Taking the reader into the heart of one of the fastest-growing religious movements in North America, Sabina Magliocco reveals how the disciplines of anthropology and folklore were fundamental to the early development of Neo-Paganism and the revival of witchcraft. Magliocco examines the roots that this religious movement has in a Western spiritual tradition of mysticism disavowed by the Enlightenment. She explores, too, how modern Pagans and Witches are imaginatively reclaiming discarded practices and beliefs to create religions more in keeping with their personal experience of the world as sacred and filled with meaning. Neo-Pagan religions focus on experience, rather than belief, and many contemporary practitioners have had mystical experiences. They seek a context that normalizes them and creates in them new spiritual dimensions that involve change in ordinary consciousness.Magliocco analyzes magical practices and rituals of Neo-Paganism as art forms that reanimate the cosmos and stimulate the imagination of its practitioners. She discusses rituals that are put together using materials from a variety of cultural and historical sources, and examines the cultural politics surrounding the movement--how the Neo-Pagan movement creates identity by contrasting itself against the dominant culture and how it can be understood in the context of early twenty-first-century identity politics."Witching Culture" is the first ethnography of this religious movement to focus specifically on the role of anthropology and folklore in its formation, on experiences that are central to its practice, and on what it reveals about identity and belief in twenty-first-century North America.

Ten years on from the groundbreaking Triumph of the Moon: A history of Modern Pagan Witchcraft by Professor Ronald Hutton, a selection of worldwide scholars, some 'big names; some newer in the field, with nearly two centuries of hands-on pagan research experience between them, present a collection of researches inspired by, deriving from or just celebrating the immense impact of that seminal book. The topics cover many historical periods, many academic disciplines and it provides a wealth of information of use to academic scholar and interested freelance reader alike. Includes an extended essay by Ronald Hutton on the history of such scholarship, the state of it today and some of his thoughts for the future.

Fire-cat masks, earth mother icons, henna tattoos, ankhs, and water altars--these objects may sound like the inventory in an ancient druid's sanctuary. But they are part of the sacred reliquary created by contemporary artists and practitioners of Neo-Pagan ritual. Calling themselves "witches" and "pagans" and drawing inspiration from pre-Christian polytheistic worship, the practitioners of Neo-Paganism have often been misunderstood by outsiders. In the uninitiated, their art and iconography have inspired fear. In featuring the works of ten artists, Sabina Magliocco's Neo-Pagan Sacred Art and Altars unlocks the meanings of this religion's creativity and symbolism and makes its sacred nature understandable to non-specialists. A stunning array of color plates and halftones will touch the imagination of insiders and outsiders alike, revealing the imaginative skills of some of the movement's most celebrated artists, as well as amateurs working at home with family and friends. These masks and altars, earrings and necklaces create one of the Neo-Pagan movement's most striking features--its ritual art. Yet this is one of the first books to focus on these spiritual objects rather than on the sociology and psychology of the followers. The odd array of costumes and jewelry, as well as the juxtaposition of neo-primitive and medieval-looking styles, troubles outsiders and contributes to the movement's undeserved reputation for attracting eccentrics. Yet its sacred art is part of one of the most flourishing contemporary traditions in the United States. Sabina Magliocco is an assistant professor of anthropology at California State University (Northridge). Her previous book, The Two Madonnas: The Politics of Festival in a Sardinian Community (1993), won the 1994 Chicago Folklore Prize. She has been published in such periodicals as Journal of American Folklore, Western Folklore, and Fabula.