The Author: Heo Kyun ('Huh Gyun') has spent most of his adult life studying Korean aesthetics as seen in traditional paintings, architecture, handicraft and Buddhist art, paying special attention to the symbols used in those art forms as well as the ideas Koreans read into them. Over the many years he spent immersed in Korean aesthetics, Heo Kyun became interested in Korean gardens as well, recognising that gardens, too, are an art form. He realised that Korea's gardens, no less than other traditional art forms, reveal much about the Korean view of nature and the Korean philosophy of life. Heo studied the history of Korean art at both the undergraduate and the graduate level at Hongik University, Seoul. He has worked for the Ministry of Culture and Tourism as a specialist, identifying and appraising cultural properties, and has also served as the director of a Centre for Research on Korean Culture. Currently, he is an editor for the Academy of Korean Studies, where he continues to research attitudes and philosophies behind Korea's traditional culture. His publications in Korean include a number of books on Korea's traditional culture, including "A Stroll Around Korea's Old Palaces"; "Explaining the Ideas behind Korea's Old Paintings"; and "The World of Symbols in the Art Decorating Korea's Temples". The Photographer: Lee Gapcheol ('Yi Gapcheol') has travelled to virtually every corner of South Korea, capturing the dynamic spirit of the Korean people in his photographs. Among the published collections (in Korean) of his photographs is Challenge and Response. The Translator: Donald L Baker taught English as a Peace Corps Volunteer in Gwangju in the early 1970s and obtained his PhD in Korean history from the University of Washington in 1983. Since 1987, he has been teaching Korean cultural history at the University of British Columbia, where he is the director of the Centre for Korean Research. He has published numerous articles on Korean religion, philosophy and traditional science, and was one of the editors of the Sourcebook of Korean Civilisation. He is currently working on a survey of religion in modern Korea as well as a study of the Joseon dynasty scholar, Dasan Jeong Yagyong. He was assisted in this translation by Javier Joohang Cha, a Korean Studies graduate student at UBC.

In Philosophy of the Nest, eminent Korean philosopher and poet Park Ynhui encapsulates decades of scholarship as he traces the world history of philosophy from his original perspective. The author, previously published in the West as Park Yee-mun, a nom de plume, follows an overarching vein in the history of philosophy and introduces readers to the meanings behind many ideas, especially the concept of the 'onto-semantical matrix.' Through his engaging, ground-breaking narrative Park offers us a fresh look at the history of philosophy as the world has read so far. Here the onto-semantical matrix serves as a universal measure by which that new perspective is presented to help the readerunderstand and assess all worldviews, the traditional core assertions and discourses of religion, philosophy and science.At another level, Park's work in Philosophy of the Nest also represents intellect and thought in Korea through the years and in our time.Park Ynhui was born in 1930 in Asan, South Korea's Chungcheongnamdo province.He graduated from the Department of French Literature at Seoul National University, subsequently earning a doctorate in French literature atthe Sorbonne, France, and a doctorate in philosophy at the University of Southern California, USA. Park Ynhui has occupied numerous academic positions, including as a professor of French literature at Ewha Womans University, Seoul, professor of philosophy at Rensselaer Polytechnic Institute, professor of philosophy at Simmons College, senior researcher in philosophy at the Harvard Graduate School of Education, visiting professor at the International Christian University in Tokyo and at the University of Mainz, and as an honorary professor at Pohang University of Science and Technology. Park Ynhui has published more than 100 books on poetry, philosophy and other topics, several of which have beentranslated into English, French or German.

How are contemporary artists, east and west, conveying and transforming the soul, philosophy and aesthetics of the classical traditions as they create their own work today? How are those traditions being consciously renewed and how do they remain active and alive in the modern world? Which traces of the old ink of centuries past are inspirational still? The Music of Ink was a unique and experimental event at the British Museum in June 2005. It brought together well-known contemporary artists from Beijing, Dublin and London: literary artists Yang Lian and Romesh Gunesekera; visual artists Qu Lei Lei and Denis Brown; and performing artists Zeng Laide and Rohan de Saram The artists were invited to explore the creative links between the classical and the contemporary, both in their own work and with special regard to China. This book will delight readers who are interested in traditional and contemporary art, calligraphy, literature and music.