An engaging introduction to one of the most visible, controversial and least understood emblems of Islam The Islamic veil in all its forms - from the headscarf to the full body garment - is one of the most visible signs of Islam as a religion. It is also one of its most controversial and misunderstood traditions among both Muslims and non-Muslims. In an environment of increasing conservatism in Euro-American Muslim-majority societies, in a world where a woman's right to wear the headscarf has become a flashpoint for issues of all sorts, and at a time when racial and religious profiling has become commonplace, it is our political and social responsibility to gain a deeper understanding of veiling. This concise, easy-to-read and even-handed introduction is organised around three main topics: the historical, religious and cultural background; contemporary debates about the veil; and the varied, shifting meanings the veil has had for Muslim women over the past century.

"Islamicate Sexualities: Translations across Temporal Geographies of Desire" explores different genealogies of sexuality and questions some of the theoretical emphases and epistemic assumptions affecting current histories of sexuality. Concerned with the dynamic interplay between cultural constructions of gender and sexuality, the anthology moves across disciplinary fields, integrating literary criticism with social and cultural history, and establishes a dialogue between historians (Kathryn Babayan, Frederic Lagrange, Afsaneh Najmabadi, and Everett Rowson), comparative literary scholars (Sahar Amer and Leyla Rouhi), and critical theorists of sexualities (Valerie Traub, Brad Epps, and Dina al-Kassim). As a whole, the anthology challenges Middle Eastern Studies with questions that have arisen in recent studies of sexualities, bringing into conversation Euro-American scholarship of sexuality with that of scholars engaged in studies of sexualities across a vast cultural (Iberian, Arabic, and Iranian) and temporal field (from the tenth century to the medieval and the modern).

Pathways to Contemporary Islam: New Trends in Critical Engagement highlights that the current tensions in Islam and the Muslim world are the result of historical dynamics as opposed to an alleged incompatibility between religious tradition and modernity. The emphasis on pathways indicates that critical engagement and contestation have always been intrinsic to the history of Islam. The aim of the book is to elaborate the contemporary pathways and analyse the trends that contest the Islamic intellectual tradition, the relationship between religion and politics, and the individual and collective practice of religion. The collection of essays analyses the current efforts of critical re-engagement with the Islamic intellectual tradition and underlines the historical diversity of Islamic orthodoxies that led to the establishment of various pathways in the practice and role of religion in Muslim societies.

Crossing Borders Love Between Women in Medieval French and Arabic Literatures Sahar Amer Winner of the 2009 MLA Aldo and Jeanne Scaglione Prize for comparative literary studies ""Crossing Borders" is a bold and groundbreaking work. Situated at the nexus of queer theory and postcolonial medievalism, it interrogates and seeks to conjoin two significant areas of inquiry: the literary representation of lesbianism and the influence of Arabic traditions on medieval French narrative. Working across a range of genres in both languages, Sahar Amer unearths hitherto unrecognized allusions to lesbianism in Old French texts, arguing that these represent traces of Arabic influence on the key genres of romance and epic."--Sharon Kinoshita, University of California, Santa Cruz "A must read for scholars working in Arabic and European medieval studies, postcolonial theory, queer theory, gender and sexuality, comparative literature, and a variety of other disciplines."--"Journal of Arabic Literature" Given Christianity's valuation of celibacy and its persistent association of sexuality with the Fall and of women with sin, Western medieval attitudes toward the erotic could not help but be vexed. In contrast, eroticism is explicitly celebrated in a large number of theological, scientific, and literary texts of the medieval Arab Islamicate tradition, where sexuality was positioned at the very heart of religious piety. In "Crossing Borders," Sahar Amer turns to the rich body of Arabic sexological writings to focus, in particular, on their open attitude toward erotic love between women. By juxtaposing these Arabic texts with French works, she reveals a medieval French literary discourse on same-sex desire and sexual practices that has gone all but unnoticed. The Arabic tradition on eroticism breaks through into French literary writings on gender and sexuality in often surprising ways, she argues, and she demonstrates how strategies of gender representation deployed in Arabic texts came to be models to imitate, contest, subvert, and at times censor in the West. Amer's analysis reveals Western literary representations of gender in the Middle Ages as cross-cultural, hybrid discourses as she reexamines borders--cultural, linguistic, historical, geographic--not as elements of separation and division but as fluid spaces of cultural exchange, adaptation, and collaboration. Crossing these borders, she salvages key Arabic and French writings on alternative sexual practices from oblivion to give voice to a group that has long been silenced. Sahar Amer is Associate Professor of Asian and International Studies at the University of North Carolina, Chapel Hill. The Middle Ages Series 2008 264 pages 6 x 9 ISBN 978-0-8122-4087-0 Cloth $59.95s 39.00 ISBN 978-0-8122-0108-6 Ebook $59.95s 39.00 World Rights Literature, Women's/Gender Studies Short copy: "Crossing Borders" explores cross-cultural representations of gender and sexual practices in the medieval French and Arabic traditions. Amer demonstrates that the medieval Arabic tradition on eroticism played a determining role in French literary writings on gender and sexuality in the Middle Ages.

Ranging from simple head scarf to full-body burqa, the veil is worn by vast numbers of Muslim women around the world. What Is Veiling? explains one of the most visible, controversial, and least understood emblems of Islam. Sahar Amer's evenhanded approach is anchored in sharp cultural insight and rich historical context. Addressing the significance of veiling in the religious, cultural, political, and social lives of Muslims, past and present, she examines the complex roles the practice has played in history, religion, conservative and progressive perspectives, politics and regionalism, society and economics, feminism, fashion, and art. By highlighting the multiple meanings of veiling, the book decisively shows that the realities of the practice cannot be homogenized or oversimplified and extend well beyond the religious and political accounts that are overwhelmingly proclaimed both inside and outside Muslim-majority societies. Neither defending nor criticizing the practice, What Is Veiling? clarifies the voices of Muslim women who struggle to be heard and who, veiled or not, demand the right to live spiritual, personal, and public lives in dignity.