H.P. Lovecraft was the inventor of cosmic horror, of weird fiction and the Cthulhu mythology. His stories, incubated by a lonely and febrile childhood, found purchase in the fertile earth of pulp fiction where he inspired many other writers, from Robert E. Howard, to Robert Bloch and Clark Ashton Smith, many of whom also collaborated on the several short stories, some of which are also included here, in this special deluxe edition. This title, alongside H.G. Wells Short Stories, is a companion volume to our hugely successful Gothic Fantasy series of classic and modern writers.

While Howard Phillips Lovecraft was closing the final chapter of his writing career, Fritz Reuter Leiber was only beginning to open his own. The year was 1936 and Jonquil Leiber, Fritz's first wife, sent a letter on her own initiative to Lovecraft, knowing that her husband had been an avid admirer of his work, ever since his first reading of "The Colour out of Space" and hoping that Lovecraft's presence in Fritz's slow-paced writing career might be the source of inspiration he so dearly needed. Lovecraft replied promptly on November 2 of that year, the seed of an invigorating correspondence, which lasted till Lovecraft's passing. Fritz Leiber and H.P. Lovecraft: Writers of the Dark presents Lovecraft's letters to Leiber, an impressive selection of Leiber's fiction which shows Lovecraft's influence, and a selection of Leiber's essays on Lovecraft and Matters Lovecraftian. Features an introduction by Ben J. S. Szumskyj and an afterword by S.T. Joshi.

The leading critic of supernatural literature here examines the roots of the "weird tale" (as Lovecraft called it) through detailed examinations of five "founding fathers" of the genre: Arthur Machen, Lord Dunsany, Algernon Blackwood, M.R. James, and H.P. Lovecraft. The result is a thorough study of the art, craft, philosophy, and aesthetics of an enduring genre of fantastic literature.

In this little-known work by Voltaire (1694-1778)--now available in English for the first time-- the famous French philosophe and satirist presents a wide-ranging and acerbic survey of religion throughout the world. Written toward the end of his life in 1769, the work was penned in the same decade as some of his more famous works--the Philosophical Dictionary, Questions on Miracles, and Lord Bolingbroke's Important Examination--all of which questioned the basic tenets of Christianity. Voltaire called himself a deist and thus he professed belief in a supreme deity. But he was always sharply critical of institutional Christianity, especially its superstitions, the hypocrisy of its clergy, and its abuse of political power. Both his deism and his critical attitude toward Christianity are manifest in God and Human Beings, which is, in effect, one of the first works of comparative religion. Comparing Christianity to the more ancient belief systems of the Jews, Hindus, Chinese, Greeks, Romans, Egyptians, Babylonians, Phoenicians, and Arabs, he notes a common tendency to worship one supreme god, despite the host of subordinate deities in many of these religions. He also critiques the many superstitions and slavish rituals in religion generally, but he emphasizes that in this respect Christianity is no better than other faiths. Thus, the clergy's claim that Christianity is God's supreme revelation to humanity has no basis from an objective perspective. This first English translation of a classic critique of religion includes an introduction by writer, scholar, and editor S. T. Joshi, who wrote the article on Voltaire in The New Encyclopedia of Unbelief (edited by Tom Flynn). Anticipating many of the themes of the later Higher Criticism and rationalist critiques of religion, this incisive, witty treatise by the great French skeptic will be a welcome addition to the libraries of anyone with an interest in the philosophy of religion, intellectual history, or the Enlightenment.

Throughout his career as a literary critic, H. L. Mencken was intent on elevating the bold, the daring, and the innovative over the hackneyed, the trite, and the superficial, and his drama criticism exhibits this tendency to the fullest. Though known primarily as a newspaperman and commentator, Mencken also wrote several one-act plays, as well as a full-length work. In The Collected Drama of H. L. Mencken: Plays and Criticism, S. T. Joshi has assembled for the first time Mencken s dramatic works, comprising six one-act plays and the lengthy three-act play Heliogabalus. These plays, which have never been reprinted since their original appearances in newspapers or in Mencken s early volume A Book of Burlesques (1916), exhibit Mencken s penchant for satire and ridicule. Several of the plays, such as In the Vestry Room and The Wedding: A Stage Direction, display Mencken s oft-expressed cynicism about the institution of marriage. Another related play is Asepsis, a satire on exaggerated concerns about sexual health in young married couples. Other plays take aim at the cultural deficiencies of the common people, such as Death: A Philosophical Discussion, which relays the hackneyed reactions of a group of mourners over the death of a friend. Mencken s most significant play by far is Heliogabalus, a play he co-wrote with his frequent collaborator, George Jean Nathan, in which Mencken expresses his scorn of the Christian religion. The second half of this book features a selection of Mencken s early writings (1905 17) on drama, most of which have never been reprinted. Various essays on Shakespeare, Shaw, Synge, Strindberg, Ibsen, and others exhibit Mencken s keenness as a literary critic and his understanding of the aesthetic possibilities of the drama. With an introduction by the editor who provides an overview of Mencken s work as a dramatist and drama critic, this collection will be of interest to amateur and even professional drama companies, theatre historians, and of course, anyone interested in the writings of Mencken.

H.P. Lovecraft, one of the twentieth century's most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his "model" and his "God of Fiction." While scholars and readers of Poe's and Lovecraft's work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe's work influenced Lovecraft in important ways. Other essays explore how Lovecraft's fictional, critical, and poetic reception of Poe irrevocably changed how Poe's work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft's interpretations of Poe have informed later adaptations of both writers' works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe's and Lovecraft's work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

"The dreams were wholly beyond the pale of sanity . . . " Plagued by insane nightmare visions, Walter Gilman seeks help in Miskatonic University's infamous library of forbidden books, where, in the pages of Abdul Alhazred's dreaded Necronomicon, he finds terrible hints that seem to connect his own studies in advanced mathematics with the fantastic legends of elder magic. The Dreams in the Witch House, gathered together here with more than twenty other tales of terror, exemplifies H. P. Lovecraft's primacy among twentieth-century American horror writers. This volume is a companion to the other two Penguin Classics edition of Lovecraft's work: The Call of the Cthulhu and The Thing on the Doorstep. This original collection presents the definitive texts of the work, including a newly restored text of "The Shadow out of time" along with S. T. Joshi's invaluable introduction and notes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From the publication of his first book in 1905 until his death, Lord Dunsany (1878-1957) was an immensely popular Anglo-Irish writer. He has long been admired in the realms of fantasy, horror, and supernatural fiction and was a friend and colleague of writers W. B. Yeats, Lady Gregory, James Stephens, and Oliver St. John Gogarty. In recent years he has enjoyed a resurgence as a pioneering fantasy writer and an immense influence on later work in the genre. Critical Essays on Lord Dunsany is the first volume to assemble studies of Dunsany's short fiction, novels, plays, and memoirs, as well as discussions of his influence on such writers as J. R. R. Tolkien and H. P. Lovecraft. The book also contains early articles and reviews by Yeats, Lovecraft, H. L. Mencken, Rebecca West, and Arthur C. Clarke. Seven original essays by leading contemporary scholars on Dunsany examine the use of medieval archetypes in his fantasy novels; the distinctiveness of his recurring character, clubman Joseph Jorkens; the influence of Don Quixote on his first novel, The Chronicles of Rodriguez (1922); the treatment of religion in his later novels; and other subjects. This anthology presents a comprehensive snapshot of Dunsany's distinctive work and his contribution to fantasy fiction and world literature. Making a case for the continued study of this neglected but hugely influential writer, Critical Essays on Lord Dunsany will be of great interest to enthusiasts of Dunsany's work as well as students and scholars of fantasy, horror, the supernatural, and Irish literature.

Agnosticism - the philosophical argument that it is impossible to know whether God exists or not - has been the point of view of many distinguished thinkers from the 19th century to the present. In contrast to atheism, which asserts that God does not exist, agnosticism holds that reason and the best scientific evidence do not allow one to reach a decisive conclusion regarding the existence of God. This reader prints selections of some of the most profound and pioneering discussions of agnosticism over the past two centuries. Beginning with early formulations of the agnostic perspective by Thomas Henry Huxley (who coined the term), Bertrand Russell, and others, editor S. T. Joshi shows how agnosticism received a strong boost in the later 19th century from the so-called higher criticism of the Bible. Selections from Edward Burnett Tylor, Arthur Schopenhauer, Robert G. Ingersoll, and Edward Westermarck made a strong case that religion was a natural product of primitive development and that the Bible was the product of an age of scientific ignorance and superstition. By the late 19th and early 20th centuries, Christianity in Europe was in a state of decline among the intellectual classes. The writings of W. E. H. Leckey, Leslie Stephen, and Walter Lippmann show that leading commentators were openly pondering a European society in which Christianity was a thing of the past. The increasing success of the natural sciences during this same time period supported the agnostic viewpoint by accounting for phenomena on a natural, rather than a supernatural, basis. Selections from John William Draper, Albert Einstein, Isaac Asimov, and others demonstrate the scientific respectability of agnosticism. Finally, selections from such thinkers as Frederic Harrison, H. L. Mencken, and Corliss Lamont emphasise how living with agnosticism can be intellectually and morally satisfying, even exhilarating. Overall, "The Agnostic Reader" shows how agnosticism can provide a framework for living with courage and dignity.

Sixteen stories inspired by the 20th century's great master of horror, H.P. Lovecraft, and his acknowledged masterpiece, 'At the Mountains of Madness', in which an expedition to the desolation of Antarctica discovers evidence of an ancient ruin built by horrific creatures at first thought long-dead, until death strikes the group. All but two of the stories are original to this edition, and those reprints are long-lost works by science fiction masters Arthur C. Clarke and Robert Silverberg.

H.P. Lovecraft, one of the twentieth century's most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his "model" and his "God of Fiction." While scholars and readers of Poe's and Lovecraft's work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe's work influenced Lovecraft in important ways. Other essays explore how Lovecraft's fictional, critical, and poetic reception of Poe irrevocably changed how Poe's work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft's interpretations of Poe have informed later adaptations of both writers' works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe's and Lovecraft's work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.

In the second volume of the crticially acclaimed Black Wings series, S.T. Joshi - the world's foremost Lovecraft scholar - has assembled eighteen more brand-new and imaginative horror tales, inspired by the greatest writer of the supernatural H.P. Lovecraft.

Leading contemporary horror authors, including John Shirley, Richard Gsin, Brian Evenson, Rick Dakan, Jason V. Brock, Rick Dakan, Jason C. Eckhardt, Brian Evenson, Tom Fletcher, Richard Gavin, Caitlín R. Kiernan, John Langan, Nick Mamatas, Nicholas Royle, Darrell Schweitzer, John Shirley, Melanie Tem, Steve Rasnic Tem, Jonathan Thomas, Donald Tyson, Don Webb, and Chet Williamson, will draw upon themes, images, and ideas from the life work of the master of the genre to deliver a rich feast of terror.

Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. The Call of Cthulhu and Other Weird Stories Frequently imitated and widely influential, Howard Phillips Lovecraft reinvented the horror genre in the twentieth century, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe. This definitive collection reveals the development of Lovecraft's mesmerizing narrative style and establishes him as a canonical-and visionary-American writer.

Since 1968, Republican presidents have occupied the White House far longer than Democratic presidents, and recently Republicans have controlled both houses of Congress as well. In spite of these electoral triumphs, leading spokespersons on the right continue to depict conservatives as an embattled minority. Lashing out at their liberal opponents, sharp-tongued partisan advocates like Rush Limbaugh, Ann Coulter, and Sean Hannity never tire of issuing jeremiads against what they perceive as the inexorable tide of liberal abuses that threatens to overwhelm the Republic.
But if Republicans have won the battle at the voting booths, why is the right so angry?
As S. T. Joshi reveals in this incisive profile of twelve leading conservatives, the rage at the heart of the right is fueled by a gnawing sense that conservatives long ago lost the hearts and minds of the American people. Since the F.D.R. administration, conservatives have unsuccessfully opposed legislative and judicial reforms that today are considered so mainstream as to be, well, "conservative." In effect, yesterday's liberalism is today's conservatism, and this has been the direction of social and political change since the age of the Model T.
Examining the writings of such conservative icons as Russell Kirk, William F. Buckley Jr, Phyllis Schlafly, and nine others, Joshi uncovers statements that most people today would consider not just radical but outrageous:
In the 1950s, Russell Kirk opposed Social Security because he said it was "un-Christian."
In the same decade, William F. Buckley Jr. argued against the desegregation of public schools on the grounds that it would be an infringement of states' rights (an argument also used a century earlier to defend slavery).
In the 1970s, Phyllis Schlafly declared that women's liberation is a "disease" and a "homewrecker."
Knowing that these positions are today indefensible, conservative spokespersons have little recourse but to engage in passionate invective that attempts to portray their opponents as extremists. Joshi characterizes the aggrieved lament of conservatives as the last gasp of those who know their ideas will be confined to the dustbin of history.

Howard Phillips Lovecraft's unique contribution to American literature was a melding of traditional supernaturalism (derived chiefly from Edgar Allan Poe) with the genre of science fiction that emerged in the early 1920s. This new Penguin Twentieth-Century Classics edition brings together a dozen of the master's tales-from his early short stories "Under the Pyramids" (originally ghostwritten for Harry Houdini) and "The Music of Erich Zann" (which Lovecraft ranked second among his own favorites) through his more fully developed works, "The Dunwich Horror," The Case of Charles Dexter Ward, and At the Mountains of Madness.

The Thing on the Doorstep and Other Weird Stories presents the definitive corrected texts of these works, along with Lovecraft critic and biographer S. T. Joshi's illuminating introduction and notes to each story.

This is a critical study of many of the leading writers of horror and supernatural fiction since World War II. The primary purpose is to establish a canon of weird literature, and to distinguish the genuinely meritorious writers of the past fifty years from those who have obtained merely transient popular renown. Accordingly, the author regards the complex, subtle work of Shirley Jackson, Ramsey Campbell, Robert Aickman, T.E.D. Klein, and Thomas Ligotti as considerably superior to the best-sellers of Stephen King, Clive Barker, Peter Straub, and Anne Rice. Other writers such as William Peter Blatty, Thomas Tryon, Robert Bloch, and Thomas Harris are also discussed. Taken as a whole, the volume represents a pioneering attempt to chart the development of weird fiction over the past half-century.

H. P. Lovecraft's brand of cosmic horror has long forced readers to an inexorable truth there are powers in the universe whose immensity dwarfs petty human conflicts. Inspired by Lovecraft and brought together by editor S. T. Joshi, the stories in Black Wings of Cthulhu 5 explore the very essence of fear.

Between these covers lie many of the finest Lovecraftian authors, including Sunni K Brock, Donald R. Burleson, Mollie L. Burleson, Nicole Cushing, Jason C. Eckhardt, Sam Gafford, Wade German, Cody Goodfellow, David Hambling, Lynne Jamneck, Mark Howard Jones, Caitlín R. Kiernan, Nancy Kilpatrick, W. H. Pugmire, John Reppion, Darrell Schweitzer, Jonathan Thomas, Donald Tyson, Robert H. Waugh, and Stephen Woodworth.

The ultimate collection of weird and frightening American fiction
As Stephen King will attest, the popularity of the occult in American literature has only grown since the days of Edgar Allan Poe. American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation's brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and-of course- Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.