Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The history of women in early modern Spain is a largely untapped field. This book opens the field substantially by examining the position of women in religious, political, literary, and economic life. Drawing on both historical and literary approaches, the contributors challenge the portrait of Spanish women as passive and marginalized, showing that despite forces working to exclude them, women in Golden Age Spain influenced religious life and politics and made vital contributions to economic and cultural life.

The contributors seek to incorporate the study of Spanish women into the current work on literary criticism and on the intersection of private and public spheres. The authors integrate women into subfields of Spanish history and literature, such as Inquisition studies, the Spanish monarchy, Spain's economic and political decline, and Golden Age drama. The essays demonstrate the necessity and value of incorporating women into the study of Golden Age Spain.

A great way to introduce children to classical music.
America's first Children's Poet Laureate has written all-new verses to accompany the composer Camille Saint-Saens's "The Carnival of the Animals, " and the illustrator of the Harry Potter books has turned these rollicking rhymes into a picture-book fun fest. Included is a CD of the music and of Jack Prelutsky reading the verses. A note to parents and teachers by Judith Bachleitner, head of the music department at the prestigious Rudolf Steiner School in New York City, suggests ways preschoolers can act out the music--tromp like an elephant, hop like a kangaroo, glide like a swan--or, for older children, be creatively inspired by this joyful work.

A series of essays on reactions and emotional responses to music.

Splendid compilation features a variety of the composer's best piano works, all reproduced from authoritative sources. Taking its title from the popular orchestral work "Danse Macabre" (presented here in the brilliant arrangement by Liszt), this collection also includes "Allegro appassionato," "Album" (consisting of six pieces), "Rhapsodie d'Auvergne," "Theme and Variations," plus six etudes, three waltzes, and six etudes for left hand alone. Introduction.

A series of essays on reactions and emotional responses to music.

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

This oratorio by a youthful Camille Saint-Saens was first performed by soloists, chorus and small string orchestra for the 1858 Christmas service at the glise de la Madeleine in Paris. The composer's colleague Eugene Gigout arranged the vocal score, which is presented here in a digitally-enhanced reprint of the one issued by G. Schirmer early in the 20th century. As with the other titles in this series, measure numbers have been added and rehearsal systems have been checked for compliance with the widely available orchestral parts sold by Kalmus. The large A4 size is quite convenient for soloists, choruses, and directors alike.

Collection of ballets making up the Gala des Étoiles of 2015. David Coleman conducts the Teatro alla Scala in performances of, amongst others, 'La Rose Malade' by Gustav Mahler, 'The Dying Swan' by Camille Saint-Saëns and Aram Khatchaturian's 'Spartacus'.

This is a wonderful collection of popular and some less well-known pieces. It contains three movements from The Carnival of the Animals, the slow movement and the famous Maestoso section from the 'Organ' Symphony (No. 3), the meltingly beautiful aria 'Softly awakes my heart' from the opera Samson and Delilah, the opening section of the Danse Macabre, and several other pieces illustrating the range of Saint-Saens' compositional style. All the pieces are immensely playable and have been chosen to suit the needs of both church and concert organists.