" covering a wide range of topics. It is intended to be a supplement to standard reading for undergraduate courses in ancient epic poetry, and Vergil in particular. Special attention has been paid to including useful essays from sources which are rare, out of print, or otherwise difficult to obtain, although care has also been taken to include material which is regularly specified on reading lists.;The essays presented here are all in English, but Dr. Harrison has attempted to maintain a broad overview of 20th century Vergilian criticisms. Work in other languages is mentioned in his introduction, which is a general survey of literature on the "Aeneid" since 1900, and contains much additional bibliographical material.